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"Sens-Plastiquehas now been a companion of mine for nearly 20 years, and so far as I am concerned, Malcolm de Chazal is much the most original and interesting French writer to emerge since the war." -W.H. Auden After seeing an azalea looking at him in the Curepipe Botanic Gardens (and realizing that he himself was becoming a flower), Malcolm de Chazal began composing what would eventually become his unclassifiable masterpiece, Sens-Plastique, which would take its final form in 1948. Containing over 2,000 aphorisms, axioms and allegories, the book was immediately hailed as a work of genius by André Breton, Francis Ponge, Jean Dubuffet and Georges Braque. Embraced by the Surrealists as one of their own, Chazal chose to avoid all literary factions and steadfastly anchored himself in his solitary life as a bachelor mystic on the island nation of Mauritius, where he would proceed to write books and paint for the rest of his life. Sens-Plastiqueemploys a strange humor and an alchemical sensibility to offer up an utterly original world vision that unifies neo-science, philosophy and poetry into a new form of writing. Mapping every human body part, facial expression and emotion onto the natural kingdom through subconscious thinking, Chazal presents a world in which humankind is not just made in the image of God, but Nature is made in the image of humankind: a sensual, synesthetic world in which everything in the universe, be it animal, vegetable, mineral or human, employs a spiritual copula. Malcolm de Chazal(1902-81) was a Mauritian writer and painter. Forsaking a career in the sugar industry, he spent the majority of his life in a solitary, mystical pursuit of the continuity between man and nature.
A great masterpiece - first published in 1948 and now with a foreword by W. H. Auden. The work has attained near-legendary status and readers have discovered in de Chazal's brilliant aphorisms what the author himself described as a new view of life' requiring a unique title. Although two previous selections of Weiss's remarkable translations of this major work have been published, no complete edition of the translation has been available until now.'
On life and work of Sayed Haider Raza, b. 1922, Indian painter as told to Aśoka Vājapeyī, b. 1941, Indian author.
The canon of French literature has been the subject of much debate and now increasingly francophone literatures are demanding more attention in student French literature courses. The first study in English of francophone literatures, this book introduces the diverse bodies of texts in French from the numerous French-speaking areas around the world, with separate sections covering Africa, French Canada, the Creole Islands, and Europe, and will provide students at both undergraduate and 'A' level with a comprehensive introductory survey of the subject. Francophone literatures emerge from rich bi- and multi-lingual cultures in part as colonial legacies. They also challenge the monopoly of the French literary tradition. This introductory survey celebrates the linguistic difference of such texts and the creative possibilities offered by deviance from an established tradition, demanding new critical approaches. The texts studied here cast a new light upon French literature in terms of their diverse perspectives upon writing, history, politics, and culture, their violent rewritings, subversive versions and parodies sometimes forming an elaborate pastiche of celebrated French texts. Guides to further reading, a select bibliography, and an extensive index combine to make the book an extremely readable introductory overview of a hitherto little explored area.
From ancient Egypt to today, enjoy a sweeping survey of world history through its most memorable words in this completely revised and updated nineteenth edition. More than 150 years after its initial publication, Bartlett’s Familiar Quotations now enters its nineteenth edi­tion. First compiled by John Bartlett, a bookseller in Cambridge, Massachusetts, as a commonplace book of only 258 pages, the original 1855 edition mainly featured selections from the Bible, Shakespeare, and the great English poets. Today, Bartlett’s includes more than 20,000 quotes from roughly 4,000 con­tributors. Spanning centuries of thought and culture, it remains the finest and most popular compendium of quotations ever assembled. While continuing to draw on timeless classi­cal references, this edition also incorporates more than 3,000 new quotes from more than 700 new sources, including Alison Bechdel, Ta-Nehisi Coates, Pope Francis, Atul Gawande, Ruth Bader Ginsburg, Hilary Mantel, Lin-Manuel Miranda, Claudia Rankine, Fred Rogers, Bernie Sanders, Patti Smith, and Malala Yousafzai. Bartlett’s showcases the thoughts not only of renowned figures from the arts, literature, politics, science, sports, and business, but also of otherwise unknown individuals whose thought-provoking ideas have moved, unsettled, or inspired readers and listeners throughout the ages. Bartlett’s makes searching for the perfect quote easy in three ways: alphabetically by author, chrono­logically by the author’s birth date, or thematically by subject. Whether one is searching for appropriate remarks for a celebration, comforting thoughts for a serious occasion, or simply to answer the question “Who said that?” Bartlett’s offers readers and schol­ars alike a stunning treasury of words that have influ­enced
An erotic and darkly comic novel about female friendship, set at the intersection between counterculture and the multimillion dollar art industry. Over the course of a few days in the fall of 2015, the sophisticated and awkward, wry and beautiful Mathilde upends her tidy world. She takes a short leave from her job at one of New York's leading auction houses and follows her best friend Gretchen on an impromptu trip to Paris. While there, she confronts her late mother's hidden life, attempts to rein in Gretchen's encounters with an aloof and withholding sometime-boyfriend, and faces the traumatic loss of both her parents when she was a teenager. Reeling between New York, Paris, Munich London, and Berlin, The Superrationals is an erotic and darkly comic story about female friendship, set at the intersection between counterculture and the multimillion dollar art industry. Mathilde takes short, perceptive notes on artworks as a way to organize her own chaotic thoughts and life. Featuring a bitchy gossip chorus within a larger carousel of voices, The Superrationals coolly surveys the international art and media worlds while exploring game theory, the uncanny, and psychoanalysis. Written in the “Young Girl” tradition of Michelle Bernstein's All The King's Horses, Bernadette Corporation's Reena Spaulings and Natasha Stagg's Surveys, The Superrationals confronts the complexity of building narrative in life and on the page and the instability that lies at the heart of everything.
Free Rein is a gathering of seminal essays by Andri Breton, the foremost figure among the French surrealists. Written between 1936 and 1952, they include addresses, manifestoes, prefaces, exhibition pamphlets, and theoretical, polemical, and lyrical essays. Together they display the full span of Breton's preoccupations, his abiding faith in the early principles of surrealism, and the changing orientations, in light of crucial events of those years, of the surrealist movement within which he remained the leading force. Having broken decisively with Marxism in the mid-1930s, Breton repeatedly addresses the horrors of the Stalinist regime (which denounced him during the Moscow trials of 1936). He argues for the autonomy of art and poetry and condemns the subservience to "revolutionary" aims exemplified by socialist realism. Other articles reflect on aesthetic issues, cinema, music, and education and provide detailed meditations on the literary, artistic, and philosophical topics for which he is best known. Free Rein will prove indispensable for students of Breton, surrealism, and modern French and European culture. Michel Parmentier is a professor of French at Bishop's University, Quibec. He is the author of Mise au point and Regards contemporains: Textes d'actualiti quibicoise. He is coauthor with Jacqueline d'Amboise of Second Regards, Ricits ricents, and Nouvelles nouvelles: Fictions du Quibec contemporain. Jacqueline d'Amboise is an independent poet and translator. She is the author of Mother Myths, a book of poems.
In Rancière’s Sentiments Davide Panagia explores Jacques Rancière’s aesthetics of politics as it informs his radical democratic theory of participation. Attending to diverse practices of everyday living and doing—of form, style, and scenography—in Rancière’s writings, Panagia characterizes Rancière as a sentimental thinker for whom the aesthetic is indistinguishable from the political. Rather than providing prescriptions for political judgment and action, Rancière focuses on how sensibilities and perceptions constitute dynamic relations between persons and the worlds they create. Panagia traces this approach by examining Rancière’s modernist sensibilities, his theory of radical mediation, the influence of Gustave Flaubert on Rancière’s literary voice, and how Rancière juxtaposes seemingly incompatible objects and phenomena to create moments of sensorial disorientation. The power of Rancière’s work, Panagia demonstrates, lies in its ability to leave readers with a disjunctive sensibility of the world and what political thinking is and can be.
Art and writings by Surrealist painters and poets from a wide range of countries.
Malcolm de Chazal Malcolm de Chazal (1902-1981) - was born in Mauritius to French parents... To begin with he was a writer and a poet. His most notable books being: Sens Plastique and Sens Magique... W.H. Auden said of him that he was ..".the most original and interesting French writer to emerge since the war." And Andre Breton hailed him as a surrealist. In 1950, at the suggestion of Georges Braque, he began to paint... Better known in the French-speaking world - as an influential artist who stands alone in both his approach and his style - he is now becoming appreciated in the English-speaking world as a free-thinker who is deserving of his place in art history. He was a surrealist, a mystic and an alchemist... Occasionally one glimpses similarities between his work and Van Gogh's, Matisse's and Derain's. He has been described as a post-modernist expressionist. Or, possibly he could be defined as a post-Fauvist. If that is what he was, then he was the essence of what that approach was supposed to embody in its purest form: an animalistic and feral interpretation of the world through bold colours, harnessing the emotions whilst rejecting a rigid representational approach to art. But ultimately, and this is what is exciting about Chazal, he is unlike any other artist... or writer. Magical Sense - is the translation by the author and poet Jean Bonnin of Sense Magique. Seven hundred and fifty-five aphorisms that look at nature, light, colour and sensuality in a unique way. This is one of Malcolm de Chazal's most significant works that should be appreciated for its beauty, originality and quirky otherworldliness. A unique man whose painting and writing is finally beginning to get the appreciation it deserves."