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Leftovers, anyone? Serving Up Some Funny Leftovers is the second part of author Lisa DeMarco's first book, Serving Up Some Funny Adult Menu.With the motto, "I would rather be happy than rich," DeMarco says making people laugh "is my calling in life." Her slightly naughty humor is gleaned from the many jokes she hears every day as a waitress in a family-owned diner-style restaurant in Lake County, Florida. Read page after page of the jokes collected by this veteran waitress, who believes that these stories are just too good not to share.Leftovers are the "jokes that didn't get typed in fast enough to be in the first book," says DeMarco, who always wears her signature pink high-tops. This waitress with a large gusto for living and a wonderful sense of humor believes that there is more to digest in life than food!Lisa DeMarco credits her book to her diners. "My customers are my characters. They are the kind souls who share their tales with me and allow me to serve them up for others to enjoy. I am still amazed by some of the punch lines that come from folks nearly double my age. It just proves that a good sense of humor never grows old!" The ever-smiling waitress lives with her husband, Joe, and two daughters, Amanda and Makenzie, in Tavares, Florida. She has more books up her sleeve.Publisher's website: http: //www.strategicpublishinggroup.com/title/ServingUpSomeFunnyLeftovers.html
Giggles, giggles, and more giggles! Is there such a thing as too much laughter? “NO!” says author Lisa DeMarco, aka America’s Funniest Waitress. A transplant to the Sunshine State, this native Jersey girl prides herself on being able to make total strangers laugh out loud. She believes it is her mission in life to feed the world, while also serving up their daily dose of funnies. Serving Up Some Funny House Specials is her latest ray of tasty delights, plucked from her enormous private stash of jokes. This is her third book in the Serving Up Some Funny series, which includes Adult Menu and Leftovers. House Specials is a tribute to the fabulous men and women who shared their spicy, sassy, tasteless tales with her while she served her 30-plus-year sentence in the hospitality industry. She feels privileged to have met all these kind folks she labeled her “jokesters.” Sadly, most of them have since passed away. “What better way could I honor their memories than to serve up their original, blue-plate special for the world to enjoy? Generations of pure, light-hearted laughter are just waiting to fill your soul. And that’s what it’s all about, isn’t it?” For more jokes, visit Lisa at www.laughswithlisa.com or visit her weekly at www.thevillagesnews.com. She will introduce you to all the unique personalities she has met over the years.
Diary of a Sorority House Mom recount's Ann Caruso's first two years as house director for a female version of "Animal House," where the women of the house set and enforced their own rules. When the girls asked if they could recycle liquor bottles during their first meeting, she knew she was in trouble. Though the house director contract and manual mandated that Ms Caruso was responsible for the safety of the girls, she had no authority to carry out that task. There was no tab on the manual for "what happens if a drunk girl falls out of the third floor window, gets raped, or dies of alcohol poisoning." It was common to find kegs icing in the bathtub, bottles of alcohol used as room decorations, and when she asked the risk-management vice president if she wanted to know when a guy spent the night, her response was, "Why? Has someone complained." Diary of a Sorority House Mom will make you laugh out loud, and bring you to tears. It is sometimes hysterical, and at others disturbing or disguesting, but it was her life for two years. Her first sorority girls gave her eighteen of the happiest and six of the saddest months of her life. And for the most part, she wouldn't have changed a thing.
In over 200 recipes, Jessica Fisher shows budget-conscious cooks how they can eat remarkably well without breaking the bank. "Good Cheap Eats" serves up 70 three-course dinners main course, side, and dessert all for less than ten dollars for a family of four. Chapters include "Something Meatier," on traditional meat-centered dinners, "Stretching It," which shows how to flavor and accent meat so that you are using less than usual but still getting lots of flavor, and "Company Dinners," which proves that you can entertain well on the cheap. The hard-won wisdom, creative problem-solving techniques, and culinary imagination she brings to the task have been chronicled lovingly in her widely read blog Good Cheap Eats. Now, with the publication of the book "Good Cheap Eats, "she shows budget-challenged, or simply penny-pinching, home cooks how they can save loads of money on food and still eat smashingly well."
This special release contains books 4, 5 and 6 in the Hal Spacejock series, plus a special bonus story (Hal Spacejock Framed).
"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In Black and Blur—the first volume in his sublime and compelling trilogy consent not to be a single being—Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.
An Oprah Magazine Best Romance Novel of 2020 In this brand-new series from award-winning author Rebekah Weatherspoon, a charming cowboy and his sleeping beauty find their modern-day happily ever after . . . With a headline spot on a hit morning show and truly mouth-watering culinary skills, chef Evie Buchanan is perched on the edge of stardom. But at an industry party, a fall lands Evie in the hospital—with no memory of who she is. Scrambling to help, Evie’s assistant contacts the only “family” Evie has left, close friends who run the luxury dude ranch in California where Evie grew up. Evie has no recollection of them—until former rodeo champion Zach Pleasant walks into her hospital room, and she realizes his handsome face has been haunting her dreams . . . Zach hasn’t seen Evie in years—not since their families conducted a campaign to make sure their childhood friendship never turned into anything more. When the young cowboy refused to admit the feelings between them were real, Evie left California, making it clear she never wanted to see Zach again. Now he refuses to make the same mistake twice. Starting fresh is a risk when they have a history she can’t recall, but Zach can’t bear to let go of her now. Can he awaken the sleeping beauty inside her who might still love him?
"The fifth book in the ... Donovan sci-fi series returns to a treacherous alien planet where corporate threats and dangerous creatures imperil the lives of the colonists."--
The life of a missionary kid is one that few people understand. It is truly a life of challenge and adventure, but lif away from the mission field can be even more difficult to manage.
As a ghostwriter, biographer, and lyricist, David Ritz has worked with some of the biggest names in music, such as Aretha Franklin, Ray Charles, and Marvin Gaye. Now, in his inspiring memoir, he shares how writing for these legendary artists led him to faith. Over the last forty-five years, David Ritz has collaborated with some of the biggest stars in music. Working to give a voice to these iconic musicians, he found his own, and following the sacred pulse he calls “The God Groove,” he also found belief in Christ. In his moving memoir, he recalls growing up as a secular Jew in New York and Dallas, and finding himself drawn to the smoky jazz clubs and Pentecostal churches where the music touched something deep in his soul, unlike anything he’d ever felt before. It was this love of music, coupled with an equal passion for words—both language that flowed across the page and language sung out loud—that led him, against all odds, to convince Ray Charles to hire him as a ghostwriter. Through this first project, David learned the art of capturing another’s voice. As Marvin Gaye’s biographer and cowriter of “Sexual Healing,” David learned about Marvin’s father, a charismatic storefront preacher in an ultra-strict Christian sect, but he also saw the visceral love Marvin had for Jesus. David’s conversations with Aretha Franklin, conducted during the two-year process of writing her memoir, yielded further insights into Christianity. Threaded throughout David’s story are in-depth conversations with Willie Nelson, BB King, Janet Jackson, Smokey Robinson, Etta James, Buddy Guy, and Jessi Colter, all of whom shaped his thinking about faith. The God Groove is a moving, deeply personal, and inspiring memoir about the unlikely ways God works—if we listen to Him.