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In order to save his homeland, Tull must find the great sea serpents and bring one of them back alive, but he must first pass through enemy territory
In Thundering Silence Thich Nhat Hanh presents the early teachings of the Buddha on not becoming so attached to his teachings that we don’t see reality clearly anymore and become stuck in notions and ideologies, however noble they may be. These teachings can liberate us from the prisons of our mental constructions and allow us to enjoy life fully and be a resource for others. Near the end of his life, the Buddha declared, "during forty-five years, I have not said to encourage his disciplines not caught by words or ideas. Thich Nhat Hanh calls this "the roar of a great lion, the thundering silence of a Buddha". The attitude of openness, non-attachment from views, and playfulness offered by the Buddha in this sutra is an important door for us to enter the realm of Mahayana Buddhist thought and practice. In Thich Nhat Hanh's commentaries he makes use of such classic Buddhist allegories, as The Raft is not the Shore, and The Finger Pointing at the Moon and demonstrate the practical applications of these teachings in everyday life. This revised edition contains new material based on Thich Nhat Hanh’s more recent teachings. The new material makes commentaries on the Sutra on Knowing the Better Way to Catch a Snake more accessible and broader in scope.
Returning to the dark and glamorous 19th century world of her New York Times instant bestseller, The Gilded Wolves, Roshani Chokshi dazzles us with another riveting tale as full of mystery and danger as ever in The Silvered Serpents. They are each other’s fiercest love, greatest danger, and only hope. Séverin and his team members might have successfully thwarted the Fallen House, but victory came at a terrible cost — one that still haunts all of them. Desperate to make amends, Séverin pursues a dangerous lead to find a long lost artifact rumored to grant its possessor the power of God. Their hunt lures them far from Paris, and into the icy heart of Russia where crystalline ice animals stalk forgotten mansions, broken goddesses carry deadly secrets, and a string of unsolved murders makes the crew question whether an ancient myth is a myth after all. As hidden secrets come to the light and the ghosts of the past catch up to them, the crew will discover new dimensions of themselves. But what they find out may lead them down paths they never imagined. A tale of love and betrayal as the crew risks their lives for one last job.
The folktales of A. N. Afanas’ev represent the largest single collection of folktales in any European language and perhaps in the world. Widely regarded as the Russian Grimm, Afanas’ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Byelorusian, Russian, and Ukrainian. The result of his own collecting, the collecting of friends and correspondents, and in a few cases his publishing of works from earlier and forgotten collections is truly phenomenal. In his lifetime, Afanas’ev published more than 575 tales in his most popular and best-known work, Narodnye russkie skazki. In addition to this basic collection he prepared a volume of Russian legends, many on religious themes, an anthology of mildly obscene tales, and voluminous writings on Slavic folk life and Slavic mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union at the end of the twentieth century. Overwhelmingly, his particular emendations were of a stylistic nature, while those of the censors mostly concerned content. The censored tales are generally not included. Up to now, there has been no complete English-language version of the Russian folktales of Afanas’ev. This translation is based on L. G. Barag and N. V. Novikov’s edition (Moscow: Nauka, 1984-1986), widely regarded as the authoritative edition. The present edition includes commentaries to each tale as well as its international classification number.
David Carr rethinks both the methods and historical orientation points for research into the growth of the Hebrew Bible into its present form.
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Unbeknownst to ten-year-old Wil Wychwood, he comes from a long line of mages. But with the death of his grandmother and his world upended, Wil moves to live with “the Aunts” and finds himself in MiddleGate – where buses drive through brick walls and leaning houses dot streets named Wog’s Hollow and Half Moon Lane. The four-hundred-and-ninety-four-year-old school, Gruffud’s Academy, is out of this world too. With classes in numeristics, botanicals, cartology and verbology, and textbooks like "Magykal Spelling, Grammar and Palaver," this is no ordinary school. Yet something dark brews beneath the veneer of this idyllic hidden city. When Wil and his cousin Sophie rescue the sacred snakes of Narcisse, they find themselves swept up in a dangerous plot. The secret society known as the Serpent’s Chain is on the loose, and Wil is carrying the very thing they’ve been searching for. "Beware the Serpent’s Chain," they were told, but what does that mean? What dangers await Wil and Sophie as they unravel this wicked mystery?