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Is Emmanuel Levinas a dismissive critic of Husserlian phenomenology, or an important member of its movement? The standard account of Levinas's work assumes his distance from Husserl. In opposition to this account, Sensibility and Singularity contends that Husserl was a vital, living resource for Levinas throughout his philosophical career. The singularity of the Other is the centerpiece of Levinas's thought. The philosophical significance of this singularity, however, cannot be fully appreciated without attending to Levinas's transformation of the Husserlian themes of time, materiality, intentionality, and sense. This book documents those transformations and establishes their centrality to Levinas's notion of ethics. What emerges from this reading is a thorough account of Levinas's constant and productive debate with the Husserlian tradition of phenomenology.
Philosophical thinking is interrupted by the finitude of what cannot be named, on the one hand, and that within which it is subsumed as one of multiple modes of sense-making, on the other. Sense and Singularity elaborates Jean-Luc Nancy’s philosophical project as an inquiry into the limits or finitude of philosophy itself, where it is interrupted, and as a practice of critical intervention where philosophy serves to interrupt otherwise unquestioned ways of thinking. Nancy’s interruption of philosophy, Van Den Abbeele argues, reveals the limits of what philosophy is and what it can do, its apocalyptic end and its endless renewal, its Sisyphean interruption between the bounds of infinitely replicating sense and the conceptual vanishing point that is singularity. In examinations of Nancy’s foundational rereading of Descartes's cogito as iterative, his formal experimentations with the genres of philosophical writing, the account of “retreat” in understanding the political, and the interruptive play of sense and singularity in writings on the body, sexuality, and aesthetics, Van Den Abbeele offers a fresh account of one of our major thinkers as well as a provocative inquiry into what philosophy can do.
This book presents a comprehensive and detailed exploration of the relationship between the thought of G.W.F. Hegel and that of John McDowell, the latter of whom is widely considered to be one of the most influential living analytic philosophers. It serves as a point of entry in McDowell’s and Hegel’s philosophy, and a substantial contribution to ongoing debates on perceptual experience and perceptual justification, naturalism, human freedom and action. The chapters gathered in this volume, as well as McDowell’s responses, make it clear that McDowell’s work paves the way for an original reading of Hegel’s texts. His conceptual framework allows for new interpretive possibilities in Hegel’s philosophy which, until now, have remained largely unexplored. Moreover, these interpretations shed light on various aspects of continuity and discontinuity between the philosophies of these two authors, thus defining more clearly their positions on specific issues. In addition, they allow us to see Hegel’s thought as containing a number of conceptual tools that might be useful for advancing McDowell’s own philosophy and contemporary philosophy in general.
Our world is saturated with images. Overwhelmed by this proliferation of visual stimuli, our gaze becomes increasingly bored and distracted. Do we ever really read and engage with images? Can they ever provide the sense of meaningfulness we crave? French-Jewish philosopher Emmanuel Levinas confronted and subverted these questions. A superficial reading of his works might indicate an ambivalence if not a wholesale critique of the visual, whose mode of signification remains, for him, objectified, finite and flat. Yet an enigmatic statement - 'Ethics is an optics' - recurred throughout his work. Hagi Kenaan takes this mysterious idea as the starting point for a strikingly original philosophical argument on the place of visuality in Levinas' ethics. The Ethics of Visuality analyses Levinas' philosophy of the human face in order to show how his vision of 'Otherness'(alterity and transcendence) can open up for us a new and surprising kind of optics that is so needed for an ethical living in the contemporary world. Where other critical approaches have largely undermined Levinas' ambivalence towards the visual, The Ethics of Visuality uncovers the relevance of Levinas' bias against the visual to developing a radical philosophy/theory of visual meaning in which the aesthetic is always already intertwined with the ethical.
Takes Heidegger’s later thought as a point of departure for exploring the boundaries of post-conceptual thinking.
This book explores the significance of human animality in the philosophy of Friedrich Nietzsche and provides the first systematic treatment of the animal theme in Nietzsche's corpus as a whole Lemm argues that the animal is neither a random theme nor a metaphorical device in Nietzsche's thought. Instead, it stands at the center of his renewal of the practice and meaning of philosophy itself. Lemm provides an original contribution to on-going debates on the essence of humanism and its future. At the center of this new interpretation stands Nietzsche's thesis that animal life and its potential for truth, history, and morality depends on a continuous antagonism between forgetfulness (animality) and memory (humanity). This relationship accounts for the emergence of humanity out of animality as a function of the antagonism between civilization and culture. By taking the antagonism of culture and civilization to be fundamental for Nietzsche's conception of humanity and its becoming, Lemm gives a new entry point into the political significance of Nietzsche's thought. The opposition between civilization and culture allows for the possibility that politics is more than a set of civilizational techniques that seek to manipulate, dominate, and exclude the animality of the human animal. By seeing the deep-seated connections of politics with culture, Nietzsche orients politics beyond the domination over life and, instead, offers the animality of the human being a positive, creative role in the organization of life. Lemm's book presents Nietzsche as the thinker of an emancipatory and affirmative biopolitics. This book will appeal not only to readers interested in Nietzsche, but also to anyone interested in the theme of the animal in philosophy, literature, cultural studies and the arts, as well as those interested in the relation between biological life and politics.
The Hegel Lectures Series Series Editor: Peter C. Hodgson Hegel's lectures have had as great a historical impact as the works he himself published. Important elements of his system are elaborated only in the lectures, especially those given in Berlin during the last decade of his life. The original editors conflated materials from different sources and dates, obscuring the development and logic of Hegel's thought. The Hegel Lectures series is based on a selection of extant and recently discovered transcripts and manuscripts. Lectures from specific years are reconstructed so that the structure of Hegel's argument can be followed. Each volume presents an accurate new translation accompanied by an editorial introduction and annotations on the text, which make possible the identification of Hegel's many allusions and sources. Hegel's Lectures on the Philosophy of Religion represent the final and in some ways the decisive element of his entire philosophical system. His conception and execution of the lectures differed significantly on each of the occasions he delivered them, in 1821, 1824, 1827, and 1831. The older editions introduced insoluble problems by conflating these materials into an editorially constructed text. The present volumes establish a critical edition by separating the series of lectures and presenting them as independent units on the basis of a complete re-editing of the sources by Walter Jaeschke. The English translation has been prepared by a team consisting of Robert F. Brown, Peter C. Hodgson, and J. Michael Stewart, with the assistance of H. S. Harris. Now widely recognized as the definitive English edition, it is being reissued by Oxford in the Hegel Lectures Series. The three volumes include editorial introductions, critical annotations on the text, textual variants, and tables, bibliography, and glossary. Hegel's 'Introduction' establishes the new discipline of philosophy of religion and positions it vis-à-vis the philosophical, theological, cultural, and epistemological issues of the time. 'The Concept of Religion' sets forth a speculative definition of religion and discusses the experience, concept, knowledge, and worship of God.
Theological, cultural, and epistemological issues of the time. 'The Concept of Religion' sets forth a speculative definition of religion and discusses the experience, concept, knowledge, and worship of God.