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Sentence First, Arguments Afterward collects the important papers of Lila Gleitman, a pioneer of the field of cognitive science. The book explores language from the perspective of language acquisition, linguistic relativity, and the very nature of syntax and semantics. Gleitman reveals insights that are important both for their perspective on the history of the field and for current practice in the study of language and thought.
This book systematically outlines the development of ancient Chinese. Consisting of 20 chapters, the self-contained work presents macro-level discussions on a broad range of topics, including: philology, phonology, exegetics, certain words’ special meanings, sentence types, the flexible use of words, different grammars in ancient and modern times, and rhetoric. Though chiefly focusing on vocabulary, the book also addresses grammar, and points out grammar problems that differ considerably from those in modern Chinese, in addition to combining morphology and syntax. Further, unlike the majority of textbooks on the subject, it pays more attention to the rhetoric used in ancient Chinese literary works. Rather than simply analyzing linguistic phenomena, the book also (and more importantly) provides a meaningful approach to the study of ancient Chinese. Accordingly, it offers a valuable asset for researchers, graduate students, and everyone else who is interested in ancient Chinese.
First series, books 1-43, includes "Notes on U.S. reports" by Walter Malins Rose.
Based on workshops and conferences on Artificial Intelligence (AI) and Law, this work deals with legal ontologies and Semantic Web applications, covering both theoretical aspects and practical systems.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times