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Examines the history and culture of Florida's Seminole and Miccosukee Indians, and discusses how the tribes have managed to withstand historical challenges and survive in the modern world.
Postcards of the Florida Seminole and Miccosukee tribes originated in towns where the Everglades and Big Cypress dwelling Indians came to trade. The natives' dress and accessories presented a novelty to southern Florida's early visitors. With Henry Flagler's Florida East Coast Railroad and hotels, tourism became a rising industry. During World War I, a failing hide market forced Indians to find a new livelihood, and the "Seminole Indian Village Attractions" began in Miami. Indians sold crafts and wrestled alligators, embracing tourism while keeping their culture intact. Tourist-attraction Indians (later organized as the Miccosukee Tribe) moved their Everglades camps to the Tamiami Trail. By the mid-1930s, many families had opened their own tourist attractions, becoming the first native entrepreneurs. Economic reinvention, especially through tourism, has sustained these tribal groups, most recently with bingo and gaming.
"A superbly readable piece of cultural history. . . . Downs proves that graphics and narrative can be intertwined in an entertaining and informative historical presentation. . . . Delightful and intellectually enriching."--Southern Historian "Excellent. . . . Well-documented with both historical and anthropological sources, this is the best work to appear on a significant cultural characteristic of the Seminoles in quite some time. An excellent addition to the growing literature on the Seminole and Miccosukee tribes."--Tampa Tribune "Unfolds the meaning of Seminole-Miccosukee arts as metaphor for the people of the Everglades."--Joyce Herold, Denver Museum of Natural History The artistic tradition that in the past sustained Florida Indians helps identify them today as possessing a resilient, modern culture. In this richly illustrated account of the arts and crafts of the Florida Seminole and Miccosukee Indians, Dorothy Downs shows how artistic expression reflects and inspires history. Emphasizing the influence of drastic cultural changes on their artistic traditions, Downs traces Seminole and Miccosukee art from the eighteenth century to the present and demonstrates both the persistence of some prehistoric southeastern Indian designs and the impact of contact with Europeans. In addition to clothing and finger-woven or bead-embroidered accessories, their arts and crafts--most often practiced by women--include pottery, basketry, and doll making. Their most powerful artistic expression is found in the colorful and intricate patchwork patterns that have become their twentieth-century signature. Incorporating color and black-and-white photographs of these remarkable art pieces, Downs also details the "men's work" of silver and wood crafts and chickee building in a volume sure to interest scholars and the general public alike.
Anthropologists have long been fascinated with the Seminoles and have often remarked upon their ability to adapt to new circumstances while preserving the core features of their traditional culture. This study traces the emergence of these qualities in the late prehistoric and early historic period in the Southeast and demonstrates their influence on the course of Seminole culture history.
Years before the first shots of the Civil War were fired, Florida witnessed a clash of wills and ways that prompted three wars unlike any others in America's history. Among the most well-known of Florida's native peoples, the Seminole Indians frustrated troops of militia and volunteer soldiers for decades during the first half of the nineteenth century in the ongoing struggle to keep hold of their ancestral lands. While careers and reputations of American military and political leaders were made and destroyed in the mosquito-infested swamps of Florida's interior, the Seminoles and their allies, including the Miccosukee tribe and many escaped slaves, managed to wage war on their own terms. The study of guerrilla warfare tactics employed by the Seminoles may have aided modern American forces fighting in Viet Nam, Cambodia, and other regions.
In 1979, Florida Seminoles opened the first tribally operated high-stakes bingo hall in North America. At the time, their annual budget stood at less than $2 million. By 2006, net income from gaming had surpassed $600 million. This dramatic shift from poverty to relative economic security has created tangible benefits for tribal citizens, including employment, universal health insurance, and social services. Renewed political self-governance and economic strength have reversed decades of U.S. settler-state control. At the same time, gaming has brought new dilemmas to reservation communities and triggered outside accusations that Seminoles are sacrificing their culture by embracing capitalism. In High Stakes, Jessica R. Cattelino tells the story of Seminoles’ complex efforts to maintain politically and culturally distinct values in a time of new prosperity. Cattelino presents a vivid ethnographic account of the history and consequences of Seminole gaming. Drawing on research conducted with tribal permission, she describes casino operations, chronicles the everyday life and history of the Seminole Tribe, and shares the insights of individual Seminoles. At the same time, she unravels the complex connections among cultural difference, economic power, and political rights. Through analyses of Seminole housing, museum and language programs, legal disputes, and everyday activities, she shows how Seminoles use gaming revenue to enact their sovereignty. They do so in part, she argues, through relations of interdependency with others. High Stakes compels rethinking of the conditions of indigeneity, the power of money, and the meaning of sovereignty.
A collection of folk stories talk about human, animal, and spirit characters who act out important lessons about living in the natural world of the Florida Everglades.
As indigenous populations are invited to participate in cultural heritage identification, research, interpretation, management, and preservation, they are faced with a variety of challenges, questions that are difficult to answer, and demands that must be carefully navigated. We Come for Good describes the development and operations of the Tribal Historic Preservation Office (THPO) of the Seminole Tribe of Florida as an example of how tribes can successfully manage and retain authority over the heritage of their respective cultures. With Native voices front and center, this book demonstrates ways THPOs can work within federal and tribal governments to build capacity and uphold tribal values--core principles of a strong tribal historic preservation program. The authors also offer readers one of the first attempts to document Native perspectives on the archaeology of native populations.
This story of a remarkable people, the Black Seminoles, and their charismatic leader, Chief John Horse, chronicles their heroic struggle for freedom. Beginning with the early 1800s, small groups of fugitive slaves living in Florida joined the Seminole Indians (an association that thrived for decades on reciprocal respect and affection). Kenneth Porter traces their fortunes and exploits as they moved across the country and attempted to live first beyond the law, then as loyal servants of it. He examines the Black Seminole role in the bloody Second Seminole War, when John Horse and his men distinguished themselves as fierce warriors, and their forced removal to the Oklahoma Indian Territory in the 1840s, where John's leadership ability emerged. The account includes the Black Seminole exodus in the 1850s to Mexico, their service as border troops for the Mexican government, and their return to Texas in the 1870s, where many of the men scouted for the U.S. Army. Members of their combat-tested unit, never numbering more than 50 men at a time, were awarded four of the sixteen Medals of Honor received by the several thousand Indian scouts in the West. Porter's interviews with John Horse's descendants and acquaintances in the 1940s and 1950s provide eyewitness accounts. When Alcione Amos and Thomas Senter took up the project in the 1980s, they incorporated new information that had since come to light about John Horse and his people. A powerful and stirring story, The Black Seminoles will appeal especially to readers interested in black history, Indian history, Florida history, and U.S. military history.
"An excellent case study of a little-studied and poorly known community experiencing the processes of identity formation and culture change."--Brent R. Weisman, University of South Florida This is the first full-length ethnography of a unique community within the African diaspora. Rosalyn Howard traces the history of the isolated "Red Bays" community of the Bahamas, from their escape from the plantations of the American South through their utilization of social memory in the construction of new identity and community. Some of the many African slaves escaping from southern plantations traveled to Florida and joined the Seminole Indians, intermarried, and came to call themselves Black Seminoles. In 1821, pursued and harassed by European Americans through the First Seminole War, approximately 200 members of this group fled to Andros Island, where they remained essentially isolated for nearly 150 years. Drawing on archival and secondary sources in the United States and the Bahamas as well as interviews with members of the present-day Black Seminole community on Andros Island, Howard reconstructs the story of the Red Bays people. She chronicles their struggles as they adapt to a new environment and forge a new identity in this insular community and analyzes the former slaves' relationship with their Native American companions. Black Seminoles in contemporary Red Bays number approximately 290, the majority of whom are descended directly from the original settlers. As part of her research, Howard lived for a year in this small community, recording its oral history and analyzing the ways in which that history informed the evolving identity of the people. Her treatment dispels the air of mystery surrounding the Black Seminoles of Andros and provides a foundation for further anthropological and historical investigations.