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Aunt Martha is a very sensible woman who believes that there is a place for everything, and everything should be in that place, and she does not detour from that. Her sensible life is turned into chaos when her niece, Teensy, and Teensy's husband, Elmo, spend some time with her, disrupting her sensible life and routine. In all the upheaval, will Aunt Martha survive or will she learn a very valuable life lesson?
Aunt Martha, once again, finds herself in the very unsensible position of vacationing with Teensy and Elmo at the circus. Everything is so different from her sensible, well-laid-out daily plans. Not only is her daily routine disrupted, but the circus folks are unlike anyone she has ever come into contact with. The Sassy family, aerial acrobats, have decided that Aunt Martha is an outsider who cannot possibly be considered circus-worthy and do everything in their power to send her home. In all the upheaval, will Aunt Martha be sent home in disgrace, or will the Sassy family learn a very valuable life lesson?
Traces the making of the influential 1950s film inspired by the story of Cynthia Ann Parker, sharing details of Parker's 1836 abduction by the Comanche and her return to white culture twenty-four years later.
"Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know." — Ann Patchett “Improbably charming...will have you chortling and reading lines aloud.” — PEOPLE The internationally bestselling, compulsively readable novel—spiky, sharp, intriguingly dark, and tender—that combines the psychological insight of Sally Rooney with the sharp humor of Nina Stibbe and the emotional resonance of Eleanor Oliphant Is Completely Fine. Martha Friel just turned forty. Once, she worked at Vogue and planned to write a novel. Now, she creates internet content. She used to live in a pied-à-terre in Paris. Now she lives in a gated community in Oxford, the only person she knows without a PhD, a baby or both, in a house she hates but cannot bear to leave. But she must leave, now that her husband Patrick—the kind who cooks, throws her birthday parties, who loves her and has only ever wanted her to be happy—has just moved out. Because there’s something wrong with Martha, and has been for a long time. When she was seventeen, a little bomb went off in her brain and she was never the same. But countless doctors, endless therapy, every kind of drug later, she still doesn’t know what’s wrong, why she spends days unable to get out of bed or alienates both strangers and her loved ones with casually cruel remarks. And she has nowhere to go except her childhood home: a bohemian (dilapidated) townhouse in a romantic (rundown) part of London—to live with her mother, a minorly important sculptor (and major drinker) and her father, a famous poet (though unpublished) and try to survive without the devoted, potty-mouthed sister who made all the chaos bearable back then, and is now too busy or too fed up to deal with her. But maybe, by starting over, Martha will get to write a better ending for herself—and she’ll find out that she’s not quite finished after all.
Previously published in paperback under the name Donna Baker. Cumbria, 1901: aged twenty-one, Joanna has never seen England before. Now her father's death has sent her home from India, back to a country and family she has never known. As she prepares to meet relations of her father for the first time, she must also ready herself to claim her inheritance - and house and working mines in this new land. But Joanna has brought with her another inheritnace - a knowledge and affinity with the customs and traditions of India, the nation which raised her. And the dreams she has now are not just visions of her past...but they might just become guidance for her future. As she grows to understand the stories behind the tragic loves and marriages in her family's past she wonders if she will be the one to break the pattern. But answering this question will test her to the limit.