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This book subjects the works of Elizabeth Spencer, critically acclaimed but canonically marginalized, to a study that reveals their interaction with the southern canon as they question its boundaries and remap the long-established landscapes of southern identity.
Praise for the previous edition:Booklist/RBB "Twenty Best Bets for Student Researchers"RUSA/ALA "Outstanding Reference Source"" ... useful ... Recommended for public libraries and undergraduates."
Elizabeth Spencer is captivated by Italy. For her it has been a second home. A one-time resident who returns there, this native-born Mississippian has found Italy to be an enchanting land whose culture lends itself powerfully to her artistic vision. Some of her most acclaimed work is set there. Her American characters encounter but never quite wholly adjust to the mysteries of the Italian mores. Collected here in one volume are Spencer's six Italian tales. Their plots are so alluring and enigmatic that Boccaccio would have been charmed by their delightful ironies and their sinister contrasts of dark and light. Spencer is grounded in two bases—Italy and the American South. Her characters too, mostly southerners, rove in search of connection and fulfillment. In The Light in the Piazza (a novella which has become both Spencer's signature piece and a Hollywood film) a stranger from North Carolina, traveling with her beautiful daughter, encounters the intoxicating beauty of sunlit Florence and discovers a deep conflict in the moral dilemma it presents. “I think this work has great charm,” Spencer has said, “and it probably is the real thing, a work written under great compulsion, while I was under the spell of Italy. But it took me, all told, about a month to write.” In Knights and Dragons (another novella and a companion piece to The Light in the Piazza) an American woman in Rome and Venice struggles for release from her husband's sinister control over her. Spencer sets this tale in the cold and wintry dark and here portrays the other face of Italy. In “The Cousins,” “The Pincian Gate,” “The White Azalea,” and “The Visit,” Spencer shows the exceptional artistry that has merited acclaim for her as one of America's first-class writers of the short story. The Light in the Piazza may long be the work for which she is most recognized. In 2005, the Lincoln Center’s Vivian Beaumont Theater in New York City staged a musical adaptation of this novella. The production brought together the talents of Adam Guettel (music and lyrics) and Craig Lucas (book), while director Bartlett Sher made his Lincoln Center debut. That year the musical won six of the eleven Tony awards it was nominated for. It was thereafter produced on stages across the globe and eventually returned to Lincoln Center in 2016 for a reunion of its original cast as a benefit concert.
Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.
Offering a comprehensive view of the South's literary landscape, past and present, this volume of The New Encyclopedia of Southern Culture celebrates the region's ever-flourishing literary culture and recognizes the ongoing evolution of the southern literary canon. As new writers draw upon and reshape previous traditions, southern literature has broadened and deepened its connections not just to the American literary mainstream but also to world literatures--a development thoughtfully explored in the essays here. Greatly expanding the content of the literature section in the original Encyclopedia, this volume includes 31 thematic essays addressing major genres of literature; theoretical categories, such as regionalism, the southern gothic, and agrarianism; and themes in southern writing, such as food, religion, and sexuality. Most striking is the fivefold increase in the number of biographical entries, which introduce southern novelists, playwrights, poets, and critics. Special attention is given to contemporary writers and other individuals who have not been widely covered in previous scholarship.
Two-volume set that presents an introduction to American short fiction from the 19th century to the present.
In Composing Selves, award-winning author Peggy Whitman Prenshaw provides her most comprehensive and theoretically sophisticated treatment of autobiographies by women in the American South. This long-anticipated addition to Prenshaw's study of southern literature spans the twentieth century as she provides an in-depth look at the life-writing of eighteen female authors. Drawing on so many notable authors and her own life-time of scholarship Composing Selves is Prenshaw's master work.
"Were the 1950s an oppressive or a liberating time? Some scholars argue that the Red Scare, newly institutionalized discrimination against gays, and a public discourse saturated with sexism left wounds in American society. Others trace the origins of sixties liberation movements to the fifties and celebrate America's postwar prosperity or argue that such new phenomena as rock 'n' roll, teenage consumerism, and Beat poetry gave Americans a new sense of freedom and identity." "Invisible Suburbs advances a new synthesis of both views from the perspective of literary scholarship. Essayists ask how overlooked literature in the 1950s addressed or anticipated the struggles of disenfranchised groups to receive rights and recognition. Scholars analyze the many ways in which the decade's culture stigmatized women, minorities, and the poor. They uncover work that illustrates how groups and individuals challenged or resisted that oppression, fiction by authors who sometimes found roots in earlier liberation movements and anticipated later struggles."--BOOK JACKET.