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Theatre Semiotics provides a thorough argument for the place and the necessity of semiotics within the interpretive process of theatre.
Analyzes the basic duality of theatre (the play is happening on a stage, but the story is happening at some other place and time), exploring how the two aspects both compete and complement each other and suggesting the social factors that impact the total process.
Latin America has been an important basis for theorizing the postmodern condition and has been the site of some of the most significant contributions to postmodern literature. However, discourses about postmodernity have overwhelmingly been constructed by European and American intellectuals. This book is a groundbreaking collection of essays by Latin American scholars on the theories and practices of postmodernity. It provides an important forum for Latin American intellectuals to shape the debates on postmodernity that are based, to a large degree, on their own cultural and political experiences. Gathering together new and classic essays across a wide range of disciplines and perspectives, this much-needed collection allows some of Latin America's leading cultural critics to write back to their Euro-American counterparts and join the international debate.
The late twentieth century saw an explosion of interest in semiotics, the science of the signs and processes by which we communicate. In this study, the first of its kind in English, Keir Elam shows how this new 'science' can provide a radical shift in our understanding of theatrical performance, one of our richest and most complex forms of communication. Elam traces the history of semiotic approaches to performance, from 1930s Prague onwards, and presents a model of theatrical communication. In the course of his study, he touches upon the 'logic' of the drama and the analysis of dramatic discourse. This edition also includes a new post-script by the author, looking at the fate of theatre semiotics since the publication of this book, and a fully updated bibliography. Much praised for its accessibility, The Semiotics of Theatre and Drama remains a 'must-read' text for all those interested in the analysis of theatrical performance.
A collection of interviews, essays and vaudeville skits from the 1930s to the 1950s all pertaining to Mexican American theater. Historical studies by Jorge Huerta, Nicol‡s Kanellos, Tom‡s Ybarra-Fausto and others; exclusive interview of Luis Valdez; and a vaudeville material from Lalo Astol, the Carpa Garc’a and others never before published.
El diablo llegó a América protegido por el imaginario colectivo y el mito tradicional, pero los autores del discurso contra la magia y los propios colonizadores afirmaron que siempre había estado allí, fungiendo como señor de los naturales, proclamándose dios entre las supersticiones y las idolatrías. Así que fue necesario gestionar en la continuidad de los discursos que alertaban, aleccionaban y protegían contra un enemigo capaz de disfrazarse y adoptar formas rituales autóctonas; comenzó entonces una nueva etapa en la redacción de textos asimilados a la tradición del discurso demonológico. La atención se centró en la idolatría; el enfoque remozó su prejuicio diferenciador, y el formato recurrió al tratado, al informe, y la literatura. En el presente libro se analizan algunas muestras representativas de este proceso cultural acaecido en la época novohispana, pero detectable aún bajo las bases de nuestra idiosincrasia, a la luz de la teoría que Occidente había legado para comprender la presencia del mal y sus representantes en el mundo.