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Seoul Searching is a collection of fourteen provocative essays about contemporary South Korean cinema, the most productive and dynamic cinema in Asia. Examining the three dominant genres that have led Korean film to international acclaim—melodramas, big-budget action blockbusters, and youth films—the contributors look at Korean cinema as industry, art form, and cultural product, and engage cinema's role in the formation of Korean identities. Committed to approaching Korean cinema within its cultural contexts, the contributors analyze feature-length films and documentaries as well as industry structures and governmental policies in relation to transnational reception, marketing, modes of production, aesthetics, and other forms of popular culture. An interdisciplinary text, Seoul Searching provides an original contribution to film studies and expands the developing area of Korean studies.
Amos Lee and family were off on their first family holiday ever, to Seoul, South Korea! But everyone was caught up in their own thing: Dad kept checking his work emails. Mum and Grandma were chasing down K-pop stars. Whoopie only cared about growing long eyelashes. And Everest was set to win a Choco Pie eating contest. As for Amos, he just wanted to win the Instagram Prize for Popular Youth! But when Grandpa went missing, the family holiday became a living nightmare. Grandpa was lost in a city of TEN MILLION people—how were they going to find him?
"In 1981, a 31-year-old single Christian woman moves to Seoul, South Korea, to teach first grade in a foreign school. While teaching overseas has long been on her "life list," her adjustment to a new culture and language is overwhelming, but exciting and rewarding. Develop a love for Korea along with her. Her adventures include getting a master's degree in a foreign country, and in the sequel Re-Searching Seoul, writing English textbooks for Korean middle schools, and enjoying the 1988 Seoul Olympics. She is also intent on pursuing another "life list" goal-to become a mother, but finds it illegal. Does she have the fortitude necessary to take on the Korean government in a long, impossible, exhausting battle to build a family? Journey with her in both books (Seoul Searching and Re-Searching Seoul) through monthly newsletters and private diary entries as she not only adjusts to the culture around her but fights the Korean government to achieve her heart's desire-motherhood."--Back cover.
Maria's best friend is getting married! As Maid of Honor, she comes to find out that the wedding is being held in the fiancé's home country. South Korea. Flying more than halfway across the world, Maria encounters more than just a culture shock. He goes by the name of... Lee Hwan Soo. An up-and-coming Korean drama actor and a damn near perfect specimen of a man. But just when he gets his big break, his best friend announces his engagement to a woman from America. Being jaded in love, Hwan Soo, puts off the idea of ever being in female company for longer than a date or two. Until he finds out that his best friend and the bride-to-be need him to 'babysit' the bride's Maid of Honor, Maria. Keeping her from making major cultural faux pas, preventing her from creating international incidents, and somehow teaching her how to speak an entirely new language in time for their friend's big day... What could possibly go wrong?Join Maria and Lee Hwan Soo on a crazy rollercoaster of life, language, and most importantly love.
This volume explores the complex horizon of landscapes in horror film culture to better understand the use that the genre makes of settings, locations, spaces, and places, be they physical, imagined, or altogether imaginary. In The Philosophy of Horror, Noël Carroll discusses the “geography” of horror as often situating the filmic genre in liminal spaces as a means to displace the narrative away from commonly accepted social structures: this use of space is meant to trigger the audience’s innate fear of the unknown. This notion recalls Freud’s theorization of the uncanny, as it is centered on recognizable locations outside of the Lacanian symbolic order. In some instances, a location may act as one of the describing characteristics of evil itself: In A Nightmare on Elm Street teenagers fall asleep only to be dragged from their bedrooms into Freddy Krueger’s labyrinthine lair, an inescapable boiler room that enhances Freddie’s powers and makes him invincible. In other scenarios, the action may take place in a distant, little-known country to isolate characters (Roth’s Hostel films), or as a way to mythicize the very origin of evil (Bava’s Black Sunday). Finally, anxieties related to the encroaching presence of technology in our lives may give rise to postmodern narratives of loneliness and disconnect at the crossing between virtual and real places: in Kurosawa’s Pulse, the internet acts as a gateway between the living and spirit worlds, creating an oneiric realm where the living vanish and ghosts move to replace them. This suggestive topic begs to be further investigated; this volume represents a crucial addition to the scholarship on horror film culture by adopting a transnational, comparative approach to the analysis of formal and narrative concerns specific to the genre by considering some of the most popular titles in horror film culture alongside lesser-known works for which this anthology represents the first piece of relevant scholarship.
In the process, this book focuses on the great complexity involved when deciding to enter a conflict; the almost universal circumvention of congressional authority; the ineffectualness of "pinprick" air strikes; and the essentially ad hoc nature of military deployment since the cold war."--BOOK JACKET.
This book examines the changes in politics, economics, society, and foreign policy in South Korea since 1980. Starting with a brief description of its history leading up to 1980, this book deals with South Korea's transition to democracy, the stunning economic development achieved since the 1960s, the 1997 financial crisis, and the economic reforms that followed and concludes with the North Korean nuclear crisis and foreign relations with regional powers. The theoretical framework of this book addresses how democratization affected all of these dimensions of South Korea. For instance, democratization allowed for the more frequent alternation of political elites from conservative to liberal and back to conservative. These elites initiated different policies for dealing with North Korea and held different views on South Korea's role in its alliance with the United States. Consequently, ideological divides in South Korean politics became more stark and the political process more combative.
From a New York Times bestselling author, this groundbreaking book celebrates and examines the history of Asian Americans on the big screen, exploring how iconic films have shaped Hollywood, representation, and American culture. In 2018, the critical and financial success of Crazy Rich Asians ignited new fires in Hollywood to create and back Asian-centric stories. Since then, the number of movies featuring Asian Americans, either in front or behind the camera, has boomed and ushered in a new era of filmmaking. But many films, like The Joy Luck Club in 1993, paved the way for Asian American-led films before Crazy Rich Asians and to today. The Golden Screen is an in-depth look at those films, and the factors that played into their success. The Golden Screen includes commentary and conversations from Hollywood's most visible faces, such as Simu Liu, Lulu Wang, Daniel Dae Kim, Janet Yang, Ronny Chieng, Alice Wu, and Ken Jeong. See the movies that inspired today's modern stars to enter moviemaking, and how they're paying it forward to the next wave of creators. Featuring beautiful, original artwork from nine esteemed Asian illustrators, including: Toma Nguyen, barbarian flower, Jun Cen, Cryssy Cheung, Cliff Chiang, Yu-Ming Huang, JiYeun Kang, Ashraf Omar, and Zi Xu. A beautiful keepsake and collection of over 100 photographs and original art, The Golden Screen is perfect for movie and history fans alike, and reaffirms the importance of the Asian American film canon, and all the people involved, in an increasingly diverse Hollywood.
SEOUL Magazine is a travel and culture monthly designed to help both expats and tourists get the most of their stay in the city, whether they’re in for only a few days or dedicated lifers who are always in search of new places, facts and interesting events. Featuring in-depth reporting on how to enjoy the city, foreigners’ perspectives on life as an expat in Korea and more, SEOUL is an eclectic publication that has something for everyone, whether you’re looking for an interesting read or a simple source of information.