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Fictional account of attack on settlers hut in Hunter River district, and subsequent revenge of the survivors of the Aborigines.
Classic text republished as an eBook.
This work examines the emergence of the concepts of religion and religions on 19th-century colonial frontiers. It analyzes the ways in which European settlers, and indigenous Africans, engaged in the comparison of alternative religious ways of life as one dimension of intercultural activity.
A dictionary of surnames of the first settlers of New England and 3 successive generations prior to 1692.
Preliminary Material -- Texts in Context: Nineteenth-Century Settler Culture -- “Bold, unfettered rhapsodies”: Nineteenth-Century Versifications of Indigenous Orature -- “We owe them all that we possess”: 'Savage' Songs and Laments -- “Unlocking the fountains of the heart”: Settler Verse and the Politics of Sympathy -- Indigenous Romeos and Juliets: Romantic Verse Melodramas -- “In their strange customs versed”: Ethnographic Verse Epics -- Conclusion -- Appendix -- Works Cited -- Index.
P.72-88; Barladong (60 miles E. of Perth) - visits to parsonage by natives, physical appearance, clothes, shelters built by women, camp arrangements; solitary fires lit to keep ghosts warm at grave; general beliefs; revenge killings for all deaths; description of graves; use of Wilghee for body decoration; p.99; Foods; p.128; Brief notes on Wesleyan Mission school at Barladong; Aboriginal school established by Mrs Camfield, Albany; native prison, Rottnest Island; p.142- 143; Burial; p.221-3; Kylies, birds eaten; p.228; Punishment for hunting in foreign tribal territory; p.257; Measles epidemic, 1860, King Georges Sound; p.273- 299; Account of New Norcia Mission (taken from Salvado, Memorie Storiche dell Australia ...); p.365; Glass spears; scarification; p.367-72; Fight over woman; wife inheritance; polygamy; p.414; Brief note on Aboriginal school at Perth.
A stimulating combination of memoir, essay, poetry, confession and critique, Blueberries is a powerful and revealing collection from a rising star in Australian creative non-fiction.
“The year was 1873 and all about was the evidence of boom and bust, shattered dreams, foolish ambition, depredation, shame, greed, and cruelty . . .” Onto this broken Western stage rides Michael Coughlin, a Civil War veteran with an enigmatic past, come to town to settle his dead brother’s debt. Together with his widowed sister-in-law, Elizabeth, bankrupted by her husband’s folly and death, they embark on a massive, and hugely dangerous, buffalo hunt. Elizabeth hopes to salvage something of her former life and the lives of the hired men and their families who now depend on her; the buffalo hunt that her husband had planned, she now realizes, was his last hope for saving the land. Elizabeth and Michael plunge south across the aptly named “dead line” demarcating Indian Territory from their home state of Kansas. Nothing could have prepared them for the dangers: rattlesnakes, rabies, wildfire, lightning strikes, blue northers, flash floods—and human treachery. With the Comanche in winter quarters, Elizabeth and Michael are on borrowed time, and the cruel work of harvesting the buffalo is unraveling their souls. Bracing, direct, and quintessentially American, Olmstead’s gripping narrative follows that infamous hunt, which drove the buffalo to near extinction. Savage Country is the story of a moment in our history in which mass destruction of an animal population was seen as a road to economic salvation. But it’s also the intimate story of how that hunt changed Michael and Elizabeth forever.