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This collection, including poems from her early chapbooks as well as later writing, was first announced in 1994. The title poem, she says, is not only sexually suggestive, but alludes to the idea of a forked tongue liar or a gossip from which many of the other pieces derive.
"[Nila northSun's poems] embrace her tribal identity and confront the challenges of being a contemporary American woman. Her poems are a confession of the extremes of her life: the highs of a first kiss, the lows of coming home to an empty house. They tell how it feels to hold a rebellious child, to wait too long for a too late lover and to miss tomorrow that is already gone. They tell what it is to love at gunpoint."--Page 4 of cover.
A powerful, moving anthology that celebrates the breadth of Native poets writing today. Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry. This companion anthology features each poem and poet from the project—including Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, and Layli Long Soldier, among others—to offer readers a chance to hold the wealth of poems in their hands. The chosen poems reflect on the theme of place and displacement and circle the touchpoints of visibility, persistence, resistance, and acknowledgment. Each poem showcases, as Joy Harjo writes in her stirring introduction, “that heritage is a living thing, and there can be no heritage without land and the relationships that outline our kinship.” In this country, poetry is rooted in the more than five hundred living indigenous nations. Living Nations, Living Words is a representative offering.
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