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A seminal figure in late antique Christianity and Christian orthodoxy, Saint Gregory of Nazianzus published a collection of more than 240 letters. Whereas these letters have often been cast aside as readers turn to his theological orations or autobiographical poetry for insight into his life, thought, and times, Self-Portrait in Three Colors focuses squarely on them, building a provocative case that the finalized collection constitutes not an epistolary archive but an autobiography in epistolary form—a single text composed to secure his status among provincial contemporaries and later generations. Shedding light on late-ancient letter writing, fourth-century Christian intelligentsia, Christianity and classical culture, and the Christianization of Roman society, these letters offer a fascinating and unique view of Gregory’s life, engagement with literary culture, and leadership in the church. As a single unit, this autobiographical epistolary collection proved a powerful tool in Gregory’s attempts to govern the contours of his authorial image as well as his provincial and ecclesiastical legacy.
Saint Gregory of Nazianzus, also known as Gregory the Theologian, lived an illustrious life as an orator, poet, priest, and bishop. Until his death, he wrote scores of letters to friends and colleagues, clergy members and philosophers, teachers of rhetoric and literature, and high-ranking officials at the provincial and imperial levels, many of which are preserved in his self-designed letter collection. Here, for the first time in English, Bradley K. Storin has translated the complete collection, offering readers a fresh view on Gregory’s life, social and cultural engagement, leadership in the church, and literary talents. Accompanying the translation are an introduction, a prosopography, and annotations that situate Gregory’s letters in their biographical, literary, and historical contexts. This translation is an essential resource for scholars and students of late antiquity and early Christianity.
"She was like a storm." —Leonard Cohen Reckless Daughter is the story of an artist and an era that have left an indelible mark on American music. Joni Mitchell may be the most influential female recording artist and composer of the late twentieth century. In Reckless Daughter, the music critic David Yaffe tells the remarkable, heart-wrenching story of how the blond girl with the guitar became a superstar of folk music in the 1960s, a key figure in the Laurel Canyon music scene of the 1970s, and the songwriter who spoke resonantly to, and for, audiences across the country. A Canadian prairie girl, a free-spirited artist, Mitchell never wanted to be a pop star. She was nothing more than “a painter derailed by circumstances,” she would explain. And yet, she went on to become a talented self-taught musician and a brilliant bandleader, releasing album after album, each distinctly experimental, challenging, and revealing. Her lyrics captivated listeners with their perceptive language and naked emotion, born out of Mitchell’s life, loves, complaints, and prophecies. As an artist whose work deftly balances narrative and musical complexity, she has been admired by such legendary lyricists as Bob Dylan and Leonard Cohen and beloved by such groundbreaking jazz musicians as Jaco Pastorius, Wayne Shorter, and Herbie Hancock. Her hits—from “Big Yellow Taxi” to “Both Sides, Now” to “A Case of You”—endure as timeless favorites, and her influence on the generations of singer-songwriters who would follow her, from her devoted fan Prince to Björk, is undeniable. In this intimate biography, drawing on dozens of unprecedented in-person interviews with Mitchell, her childhood friends, and a cast of famous characters, Yaffe reveals the backstory behind the famous songs—from Mitchell’s youth in Canada, her bout with polio at age nine, and her early marriage and the child she gave up for adoption, through the love affairs that inspired masterpieces, and up to the present—and shows us why Mitchell has so enthralled her listeners, her lovers, and her friends.
Challenges conventional jazz historiography by demonstrating the role of big bands in the development of jazz. This book describes how jazz musicians found big bands valuable. It explores the rehearsal band scene in New York and rise of orchestras. It combines historical research, ethnography, and participant observation with musical analysis.
Frida Kahlo remains one of the most popular artists of our timesales of Frida books number into the hundreds ofthousandsand yet no volume has ever focused on one of the most memorable aspects of her persona and creativeoeuvre: her wardrobe. Now, for the first time, 95 original and beautifully staged photographs of Kahlo's newly restored clothing are paired with historic photos of the artist wearing them and her paintings in which the garments appear. Frida's life and style were an integral part of her art, and she is long overdue for recognition as a fashion icon.
Rachel Lyon's first novel – soon to be made into a major motion picture starring Zoë Kravitz and Thomasin McKenzie Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. Until, by pure chance, Lu discovers she’s captured a tragedy in the background of a self portrait; a boy falling to his death. The photograph turns out to be the best work of art she’s ever made. It’s an image that could change her life – if she lets it. Set in early 90s Brooklyn on the brink of gentrification, Self-Portrait with Boy is a provocative commentary about the emotional dues that must be paid on the road to success. ‘Beautifully imagined and flawlessly executed’ Joyce Carol Oates ‘A sparkling debut’ New York Times Book Review
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
For the past 30 years, American artist Chuck Close (b. 1940) has concentrated on essentially one subject: the human face. This volume, the most comprehensive assessment of Close's work yet published, includes portraits of Robert Rauschenberg, Roy Lichtenstein, Alex Katz, Lucas Samaras, and others. It accompanies a mid-career retrospective opening at The Museum of Modern Art, New York in February 1998. 178 illustrations, 113 in color.
"An ideal book for someone keen to experiment with old techniques." Professional Photographer magazine