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In the small rural town of Qonda, South Africa, the power and water supplies are unreliable, property prices are down, and citizens are slowly suffocating in the acrid smoke from the municipal dump. Recently retired English teacher Megan Merton has lived here all her life, most of it at No. 8 Serpent Crescent. So who better than this self-styled pillar of society to shine a spotlight on the decline and dysfunction, not to mention the dubious activities, past and present, of many of her neighbours. Nefarious deeds and bad behaviour deserve harsh treatment and appropriate retribution, if not consignment to one of Dante’s fiendish nine circles of hell. At least that’s what Megan believes – in fact she’s been taking matters into her own hands, unnoticed, for years. And now she has decided to write it all down, to shake all of the skeletons loose, and rejoice in the inventive punishments she devised and personally delivered to the wicked. Then her neighbour Elizabeth Cardew, a lecturer in Classical Studies, suffers a stroke and Megan is entrusted with the keys to No. 9. While Elizabeth begins a long recovery at the local care facility, Whispering Pines, Megan relishes the chance to snoop. Curious as to ‘what a stroke victim looks like’, she decides to visit and see for herself. A bond develops between the two women – one a cold and calculating sociopath, the other a courageous and lonely academic – something that takes both of them by surprise. Vivian de Klerk’s sharp observations and brilliantly acerbic satirical wit make this multi-layered novel at once horrifying, shocking and poignant – and very, very funny.
This photographic book sheds new light upon the architectural and decorative elements of domestic doorways from nineteenth- and early twentieth-century Cairo. Previous studies on the subject have been few and far between, and have paid more attention to the Cairo of Khedive Ismail--the new quarter of the city. Enter in Peace focuses instead on those doorways of houses built in Cairo's older neighborhoods, and inhabited by Egypt's middle classes. Included here are over 150 photographs, illustrating eighty-one of these doorways as well as the façades of the buildings in which they appear. The book records their dimensions and their various architectural and stylistic elements, from the structure of doors, lintels, and paneling to common designs and motifs. Built during a period of great change and modernization in Egypt, these doorways reflect the Ottoman, European, neo-Pharaonic, and Islamic Revival architectural styles prevalent at the time. Ahmed Abdel-Gawad has made a careful study of these historic doorways, with descriptive comments on the houses' original owners and dates of construction, drawing on tax records and histori-cal documentation to present them in context. Handsomely illustrated and thoroughly researched, Enter in Peace provides an important visual record of Cairo's rapidly disappearing architectural heritage.
Half-human and an outcast from birth, Elirah Encathla finds life amongst the elves of the Aluaundi tribe insufferable, especially after the death of her beloved foster-father. Heeding the call of her human side, the beautiful Elirah sets out, leaving the only home and the only love she has ever known to make a new life for herself beyond Aluedra Valley, the great vale of the elves—what Elirah finds is adventure! Journey to the mythical world of Erath, a world filled with monsters, magic, war and romance; discover a young woman, who despite what others say of her learns that she is so much more—she is The Death-Flower, The Battle-Queen of the Elves—she is The Blackrose! The Hemunarth is the first novel in The Blackrose fantasy-adventure series.
An exploration of the practice of inventing languages, from speaking in tongues to utopian schemes of universality to the discoveries of modern linguistics. In Imaginary Languages, Marina Yaguello explores the history and practice of inventing languages, from religious speaking in tongues to politically utopian schemes of universality to the discoveries of modern linguistics. She looks for imagined languages that are autonomous systems, complete unto themselves and meant for communal use; imaginary, and therefore unlike both natural languages and historically attested languages; and products of an individual effort to lay hold of language. Inventors of languages, Yaguello writes, are madly in love: they love an object that belongs to them only to the extent that they also share it with a community. Yaguello investigates the sources of imaginary languages, in myths, dreams, and utopias. She takes readers on a tour of languages invented in literature from the sixteenth to the twentieth century, including that in More’s Utopia, Leibniz’s “algebra of thought,” and Bulwer-Lytton’s linguistic fiction. She examines the linguistic fantasies (or madness) of Georgian linguist Nikolai Marr and Swiss medium Hélène Smith; and considers the quest for the true philosophical language. Yaguello finds two abiding (and somewhat contradictory) forces: the diversity of linguistic experience, which stands opposed to unifying endeavors, and, on the other hand, features shared by all languages (natural or not) and their users, which justifies the universalist hypothesis. Recent years have seen something of a boom in invented languages, whether artificial languages meant to facilitate international communication or imagined languages constructed as part of science fiction worlds. In Imaginary Languages (an updated and expanded version of the earlier Les Fous du langage, published in English as Lunatic Lovers of Language), Yaguello shows that the invention of language is above all a passionate, dizzying labor of love.
Most vols. for 1890- contain list of members of the Folk-lore Society.
Talismano is a novelistic exploration of writing seen as a hallucinatory journey through half-remembered, half-imagined cities—in particular, the city of Tunis, both as it is now, and as it once was. Walking and writing, journey and journal, mirror one another to produce a calligraphic, magical work: a palimpsest of various languages and cultures, highlighting Abdelwahab Meddeb's beguiling mastery of both the Western and Islamic traditions. Meddeb's journey is first and foremost a sensual one, almost decadent, where the narrator luxuriates in the Tunis of his memories and intercuts these impressions with recollections of other cities at other times, reviving the mythical figures of Arab-Islamic legend that have faded from memory in a rapidly westernizing North Africa. A fever dream situated on the knife-edge between competing cultures, Talismano is a testament to the power of language to evoke, and subdue, experience.
Examines the creation of imaginary languages in history and fiction as an expression of the search for an original and primitive or universal language. The author's other works include "Les Mots et les Femmes" (1978) and "Alice au pays du Language" (1981).