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The evil mastermind-and master of disguise-Fu Manchu has long threatened to take over the world. In the past century, his dastardly plans have driven serialized novels, comic books, films, and TV. Yet this sinister Oriental character represents more than an invincible criminal in pop culture; Fu Manchu became the embodiment of the Yellow Peril. Serial Fu Manchu provides a savvy cultural, historical, and media-based analysis that shows how Fu Manchu's irrepressibility gives shape to-and reinforces-the persistent Yellow Peril myth. Ruth Mayer argues that seriality is not merely a commercial stra.
The evil mastermind—and master of disguise—Fu Manchu has long threatened to take over the world. In the past century, his dastardly plans have driven serialized novels, comic books, films, and TV. Yet this sinister Oriental character represents more than an invincible criminal in pop culture; Fu Manchu became the embodiment of the Yellow Peril. Serial Fu Manchu provides a savvy cultural, historical, and media-based analysis that shows how Fu Manchu’s irrepressibility gives shape to—and reinforces—the persistent Yellow Peril myth. Ruth Mayer argues that seriality is not merely a commercial strategy but essential to the spread of European and American fears of Asian expansion. Tracing Fu Manchu through transnational serials in varied media from 1913 to the 1970s, Mayer shows how the icon evolved. She pays particular attention to the figure’s literary foundations, the impact of media changes on his dissemination, and his legacy. In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Võ
This final volume in the Fu-Manchu collection brings together some unpublished manuscripts, and stories which have previously appeared only in magazine form, by the late Sax Rohmer. The long title novella and three others feature the dastardly Dr. Fu-Manchu – and, of course, his unremitting opponent, Sir Denis Nayland Smith. There are eight more stories in this book, no less characteristic of Sax Rohmer's art.
Arthur Henry Sarsfield Ward (1883 – 1959), better known as Sax Rohmer, was a prolific English novelist. He is best remembered for his series of novels featuring the master criminal Dr. Fu Manchu.He issued the first Fu Manchu novel, in 1913. It was an immediate success. The Fu Manchu stories, together with his more conventional detective series characters—Paul Harley, Gaston Max, Red Kerry, Morris Klaw (an occult detective), and The Crime Magnet— made Rohmer one of the most successful and well-paid authors of the 1920s and 1930s. The first three Fu Manchu books were published in the four years 1913–17; but it was not until 1931 (some fourteen years after the third book in the series) that Rohmer returned to the series with The Daughter of Fu Manchu. The reason for the long interval was that Rohmer wanted to be well and truly done with the series after The Si-Fan Mysteries, much as Arthur Conan Doyle did with Sherlock Holmes. The first three books had been successfully filmed by Stoll in the twenties as a pair of serials. In 1928, Rohmer bowed to pressure and agreed to write a fourth novel as a serial for Collier's. Paramount had the first Warner Oland picture gearing up for production and the daily newspaper strip based on the series was in the offing.In this book:The Insidious Dr. Fu-Manchu, 1913The Hand Of Fu-Manchu, 1917The Return of Dr. Fu-Manchu, 1916Tales of Chinatown, 1922Brood of the Witch-Queen, 1918The Devil Doctor, 1916The Orchard of Tears, 1918
Arthur Henry Sarsfield Ward, better known as Sax Rohmer, was a prolific English novelist. He is best remembered for his series of novels featuring the master criminal Dr. Fu Manchu. This is one of his novels.
The post-Darwinian theory of atavism forecasted obstacles to human progress in the reappearance of throwback physical or cultural traits after several generations of absence. In this original and stimulating work, Dana Seitler explores the ways in which modernity itself is an atavism, shaping a historical and theoretical account of its dramatic rise and impact on Western culture and imagination.
The Return of the Ultimate Villain. A new collection of three novels in one volume featuring Sax Rohmer's most famous character Dr Fu Manchu.
Flash Gordon, Flash Gordon's Trip to Mars and Flash Gordon Conquers the Universe, the most expensive and popular movie serials ever made, have been favorites of movie and comic fans for decades. The original 1936 serial, designated a cultural treasure, was selected for inclusion in the National Film Registry in 1996. Arranged in a chapter-by-chapter format conforming to the structure of the three original serials, the work provides full cast and crew information, plot synopses, and production notes for all 40 episodes. The work also has a wealth of background information and 159 photographs, along with comments from cast members interviewed--Buster Crabbe, Jean Rogers, and Carroll Borland. Appendices provide an overview of the serial Buck Rogers (1939), select filmographies for 50 of the most prominent Flash Gordon cast and crew, and a complete list of the serials' film and television remakes.
Rough justice has often been served in the pages of serial novels, notably beginning with Don Pendleton's The Executioner in 1969. This is the first overview of the serial vigilante genre, which featured such hard-boiled protagonists as Nick Carter, Mark Stone, Jake Brand and Able Team among the 130 series that followed Pendleton's novel. Serial vigilantes repeatedly take the law into their own hands, establishing and imposing their own moral standards, usually by force. The book examines the connections between the serial vigilante and the pulp hero that preceded him and how the serial vigilante has influenced a variety of tough guys, private eyes, spies and cops in different media. A complete bibliography for each series is featured.