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“Dralyuk’s new translation of Sentimental Tales, a collection of Zoshchenko’s stories from the 1920s, is a delight that brings the author’s wit to life.”—The Economist Mikhail Zoshchenko’s Sentimental Tales are satirical portraits of small-town characters on the fringes of Soviet society in the first decade of Bolshevik rule. The tales are narrated by one Kolenkorov, a writer not very good at his job, who takes credit for editing the tales in a series of comic prefaces. Yet beneath Kolenkorov’s intrusive narration and sublime blathering, the stories are genuinely moving. They tell tales of unrequited love and amorous misadventures among down-on-their-luck musicians, provincial damsels, aspiring poets, and liberal aristocrats hopelessly out of place in the new Russia, against a backdrop of overcrowded apartments, scheming, and daydreaming. Zoshchenko’s deadpan style and sly ventriloquy mask a biting critique of Soviet life—and perhaps life in general. An original perspective on Soviet society in the 1920s and simply uproariously funny, Sentimental Tales at last shows Anglophone readers why Zoshchenko is considered among the greatest humorists of the Soviet era. “A book that would make Gogol guffaw.”—Kirkus Reviews “If you find Chekhov a bit tame and want a more bite to your fiction, then you need a dose of Zoshchenko, the premier Russian satirist of the twentieth century . . . Snap up this thin volume and enjoy.”—Russian Life “Mikhail Zoshchenko masterfully exhibits a playful seriousness. . . . Juxtaposing joyful wit with the bleakness of Soviet Russia, Sentimental Tales is a potent antidote for Russian literature’s dour reputation.”—Foreword Reviews “Superb.”—Los Angeles Review of Books
Each of Lara Vapnyar's six stories invites us into a world where food and love intersect, along with the overlapping pleasures and frustrations of Vapnyar's uniquely captivating characters. Meet Nina, a recent arrival from Russia, for whom colorful vegetables represent her own fresh hopes and dreams . . . Luda and Milena, who battle over a widower in their English class with competing recipes for cheese puffs, spinach pies, and meatballs . . . and Sergey, who finds more comfort in the borscht made by a paid female companion than in her sexual ministrations. They all crave the taste and smell of home, wherever—and with whomever—that may turn out to be. A roundup of recipes are the final taste of this delicious collection.
Sentimental Stories by Guatemalan born Enrique Gómez Carrillo, man of letters, duelist and dandy, originally published in 1900 and here presented here in English for the first time in a translation by Jessica Sequeira, is an exquisite selection of nine tales that covers the ground from desire to insanity, fulfillment in erotic love to suffering in intense anguish. In these stories of solitary figures struggling with incorrigible sentimentality, we meet an aspiring poet who becomes obsessed with what he believes to be Cleopatra's wig, an eccentric doctor who sells a cure for artistic enthusiasm to fictional writers and artists, and a military man who suffers from jealousy due to an anonymous letter, all told with the light touch of a writer who found beauty in surfeit and exaggeration, dissolution and extravagance.
Raymond Carver, Alice Munro, John Updike, Gabriel García Márquez, Mavis Gallant, Julian Barnes, Michael Chabon, Jamaica Kincaid, John O'Hara, Muriel Spark, Ann Beattie, and William Maxwell are among the contributors to Nothing But You: Love Stories from The New Yorker--assembled by Roger Angell, senior editor at The New Yorker. This is the first fiction anthology in more than three decades from the magazine that has defined the American short story for almost a century. As noteworthy for its range as for its excellence, Nothing But You features a stunning array of present and past masters writing about love in all its varieties, from the classic love story to dislocated narratives of weird modern romance. Taken separately, these stories suggest the infinite variety of the human heart. Taken together, they are a literary milestone, a comprehensive review of the way we live and love now.
"Like Anderson's Winesburg, Ohio, Joyce's Dubliners, or Isherwood's Berlin Stories, these stories about loss and redemption possess an evocative sense of place and society as they are transformed by the author's nervous relationship with the world. In the title story, the narrator imagines his way into the dark, elusive world of southern writer Breece D'J Pancake; "Imaginary Birds" flawlessly renders the reverie of a senile old woman to make the world anew; in stories such as "Nostalgia for Ghosts," "The Metaphor," "Intersections," and "A Seat for the Coming Savior," the quiet desperation of urban places gives way to moments of beauty, profundity, even holiness, in the midst of devastation and heartbreak."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Among the most popular writers of the early Soviet period was the satirist Mikhail Zoshchenko, whose career spanned nearly four decades and who was as beloved by ordinary people as he was admired by the elite. His most popular pieces, often appearing in newspapers, were "short-short stories" written in a slangy, colloquial style. Typical targets of his satire are the Soviet bureaucracy, crowded conditions in communal apartments, marital infidelities and the rapid turnover in marriage partners, and what a disdainful Soviet judge in one of the sketches dismisses as "the petty-bourgeois mode of life, with its adulterous episodes, lying, and similar nonsense." Farcical complications, satiric understatement, humorous anachronisms, and an ironic contrast between high-flown sentiments and the down-to-earth reality of mercenary instincts were his favorite devices. Zoshchenko had an uncanny knack for eluding Soviet censorship (one of the sketches even touches humorously on the dangerous topic of party purges) and his work as a result offers us a marvelous window on life in Russia during the twenties and thirties.