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Set in Motion collects for the first time the prose writings of A. R. Ammons, one of our most important and enduring contemporary poets. Hailed as a major force in American poetry by such redoubtable critics as Harold Bloom and Helen Vendler, Ammons has reflected upon the influences of luminaries like Emerson, Thoreau, Whitman, Frost, Stevens, and Williams while creating a compelling style and an artistic vision uniquely his own. Set in Motion includes essays, reviews, and interviews as well as a selection of Ammons's poems, with commentary from the author about their inspiration and effects. He takes up the questions that have been central to American poetry over the last forty years and connects them to the larger enterprise of living in a difficult, changing world. At a moment when the arts are under attack, Ammons reminds us of the crucial role poetry plays in teaching us to recognize and use sources of understanding that are irreducible to statement. A. R. Ammons is the author of Sphere, A Coast of Trees, and Garbage and was recently the editor of The Best American Poetry 1994. His awards include the MacArthur and Guggenheim fellowships, the Bollingen Prize, two National Book Awards, and prizes from the American Academy of Arts and Letters and the National Book Critics Circle. He is Goldwin Smith Professor of Poetry, Cornell University.
Developing countries, confronted with increased demand for health services, are seeking alternative methods for funding these services through a variety of methods, including user charges, private health insurance, community-based financing, and earmarked payroll and general taxation. This book provides a framework for assessing national health financing by drawing on the experiences of industrial countries that have a longer history in addressing the issue. The framework is designed for the assessment of national health financing in terms of what are policy concerns in all health systems: coverage, accessibility to financing, overall affordability, efficiency in the supply and financing of services, innovation, and consumer choice. The book also discusses a number of policy issues arising from the use of the framework. It uses the experience of six industrial countries--Canada, Germany, Japan, the Republic of Korea, the United Kingdom, and the United States--to illustrate the results of different approaches in the pursuit of health care policy objectives
art direction and film narrative
It’s What You Set in Motion: A Toolbox for Collaborative Changemaking is a how-to resource for aspiring and practicing changemakers everywhere. Use this hands-on, one-of-a-kind, all-in-one toolbox to build and enhance essential twenty-first century skill sets: empathy, adaptive leadership, collaborative problem-solving, teamwork, community engagement, innovation design, entrepreneurship, global competence, critical thinking, and others. Whether you support the private, social, governmental, or education sector, this toolbox serves your needs. It includes strategic design principles, tool kits, changemaking innovation mini-case videos, foundational how-to’s, and a means to get advice from and learn from others. This toolbox was designed over twenty years by Greg Van Kirk, a former banker, Returned Peace Corps Volunteer, award-winning social entrepreneur, strategic consultant, facilitator, and educator.
Unfinished at the time of Marx's death in 1883 and first published with a preface by Frederick Engels in 1894, the third volume of Das Kapital strove to combine the theories and concepts of the two previous volumes in order to prove conclusively that capitalism is inherently unworkable as a permanent system for society. Here, Marx asserts controversially that - regardless of the efforts of individual capitalists, public authorities or even generous philanthropists - any market economy is inevitably doomed to endure a series of worsening, explosive crises leading finally to complete collapse. But healso offers an inspirational and compelling prediction: that the end of capitalism will culminate, ultimately, in the birth of a far greater form of society.
Summary: "Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers ʼ drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns."--Publisher description.
Capital: Critique of Political Economy, commonly known as Das Kapital, is a foundational theoretical text in communist philosophy, economics, and politics by Karl Marx. The first volume was published in 1867, with subsequent volumes published posthumously by Engels based on Marx's notes. Structure and Content Capital is divided into three volumes, each addressing different aspects of capitalist production and economics: Volume I: The Process of Production of Capital - This volume focuses on the production process of capital. It introduces key concepts such as commodity, value, surplus value, and the role of labor in creating value. Marx analyzes how commodities are produced and exchanged, and how the exploitation of labor leads to the accumulation of capital by the bourgeoisie. Volume II: The Process of Circulation of Capital - Published posthumously in 1885 by Engels, this volume examines the circulation process of capital. It explores the dynamics of how capital moves through various stages, including money capital, productive capital, and commodity capital. Marx discusses the circulation of commodities and money, the role of credit, and the impact of these processes on the economy. Volume III: The Process of Capitalist Production as a Whole - Also published posthumously by Engels in 1894, this volume integrates the findings of the first two volumes and presents a comprehensive analysis of capitalist production as a whole. It addresses topics such as the tendency of the rate of profit to fall, the formation of an average rate of profit, and the interplay between different sectors of the economy. Style and Narrative Marx's writing in Capital is characterized by its rigorous and detailed analysis of economic concepts and processes. His style combines theoretical exposition with empirical evidence, drawing on historical examples and contemporary economic data. Marx employs dialectical reasoning to explore the contradictions inherent in capitalist production and to demonstrate how these contradictions drive the dynamics of the system.
The authors introduce Proto-Indo-European describing its construction and revealing the people who spoke it between 5,500 and 8,000 years ago. Using archaeological evidence and natural history they reconstruct the lives, passions, culture, society and mythology of the Proto-Indo-Europeans.

Acid Rain--CZMA

United States. Congress. House. Committee on Merchant Marine and Fisheries. Subcommittee on Oceanography

Published: 1982

Total Pages: 292


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With meticulous scholarship and an accurate, highly readable translation, this volume sheds light not only on Spinoza's debt to Descartes but also on the development of Spinoza's own thought. Appearing for the first time in English translation, Lodewijk Meyer's inaugural dissertation on matter (1683)--relevant for its comments on Descartes, Spinoza, and other thinkers of the time--is appended with notes and a short commentary. Cross-references to Descartes's Principles of Philosophy are provided in an index, and there is an extensive bibliography.