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A disintegrating romantic anatomy in five acts.
“An intriguing odyssey” though the history of the self and the rise of narcissism (The New York Times). Self-absorption, perfectionism, personal branding—it wasn’t always like this, but it’s always been a part of us. Why is the urge to look at ourselves so powerful? Is there any way to break its spell—especially since it doesn’t necessarily make us better or happier people? Full of unexpected connections among history, psychology, economics, neuroscience, and more, Selfie is a “terrific” book that makes sense of who we have become (NPR’s On Point). Award-winning journalist Will Storr takes us from ancient Greece, through the Christian Middle Ages, to the self-esteem evangelists of 1980s California, the rise of the “selfie generation,” and the era of hyper-individualism in which we live now, telling the epic tale of the person we all know so intimately—because it’s us. “It’s easy to look at Instagram and selfie-sticks and shake our heads at millennial narcissism. But Will Storr takes a longer view. He ignores the easy targets and instead tells the amazing 2,500-year story of how we’ve come to think about our selves. A top-notch journalist, historian, essayist, and sleuth, Storr has written an essential book for understanding, and coping with, the 21st century.” —Nathan Hill, New York Times-bestselling author of The Nix “This fascinating psychological and social history . . . reveals how biology and culture conspire to keep us striving for perfection, and the devastating toll that can take.”—The Washington Post “Ably synthesizes centuries of attitudes and beliefs about selfhood, from Aristotle, John Calvin, and Freud to Sartre, Ayn Rand, and Steve Jobs.” —USA Today “Eminently suitable for readers of both Yuval Noah Harari and Daniel Kahneman, Selfie also has shades of Jon Ronson in its subversive humor and investigative spirit.” —Bookseller “Storr is an electrifying analyst of Internet culture.” —Financial Times “Continually delivers rich insights . . . captivating.” —Kirkus Reviews
You see them every day, the suicide flowers. They bloom from the cracks and crevices of concrete sidewalks. From between asphalt creases and gaps. Yet these flowers blossom and prosper until the careless foot tramples. Others wither and fade, having survived, despite their strained and dubious foundations. Raeburn Messiah, the Messiah of Metal, sings for a living. Currently, he's on the downward spiral that unfaithful fame loves so dearly. He feels that he's got it bad, his life is over. That is, until he meets one of his most adoring fans, Gabriel, who has but months to live due to the complications of leukemia. They are men, both dying slow, painful deaths. But, each carries a secret that could save the other. For Raeburn and Gabriel are the suicide flowers, doomed to be trampled, destined to flourish.
First published in 1993, The Virgin Suicides announced the arrival of a major new American novelist. In a quiet suburb of Detroit, the five Lisbon sisters—beautiful, eccentric, and obsessively watched by the neighborhood boys—commit suicide one by one over the course of a single year. As the boys observe them from afar, transfixed, they piece together the mystery of the family’s fatal melancholy, in this hypnotic and unforgettable novel of adolescent love, disquiet, and death. Jeffrey Eugenides evokes the emotions of youth with haunting sensitivity and dark humor and creates a coming-of-age story unlike any of our time. Adapted into a critically acclaimed film by Sofia Coppola, The Virgin Suicides is a modern classic, a lyrical and timeless tale of sex and suicide that transforms and mythologizes suburban middle-American life.
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.
Written with heartrending honesty, a memoir that captures the devastation of this family legacy of depression and details the strength and hope that can provide a way of escaping its grasp. “A compassionate but clear-eyed view of his family history.” —Washington Post Christopher (Kit) Lukas’s mother committed suicide when he was a boy. He and his brother, Tony, were not told how she died. No one spoke of the family’s history of depression and bipolar disorder. The brothers grew up to achieve remarkable success; Tony as a gifted journalist (and author of the classic book, Common Ground), Kit as an accomplished television producer and director. After suffering bouts of depression, Kit was able to confront his family’s troubled past, but Tony never seemed to find the contentment Kit had attained—he killed himself in 1997.
The Silence Of Your Name revolves around the suicide of Marshall's charismatic and idealistic young husband, Tim Buxton, while they were in Ghana with Operation Crossroads Africa - a progenitor of the Peace Corps. Marshall weaves in her husband's hidden family history, one tied to Boston's wealthy social scene and the deaths of notorious Black Sun publisher Harry Crosby and Tim's aunt Josephine Rotch Bigelow. By allowing readers to experience these distinct periods of time in great detail, Marshall illuminates the toxic effects of denial across classes and generations. As Marshall moves on with her life, now a novelist and young widow, she must navigate her way in the '70s publishing world with the guidance of her friend Philip Roth, while still processing the grief of losing her husband. Decades later, Marshall finds herself in the footprints of her past, journeying to Ghana and reuniting with a royal Queen-Mother and the steadfast community that offered her its support decades earlier. As Pulitzer Prize-winning author Megan Marshall writes, she "is relentless in her quest for understanding and release from grief and guilt [...] but wisdom comes incrementally and her readers partake eagerly at each stage until we, too, have learned that grief may be transformed into love - and brilliant, soothing prose."
From James Preller, the author of Bystander, another unflinching book about bullying and its fallout. The summer before school starts, Sam's friend and classmate Morgan Mallen kills herself. Morgan had been bullied. Maybe she kissed the wrong boy. Or said the wrong thing. What about that selfie that made the rounds? Morgan was this, and Morgan was that. But who really knows what happened? As Sam explores the events leading up to the tragedy, he must face a difficult and life-changing question: Why did he keep his friendship with Morgan a secret? And could he have done something-anything-to prevent her final actions? This title has Common Core connections.
One of TIME's 100 Must-Read Books of 2021 One of BuzzFeed's Best Books of 2021 One of Vulture's Best Books of 2021 Named one of the Most Anticipated of Books of 2021 by the Los Angeles Times, Literary Hub, and The Millions A searing and brave memoir that offers a new understanding of suicide as a distinct mental illness. As the sun lowered in the sky one Friday afternoon in April 2006, acclaimed author Donald Antrim found himself on the roof of his Brooklyn apartment building, afraid for his life. In this moving memoir, Antrim vividly recounts what led him to the roof and what happened after he came back down: two hospitalizations, weeks of fruitless clinical trials, the terror of submitting to ECT—and the saving call from David Foster Wallace that convinced him to try it—as well as years of fitful recovery and setback. Through a clear and haunting reckoning with the author’s own story, One Friday in April confronts the limits of our understanding of suicide. Donald Antrim’s personal insights reframe suicide—whether in thought or in action—as an illness in its own right, a unique consequence of trauma and personal isolation, rather than the choice of a depressed person. A necessary companion to William Styron’s classic? Darkness Visible, this profound, insightful work sheds light on the tragedy and mystery of suicide, offering solace that may save lives.
Want more free books like this? Download our app for free at https://www.QuickRead.com/App and get access to hundreds of free book and audiobook summaries. An informational guide to the history of the idealized perfect self and the rise of a narcissistic generation obsessed with selfies and personal brands. What’s your idea of your perfect self? Well, our culture believes it’s someone slim, prosperous, happy, extroverted, and popular. Just take a look at your Instagram feed and you’ll find a large portion of successful influencers portraying themselves in this way. Even more, you can become this person yourself, the world is limitless and you are the source of your own success. However, this model can be incredibly dangerous to our self-esteem and our society as we see an increase in depression and suicide. But where did this modern ideal come from? Who invented this idea of the perfect self? Will Storr explores where this idea came from and transports us from the times of Ancient Greece to the self-esteem evangelists of the 1980s, to finally the rise of the selfie generation where he explores the increase of narcissism and individualism in today’s youth and young adults.