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This dissertation examines the rise and development of the safari tourism industry in the British East Africa Protectorate (later Kenya) between 1900 and 1939. It shows how the establishment of British rule and the introduction of modern transportation technology made East Africa accessible and gradually transformed the region into a tourist attraction of great economic value that would come to be managed by imperial powers, advertised in a globalized marketplace, and visited by tourists who desired to hunt, photograph, and observe East Africa’s abundant wildlife on an adventure known as the “safari.” It became a lucrative business. Numerous outfitters, safari and travel companies, guides, and other safari workers entered the business and helped to make the industry a model of its kind in Africa. As the safari trade expanded and animal populations came under pressure, however, this industry began to adopt new, eco-friendly forms of wildlife tourism that could preserve the main elements of the tourist safari while reducing its toll on wildlife populations, a shift exemplified by the introduction of motorized tours, photographic and filmmaking safaris, and the quest to establish national parks. The research presented in this study, drawn from archival collections across three continents, demonstrates that the four decades between 1900 and 1939 became a crucial phase in the development of safari tourism in Kenya. During this time, safari tourism became a leading sector of the regional economy and gave rise to a highly developed commercial and institutional infrastructure that laid the foundations of modern wildlife tourism in Kenya. At the same time, the safari industry became a product of the British Empire, shaped by the laws, institutions, and attitudes of colonial rule. While the introduction of British rule and the arrival of British colonists promoted tourist development, built roads and railways, ensured a degree of security demanded by travelers, and linked foreign tourists with Africa, it also relegated indigenous Africans to subordinate positions in the industry, and forcibly relocated African settlements to make way for parks and tourist spaces. This meant that the prerogatives of the tourism industry often clashed with indigenous ideas of land use and economic management, instead serving the interests of the British community in Kenya who owned and controlled the trade. Thus, the development of safari tourism under the aegis of the British colonial state aided the material development of the industry, but also created economic, social, and racial inequalities that remain evident to the present day.
A sumptuous visual record of one of Earth's last natural paradises.
“This is a gorgeous, lyrical, hilarious, important book. . . . Read this and you may find yourself instinctively beginning to heal old wounds: in yourself, in others, and just maybe in the cathedral of the wild that is our true home.”—Martha Beck, author of Finding Your Own North Star Boyd Varty had an unconventional upbringing. He grew up on Londolozi Game Reserve in South Africa, a place where man and nature strive for balance, where perils exist alongside wonders. Founded more than eighty years ago as a hunting ground, Londolozi was transformed into a nature reserve beginning in 1973 by Varty’s father and uncle, visionaries of the restoration movement. But it wasn’t just a sanctuary for the animals; it was also a place for ravaged land to flourish again and for the human spirit to be restored. When Nelson Mandela was released after twenty-seven years of imprisonment, he came to the reserve to recover. Cathedral of the Wild is Varty’s memoir of his life in this exquisite and vast refuge. At Londolozi, Varty gained the confidence that emerges from living in Africa. “We came out strong and largely unafraid of life,” he writes, “with the full knowledge of its dangers.” It was there that young Boyd and his equally adventurous sister learned to track animals, raised leopard and lion cubs, followed their larger-than-life uncle on his many adventures filming wildlife, and became one with the land. Varty survived a harrowing black mamba encounter, a debilitating bout with malaria, even a vicious crocodile attack, but his biggest challenge was a personal crisis of purpose. An intense spiritual quest takes him across the globe and back again—to reconnect with nature and “rediscover the track.” Cathedral of the Wild is a story of transformation that inspires a great appreciation for the beauty and order of the natural world. With conviction, hope, and humor, Varty makes a passionate claim for the power of the wild to restore the human spirit. Praise for Cathedral of the Wild “Extremely touching . . . a book about growth and hope.”—The New York Times “It made me cry with its hard-won truths about human and animal nature. . . . Both funny and deeply moving, this book belongs on the shelf of everyone who seeks healing in wilderness.”—BookPage
"450 is optimistically the number of free-ranging African wild dogs left in South Africa. If ever a charismatic, African species could be considered an underdog in the face of human development, the wild dog, Lycaon pictus is it. Available habitat is in short supply. An abundance of fences and roads cut the landscape. They are loved. They are despised. The immediate future of this dynamic, endangered, large carnivore is in the hands of a thinly spread, intensely committed network of conservationists, donors, state reserves and progressive landowners. When an opportunity to study wild dogs through the Endangered Wildlife Trust presented itself to Brendan Whittington-Jones in 2007, he arrived in Hluhluwe-iMfolozi Park naive to the challenges of real wildlife conservation. The next seven years were a flood of lessons in the complexity and fascination of wild dog management, anger management, Microsoft Office, diplomacy, optimism and how to play wild dog travel agent. The camaraderie of the unconventional crew of devoted field staff and researchers who dedicate so much to keep the species running was a revelation. This book lifts the gloss and illusion off a wedge of carnivore conservation, and reveals a snapshot of characters (human and canid) and organisations which tread the murky waters of trying to ensure the species' persistence in South Africa. There is only hope through action; and remembering a cold beer at sunset and good bloody laugh can restore a little sanity."--Back cover.
There are roughly 6,600 wild dogs left in Africa yet they have cast such a spell on top wildlife photographer and naturalist Jocelin Kagan that she is determined to help save them. If left to their own devices, they are more than capable of thriving, as this sumptuous photographic natural history shows. Jocelin has called in world experts to add their latest findings about these resourceful, graceful and highly skilled family groups. Nomadic predators whose territories range thousands of kilometres, they hunt co-operatively, preying on small herbivores. Non-confrontational, they form complex bonds as this book reveals. Now restricted to small populations and threatened by some shoot-to-kill policies, habitat fragmentation, diseases from domestic dogs, climate change and snares, as well as natural predation from hyenas and lions, Africa's wild dogs will be supported by all the royalties from this book.
Looks at wild dogs that roam the African savanna, and their social behavior, hunting techniques, and how they raise their young
- Remembering African Wild Dogs is the stunning sixth book in the Remembering Wildlife charity series - The aim of the creators is to make the most beautiful photographic book ever seen on a species and to use that to raise awareness of the plight facing that animal and also funds to protect it - Remembering African Wild Dogs is full of images generously donated by many of the world's top wildlife photographers - All profits from the sale of this book will be donated to projects working to protect wild dogs in Africa - over $1 million USD has been raised by the series so farRemembering African Wild Dogs is the sixth book in the Remembering Wildlife fundraising series, which has so far raised more than USD $1 million for conservation. The aim of the creators is to make the most beautiful book ever seen on a species and use that to raise awareness of the plight facing that animal and funds to protect it. Each book is full of images generously donated by many of the world's top wildlife photographers and also gives an overview of the species, its distribution and the challenges it faces. All profits from the sale of this book will be donated to projects working to protect wild dogs in Africa.
PBS’s successful animated show Wild Kratts joins the adventures of zoologists Chris and Martin Kratt as they travel to animal habitats around the globe. Along the way, they encounter incredible creatures while combining science education with fun. Boys and girls ages 2 to 5 will love this Little Golden Book in which the Kratts activate their Creature Power Suits and meet some of their favorite wild animals on the African Savanna!