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Moving account of the long and arduous search by journalist and WWII historian, Aad Wagenaar, to find the identity of the iconic image of a girl looking out from a train bound for Auschwitz.
This collection investigates the complex and myriad relations between identity and borders in an increasingly globalized world. The movement towards a borderless world, bolstered by an unprecedented development in information and communication technology, forces us to rethink traditional notions of singular identity, and directs us towards the need for engaging and negotiating with the world in multiple ways. Employing a wide range of critical approaches to works that examine and explore the contested terrain of globalization and the hotly disputed arena of borders, the essays brought together here offer innovative perspectives through which issues of borders, globalization and identity can be negotiated. Straddling various genres, this collection represents an investigation of the conflicting relationship between identity and borders in the contemporary globalized world.
This is a collection of punchy short stories about various Romani people, well told and authentic. There is humour and pathos - a thoroughly good read.
Professor Ian F. Hancock, Gypsy, scholar, linguist, activist (although not necessarily or always in that order), has spent a good deal of his life kicking against the received opinions and dearth of opportunities that have long oppressed the Romani community. His impact upon Romani Studies has been truly remarkable, both in terms of his contributions to linguistics and Gypsy historiography and in his re-assessment of Romani identity within the Western cultural fabric. No less influential has been his personal development as a scholar and activist for his own community.
Wartime Holland, 1944. Nazis occupy the land. Nine year old Settela - a Dutch Sinti Gypsy - tries to make sense of what's going on around her. But no one will tell her the truth. There are only sudden silences and unanswered questions. Distant gunshots and the rumble of German tanks on the roads. Then, one dawn, policemen raid Settela's encampment. Settela and her family are hauled from their caravans and sent to Kamp Westerbork. Three days later they are transported to Auschwitz. Struggling to understand the insanity of the adult world, Settela dreams of rescuing her people and leading them to safety. Suitable for both adults and teenagers, Settela's Last Road tells a gripping story about an often ignored part of Holocaust Studies - the experiences of the Sinti/Romani people during the cataclysmic years of the Nazi regime. Readers' comments - "A kind of Gypsy Anne Frank. Every school should have a copy." "Moving and beautiful - it made me cry." (This novel is an imaginative interpretation based on historical characters and events. Inspired by the haunting photograph taken by Rudolf Breslauer in 1944, it uses details from SETTELA, a factual account by journalist Aad Wagenaar.)
Presents an illustrated biography of the Jewish heroine, Luba Tryszynska, who saved the lives of more than fifty Jewish children in the Bergen-Belsen concentration camp during the winter of 1944/45.
non-Gypsies who tried to protect the innocent victims of fascism at the risk of their own lives." "This revised edition contains an expanded section on Romania as well as new illustrations and reference notes. The text has been updated to reflect newly available source material." --Book Jacket.
Against What? Against Whom? is a monograph about the author, film maker and video artist Harun Farocki. Its the first book about Farocki that is neither a purely academic publication nor an exhibition catalogue. it brings together the most diverse of themes, tonalities and approaches: alongside a complete filmography and list of installations, there are 21 contributions that take a discursive (or use drawings to) look at Farocki's complex oeuvre. Additionally there are two key Farocki texts, previous reflections on his film and video work, and a new text he has written especially for this book, which begins quite biographically and underhandedly becomes a short history of the making of films and art in (West) Germany over the past 40 years. The themes discussed are as varied as the authors involved, with much focus on individual Farocki films, beginning with the early political, Marxist, educational films, via his cinema direct films and his essay films, that have become classics in the meantime, up To The films and installations, which For The most make use of found footage of the most varied types of image, such as amateur recordings, archive pictures, surveillance images, technical images and computer animations. English text.
A major voice in transnational American studies addresses politics and culture in post-9/11 America
Contributed articles.