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The life of Sergeant Roger Lamb, a young Dubliner who had served the Royal Welsh Fusiliers during the American War of Independence was the subject of a novelistic enterprise originally published in two parts because of war time paper shortages. The final result is a pair of picaresque novels concerned with the passions and frustrations of a distant war which mirrored many of Graves' own feelings for World War II which was happening around him. As an account of the struggle for independence, the horrors and excitements of war, the two novels were well reviewed and popular when published in the early 1940s. This chance to have both parts of what Graves considered to be a single project in one volume offers the opportunity of access to a literary and historical creation which both opens up the world of the American War of Independence, and the creative life and mind of a great writer of the 20th century.
The author of Sergeant Lamb’s America continues the fictionalized account of an Irish soldier fighting for the British during the Revolutionary War. This is the second in a two-book series telling the story of Sgt. Roger Lamb, a non-commissioned officer in the British Army, who served in America during the American War of Independence. Captured with Gen. Johnny Burgoyne after the Battle of Saratoga, he made a daring escape and later served under General Cornwallis. Following closely to Sergeant Lamb’s personal memoirs, renowned poet, classicist, and novelist Robert Graves traces the sergeant’s harrowing time in the service, providing a compelling, only barely fictionalized eyewitness account of a crucial point in American history.
The author of I, Claudius “recounts, in faithful and nicely atmospheric detail” the story of a British soldier during the American Revolution (The Philadelphia Inquirer). The first in a two-book series, Sergeant Lamb’s America tells the story of Sgt. Roger Lamb, an Irish soldier who served on the British side during the American War of Independence. Based on real historical events and people, Sergeant Lamb recounts the British defeat and the capture of his unit at the Battle of Saratoga in a voice that’s both funny, insightful, and wise. This fictionalized account is based on the journals of the historical Sergeant Roger Lamb, and is largely faithful to the true eyewitness account of the American Revolution told from the loser’s perspective. With his engaging, personable voice and basic decency of character, Sergeant Lamb reminds us that regardless of how history casts the British side, there were good men on both sides of this important conflict. “It is a historical novel for which one has a very real respect.” —The New York Times
Bruccoli Great War Collection at the University of South Carolina: An Illustrated Catalogue provides a reference tool for the study of one of the great watershed moments in history on both sides of the Atlantic serving historians, researchers, and collectors.
This is a unique new reference book to English-language writers and writing throughout the present century, in all major genres and from all around the world - from Joseph Conrad to Will Self, Virginia Woolf to David Mamet, Ezra Pound to Peter Carey, James Joyce to Amy Tan. The survivors of the Victorian age who feature in The Oxford Companion to Twentieth-Century Literature in English - writers such as Thomas Hardy, Olive Schreiner, Rabindranath Tagore, Henry James - could hardly have imagined how richly diverse `Literature in English' would become by the end of the century. Fiction, plays, poetry, and a whole range of non-fictional writing are celebrated in this informative, readable, and catholic reference book, which includes entries on literary movements, periodicals, and over 400 individual works, as well as articles on some 2,400 authors. All the great literary figures are included, whether American or Australian, British, Irish, or Indian, African or Canadian or Caribbean - among them Samuel Beckett, Edith Wharton, Patrick White, T. S. Eliot, Derek Walcott, D. H. Lawrence, Tennessee Williams, Vladimir Nabokov, Wole Soyinka, Sylvia Plath - as well as a wealth of less obviously canonical writers, from Anaïs Nin to L. M. Montgomery, Bob Dylan to Terry Pratchett. The book comes right up to date with contemporary figures such as Toni Morrison, Ben Okri, Salman Rushdie, Carol Shields, Tim Winton, Nadine Gordimer, Vikram Seth, Don Delillo, and many others. Title entries range from Aaron's Rod to The Zoo Story; topics from Angry Young Men, Bestsellers, and Concrete Poetry to Soap Opera, Vietnam Writing, and Westerns. A lively introduction by John Sutherland highlights the various and sometimes contradictory canons that have emerged over the century, and the increasingly international sources of writing in English which the Companion records. Catering for all literary tastes, this is the most comprehensive single-volume guide to modern (and postmodern) literature.
Richard Ellmann's scholarly work is notable for its striking liveliness and clarity and its genuine illumination of the writers and works with which he dealt. His life of James Joyce, published in 1959, received more commendation and critical praise than any previous literary biography.
The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.
A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.