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Can a breakup break you apart? In Self-Titled, Geoffrey Brown stares into a mirror and writes what he sees, what he thinks, what he feels. The result? A self-portrait that's at once comic and psychotic, a complex consciousness captured in crystalline prose. Memories, manias, miasmas - Brown morphs the machinery of his mind into an utterly original entity, equal parts diary, criminal confession, sex manual and mash note, as hecontemplates a breakup. The novel splits into two parts; in 'First,' our slacker hero analyzes the minutiae of the relationship, trying to understand what he did, why it went wrong, and whether she'll come back. In 'Second' he knows she's not coming back, and he gets angry, flagellating himself with a whip of wordplay and remorse. Self-Titled is a singular achievement with universal appeal: who hasn't squinted into a mirror and said, 'What the hell is happening here?' If Gertrude Stein's autobiography was Everybody's Autobiography, then Brown's self-portrait is everybody's self-portrait. Guest edited for the press by Derek McCormack.
A self-guided journal experience with 31 empowering and inspiring exercises designed to get you in touch with your authentic self. It can be done daily, weekly or sporadically and scrap-booking, drawing as well as writing are encouraged. This is a journal for YOU.
A self-guided journal experience with 31 empowering and inspiring exercises designed to get you in touch with your authentic self. It can be done daily, weekly or sporadically and scrap-booking, drawing as well as writing are encouraged. This is a journal for YOU.
A self-guided journal experience with 31 empowering and inspiring exercises designed to get you in touch with your authentic self. It can be done daily, weekly or sporadically and scrap-booking, drawing as well as writing are encouraged. This is a journal for YOU.
A self-guided journal experience with 31 empowering and inspiring exercises designed to get you in touch with your authentic self. It can be done daily, weekly or sporadically and scrap-booking, drawing as well as writing are encouraged. This is a journal for YOU.
A self-guided journal experience with 31 empowering and inspiring exercises designed to get you in touch with your authentic self. It can be done daily, weekly or sporadically and scrap-booking, drawing as well as writing are encouraged. This is a journal for YOU.
A self-guided journal experience with 31 empowering and inspiring exercises designed to get you in touch with your authentic self. It can be done daily, weekly or sporadically and scrap-booking, drawing as well as writing are encouraged. This is a journal for YOU.
Fiction. "SELF-TITLED DEBUT is a mess o' finely machined machine-like fictions. There is a sublime relentlessness in the generative power of the permutations at all levels from word to sentence to paragraph to page. He exhausts exhaustion effortlessly. These inventive hypoxic hieroglyphs gin-up ingeniously a whole new notion of genus: story and the species: short. Some debut indeed"--Michael Martone.
A modern-day Orlando—edgy, funny and startlingly honest—Self is the fictional autobiography of a young writer and traveller who finds his gender changed overnight.
Ever since Peter Gabriel fronted progressive rock band Genesis, from the late 1960s until the mid 1970s, journalists and academics alike have noted the importance of Gabriel's contribution to popular music. His influence became especially significant when he embarked on a solo career in the late 1970s. Gabriel secured his place in the annals of popular music history through his poignant recordings, innovative music videos, groundbreaking live performances, the establishment of WOMAD (the World of Music and Dance) and the Real World record label (as a forum for musicians from around the world to be heard, recorded and promoted) and for his political agenda (including links to a variety of political initiatives including the Artists Against Apartheid Project, Amnesty International and the Human Rights Now tour). In addition, Gabriel is known as a sensitive, articulate and critical performer whose music reflects an innate curiosity and deep intellectual commitment. This collection documents and critically explores the most central themes found in Gabriel's work. These are divided into three important conceptual areas arising from Gabriel's activity as a songwriter and recording artist, performer and activist: 'Identity and Representation', 'Politics and Power' and 'Production and Performance'.