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Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.
Art The Lauren Rogers Museum of Art opened in 1923 as the first art museum in Mississippi. Its rich treasury of works by acclaimed masters focuses on European art, American art, Japanese prints, Native American baskets, and English Georgian silver. This handbook showcases each of these magnificent collections. Comprising eighteenth- and nineteenth-century paintings from the French salon, the Barbizon School, and French realism, the European collection in-cludes canvases by Eugéne Boudin, Jean Fran?ois Millet, Jean-Baptiste Camille Corot, Rosa Bonheur, and others. The American collection of paintings, sculpture, and works on paper is the keystone of the museum's permanent holdings. It includes paintings from the Hudson River School, American impressionism, The Ten, the Ashcan School, American regionalism, and early modernism, as well as other major art movements of the twentieth century. Included are works by Winslow Homer, John Singer Sargent, Thomas Moran, Mary Cassatt, Robert Henri, Charles Burchfield, Richmond Barthé, Fairfield Porter, Romare Bearden, and others. Works by master artists Hiroshige, Hokusai, and Utamaro are among 160 woodblock prints in the Japanese ukiyo-e collection. Themes of these prints include landscapes, beautiful women, and theater. Upon the founding of the museum, 500 Native American baskets were the gift of Catherine Marshall Gardiner. Some eighty tribes are represented with remarkable woven objects from the entire continent of North America. The English Georgian silver collection, the gift of Thomas and Harriet Gibbons, exemplifies the highest achieve-ments of master silversmiths of the era. It comprises 105 pieces of sterling, most pieces used for the serving of tea. They include elegant tea caddies, urns, epergnes, and baskets for cakes and sweetmeats. With full-color photographs and detailed descriptions, this handbook is an exciting overview of a remarkable treasury of visual art. The Lauren Rogers Museum of Art is an elegant neo-Georgian edifice located at Fifth Avenue and Seventh Street in Laurel, Mississippi.
A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous and fertile fields of the South. Late in the nineteenth century strong and vivid genre painting competes with the nostalgic effects realized by Southern impressionists, whose shimmering, liquid images are invested with an elusive spirit of place. In this century, those strains of realism and naturalism that characterize the classic body of Southern writing appear in the representational art of painters who defied the modern abstract dictum. And finally, the exciting, compelling works of a current generation of both self-taught artists and sophisticated contemporary painters complete this fascinating, though sometimes neglected, chapter in American art history.
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Recipient of the 2018 Special Achievement Award from the Mississippi Institute of Arts and Letters and Recipient of a 2018 Heritage Award for Education from the Mississippi Heritage Trust The perfect book for every Mississippian who cares about the state, this is a mammoth collaboration in which thirty subject editors suggested topics, over seven hundred scholars wrote entries, and countless individuals made suggestions. The volume will appeal to anyone who wants to know more about Mississippi and the people who call it home. The book will be especially helpful to students, teachers, and scholars researching, writing about, or otherwise discovering the state, past and present. The volume contains entries on every county, every governor, and numerous musicians, writers, artists, and activists. Each entry provides an authoritative but accessible introduction to the topic discussed. The Mississippi Encyclopedia also features long essays on agriculture, archaeology, the civil rights movement, the Civil War, drama, education, the environment, ethnicity, fiction, folklife, foodways, geography, industry and industrial workers, law, medicine, music, myths and representations, Native Americans, nonfiction, poetry, politics and government, the press, religion, social and economic history, sports, and visual art. It includes solid, clear information in a single volume, offering with clarity and scholarship a breadth of topics unavailable anywhere else. This book also includes many surprises readers can only find by browsing.
This collection of black-and-white images conveys the story of human impact on Mississippi's forests from the pioneer era to the present. Photographs gleaned from public and private archives tell a visual tale of the development of Mississippi's forest industries. Historic locomotives course through the woods, oxen drag big timber over rutted terrain, and lookouts perch atop Forest Service towers eyeing the horizon for telltale signs of fire. Photos of life in a portable logging camp reveal early hospitals, lumber company stores, mobile homes, and the advancing technology of logging machinery. The hatchet and torch give way to the cross-cut saw, the steam-driven loaders, the gas chain saws, and eventually the bulldozer and the Buschcombine. Portraits of the major players in the industry's investment and development provide a human face to the powerful history of Mississippi forestry. The soft pulp lumber used to crate ammunition and to build many hastily constructed army barracks across the country during World War II finds documentation here. Mississippi pine housed the American war effort. After harvesting came inevitable difficulties in land management caused by over-cut terrain. This book documents how the forestry industry returned to renew its resources, replant its fields, and maintain an ecological balance for future generations. Timber includes images by such noteworthy photographers as Clifford H. Poland of Memphis and John N. Teneussin of New Orleans. The Poland photographs alone, many previously misidentified and now on display as Poland's work for the first time, offer a level of artistic achievement that parallels the industrial might of their subjects. James E. Fickle, a professor of history at the University of Memphis, is author of the companion book Mississippi Forests and Forestry.
Includes entries for maps and atlases.
In "Palaces in the Night", MacDonald looks at a key period in James Whistler's career, examining his unique vision of Venice and his development of the medium of etching. 120 illustrations.
The International Federation of Library Associations and Institutions (IFLA) is the leading international body representing the interests of library and information services and their users. It is the global voice of the information profession. The series IFLA Publications deals with many of the means through which libraries, information centres, and information professionals worldwide can formulate their goals, exert their influence as a group, protect their interests, and find solutions to global problems.