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Saadi is one of the greatest figures of classical Persian literature. His best-known work of poetry is the ‘Bustan’ (The Orchard), composed entirely in epic metre and consisting of stories illustrating the standard virtues recommended to Muslims, as well as offering reflections on the behaviour of dervishes and their ecstatic practices. Saadi also wrote the ‘Gulistan’, a prose collection featuring stories and personal anecdotes. The text is interspersed with a variety of short poems, containing aphorisms, advice and humorous reflections. Saadi’s works are characterised by their unusual blend of kindness and cynicism, always wishing to avoid the hard dilemma, making him, for many, the most widely admired poet of Persian literature. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents Saadi’s collected works, with related illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Saadi’s life and works * Concise introduction to Saadi’s life and poetry * All of the major verse and prose texts of Saadi * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Easily locate the sections you want to read * Includes the rare poetry collection ‘Pand Namah’, first time in digital print * Features a bonus biography — discover Saadi’s intriguing life and poetry * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to see our wide range of poet titles CONTENTS: The Life and Poetry of Saadi Shirazi Brief Introduction: Saadi by Epiphanius Wilson Bustan (translated by A. Hart Edwards) Pand Namah (translated by Arthur N. Wollaston) The Prose Gulistan (translated by James Ross) The Biography Introduction to Saadi by Arthur N. Wollaston Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set
The Gulistan is a landmark of Persian and Shia Islamic Irfan/Sufi literature, perhaps its single most influential work of prose. Written in 1259 CE, it is one of two major works of the Persian poet Sa'di, considered one of the greatest medieval Persian poets. It is also one of his most popular books, and has proved deeply influential in the West as well as the East. The Gulistan is a collection of poems and stories, just as a rose-garden is a collection of roses. It is widely quoted as a source of wisdom and esoterics. The well-known aphorism still frequently repeated in the western world, about being sad because one has no shoes until one meets the man who has no feet "whereupon I thanked Providence for its bounty to myself" is from the Gulistan.
In Beholding Beauty: Saʿdi of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry, Domenico Ingenito explores the unstudied connections between eroticism, spirituality, and politics in the lyric poetry of 13th-century literary master Sa‘di Shirazi.
Shaykh Mushrifuddin Sa'di of Shiraz finished his collection of moral tales in 1258 AD, and over the centuries it has been one of the most widely read and influential books in the Persian sphere. The first English translation was during the 18th century; Wheeler M. Thackston (Persian, Harvard U.) presents a new edition and new translation on facing pages. Written by Sa'd of Shiraz (c. 1200-c.1290), the Gulistan is probably the best-known nonreligious text in all of Persian literature. A baggy collection of anecdotes, short didactic tales, maxims, and bits of wise advice, it is divided into eight broad chapters of mixed prose and verse that view life through an Islamo-Persian lens. Sa'd's fame is due less to the content, which is conventional wisdom, than to his brilliant style, which combines great concision with puns, rhymed prose, and wordplay exploiting the full range of Persian rhetoric in a manner that Persians call something like "impossible simplicity," irreproducible in English.
Letters and Social Aims, published in 1875, contains essays originally published early in the 1840s as well as those that were the product of a collaborative effort among Emerson, his daughter Ellen Tucker Emerson, his son Edward Waldo Emerson, and his literary executor James Eliot Cabot. The volume takes up the topics of Poetry and Imagination, Social Aims, Eloquence, Resources, The Comic, Quotation and Originality, Progress of Culture, Persian Poetry, Inspiration, Greatness, and, appropriately for Emerson's last published book, Immortality. The historical introduction demonstrates for the first time the decline in Emerson's creative powers after 1865; the strain caused by the preparation of a poetry anthology and delivery of lectures at Harvard during this time; the devastating effect of a house fire in 1872; and how the Emerson children and Cabot worked together to enable Emerson to complete the book. The textual introduction traces this collaborative process in detail and also provides new information about the genesis of the volume as a response to a proposed unauthorized British edition of Emerson's works. Historical Introduction by Ronald A. BoscoNotes and Parallel Passages by Glen M. JohnsonText Established and Textual Introduction and Apparatus by Joel Myerson