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From the mountains of Lebanon to the shores of Turkey and North Africa, the Islamic Mediterranean has always been a dynamic cultural hub, where the stories and passions of East and West collide. In a sweeping survey spanning the first Arabic edition of the "Thousand and One Nights" to the novels of the 20th century, Robin Ostle pours through centuries of books, art and architecture to reveal what they tell us about the changing relationship between individual and society in this distinctive culture.In pre-modern literature, individuality was expressed through a series of comic subversions which, through their resolution, ultimately strengthened the social status quo. The great 19th century travelogues represented a more transgressive exploration of the boundaries of the self. This theme was continued in the cultural forms of the 20th century, with their emphasis on self-expression and emotional liberation, something increasingly defined in opposition to the state. "Sensibilities of the Islamic Mediterranean" unravels the emotions, ideas and power relationships which make up the cultural fabric of this fascinating region.
"When Englishman and Turk fell side by side in the killing fields of the Crimea, it was not the first time that Christian and Muslim blood was shed, and intermingled, in the cause of battling a common foe. It is fashionable today to talk of a 'clash of civilizations', and of an unbridgeable chasm between the Islamic world and Christendom. But in this bold and iconoclastic book Ian Almond demonstrates that in Europe, the heart of the west, Muslims and Christians were often comrades-in-arms, repeatedly forming alliances to wage war against their own faiths and peoples. As we read of savage battles, deadly sieges and many acts of individual heroism, we learn of Arab troops rallying in their thousands to the banner of a Christian emperor outside the walls of Verona. Of Spanish Muslims standing shoulder to shoulder with their Christian Catalan neighbours in opposition to Castilians. Of Greeks and Turks forming a steadfast bulwark against Serbs and Bulgarians, their mutual enemy. And of tens of thousands of Hungarian Protestants assisting the Ottomans in their implacable and terrifying march on Christian Vienna. As the author shows, any notion that 'Christian Europe' has long been opposed by a 'Muslim non-Europe' grossly misrepresents the facts of a rich, complex and - above all - shared history. The motivations for these interfaith alliances were dictated by shifting diplomacies, pragmatic self-interest and realpolitik, not by jihad or religious war. This insight has profound ramifications for our understandings of global politics and current affairs, as well as of religious history and the future shape of Europe."--Bloomsbury publishing.
This collection of essays re-evaluates existing representations of the Mediterranean, providing a fresh, new and often critical perspective on the cultural, social and political processes that shape this region. Subjects such as; food traditions, music, alterity, and identity from Southern Europe to North Africa and the Middle East are examined.
“How could I allow my soldiers to sail on this disloyal and cruel sea?” These words, attributed to the most powerful caliph of medieval Islam, Umar Ibn al-Khattab (634–644), have led to a misunderstanding in the West about the importance of the Mediterranean to early Islam. This body of water, known in Late Antiquity as the Sea of the Romans, was critical to establishing the kingdom of the caliphs and for introducing the new religion to Europe and Africa. Over time, it also became a pathway to commercial and political dominion, indispensable to the prosperity and influence of the Islamic world. Sea of the Caliphs returns Muslim sailors to their place of prominence in the history of the Islamic caliphate. As early as the seventh century, Muslim sailors competed with Greek and Latin seamen for control of this far-flung route of passage. Christophe Picard recreates these adventures as they were communicated to admiring Muslims by their rulers. After the Arab conquest of southern Europe and North Africa, Muslims began to speak of the Mediterranean in their strategic visions, business practices, and notions of nature and the state. Jurists and ideologues conceived of the sea as a conduit for jihad, even as Muslims’ maritime trade with Latin, Byzantine, and Berber societies increased. In the thirteenth century, Christian powers took over Mediterranean trade routes, but by that time a Muslim identity that operated both within and in opposition to Europe had been shaped by encounters across the sea of the caliphs.
The remarkable extension in depth and width of Muslim intellectual life can be fathomed and measured only against the background of what went on immediately before, and simultaneously elsewhere, or it will remain, in any real sense, unexplored." This statement by the late Franz Rosenthal is, in a sense, the red thread of the present volume which unites 35 articles by renowned scholars of Islamic Studies, Middle Eastern Languages and Civilizations, and various allied fields of research in honour of a scholar congenial to Franz Rosenthal and exemplary in his scientific carefulness and integrity: Dr Gerhard Endress, Professor of Oriental Philology and Islamic Studies at the Ruhr University Bochum. Central topics of the contributions include Arabic philosophy and its Greek sources and Latin reception, the history and historiography of Arabic-Islamic science, and Islamic concepts of language, knowledge, science and pedagogy. Other articles deal with qur'anic studies, Arabic lexicography and linguistics, the history of Middle Eastern civilizations, the medieval translation movements from Greek into Arabic and from Arabic into Latin as well as with political and eschatological theories of medieval Islam. Rooted in different scientific traditions and methodological approaches the studies collected in this Festschrift form a vivid and stimulating synopsis of more than 1000 years of Middle Eastern and Mediterranean intellectual, social and cultural history.
Concepts such as influence, imitation, emulation, transmission or plagiarism are transcendental to cultural history and the subject of universal debate. They are not mere labels imposed by modern historiography on ancient texts, nor are they the result of a later interpretation of ways of transmitting and teaching, but are concepts defined and discussed internally, within all cultures, since time immemorial, which have yielded very diverse results. In the case of culture, or better Arab-Islamic cultures, we could analyze and discuss endlessly numerous terms that refer to concepts related to the multiple ways of perceiving the Other, receiving his knowledge and producing new knowledge. The purpose of this book evolves around these concepts, and it aims to become part of a very long tradition of studies on this subject that is essential to the understanding of the processes of reception and creation. The authors analyze them in depth through the use of examples that are based on the well-known idea that societies in different regions did not remain isolated and indifferent to the literary, religious or scientific creations that were developed in other territories and moreover that the flow of ideas did not always occur in only one direction. Contacts, both voluntary and involuntary, are never incidental or marginal, but are rather the true engine of the evolution of knowledge and creation. It can also be stated that it has been the awareness of the existence of multidimensional cultural relations which has allowed modern historiography on Arab cultures to evolve and be enriched in recent decades.
This collection of essays re-evaluates existing representations of the Mediterranean, providing a fresh, new, and often critical perspective on the cultural, social, and political processes that shape this important region. A wide range of subject matter, including music, food traditions, alterity, identity, and representation from Southern Europe to North Africa and the Middle East are examined by renowned scholars. The result is a fascinating discourse on the very character and idea of what constitutes the Mediterranean.
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
With the process of a 'wider Europe' (EU-Commission President Romano Prodi's 'ring of friends') that extends from Marrakech in Morocco to St Petersburg in Russia gathering speed, the growing rift between Europe and America also is about how to deal politically with the countries of the Mediterranean-Muslim world. The house of Islam (Dar al Islam) was pivotal to the European path to the Renaissance and to the re-discovery of classic Greek philosophy. The Mediterranean policy of the European Union aims at a positive and co-operative relationship with the region. A successful integration of the Mediterranean South would have tremendous and positive repercussions for regional and world peace. World-wide leading experts from the field of world systems analysis, economics, integration theory, political science, theology and area studies, agnostics, Christians, Jews and Muslims alike discuss the issue with European decision makers. The outcome is an interdisciplinary evaluation of this projected export of peace, co-operation, dialogue and stability in the framework of world centre-periphery relationships.
Examines the 'Nahda', a cultural renaissance in the Arab world, through the utopian visions of Arab intellectuals during the nineteenth century.