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The work of Fulke Greville (1554-1628) is a distinctive blend of poetic sensibility, intellectual power and the experience of men and affairs gained in a long career as courtier and statesman. He was also deeply influenced by his close friendship in youth with Sir Philip Sidney. This volume gives examples of all kinds of his writing, drawing from the sonnet sequence, Caelica, the verse treatises, the prose Life of Sidney and the two surviving plays, of which one, Mustapha, is printed in full. The texts have been freshly collated (spelling has been modernized) and the volume includes an introduction, notes and commentary.
Along with his childhood friend Sir Philip Sidney, Fulke Greville (1554–1628) was an important member of the court of Queen Elizabeth I. Although his poems, long out of print, are today less well known than those of Sidney, Spenser, or Shakespeare, Greville left an indelible mark on the world of Renaissance poetry, both in his love poems, which ably work within the English Petrarchan tradition, and in his religious meditations, which, along with the work of Donne and Herbert, stand as a highpoint of early Protestant poetics. Back in print for a new generation of scholars and readers, Thom Gunn’s selection of Greville’s short poems includes the whole of Greville’s lyric sequence, Caelica, along with choruses from some of Greville’s verse dramas. Gunn’s introduction places Greville’s thought in historical context and in relation to the existential anxieties that came to preoccupy writers in the twentieth century. It is as revealing about Gunn himself, and the reading of earlier English verse in the 1960s, as it is about Greville’s own poetic achievement. This reissue of Selected Poems of Fulke Greville is an event of the first order both for students of early British literature and for readers of Thom Gunn and English poetry generally.
The work of Fulke Greville (1554-1628) is a distinctive blend of poetic sensibility, intellectual power and the experience of men and affairs gained in a long career as courtier and statesman. He was also deeply influenced by his close friendship in youth with Sir Philip Sidney. This volume gives examples of all kinds of his writing, drawing from the sonnet sequence, Caelica, the verse treatises, the prose Life of Sidney and the two surviving plays, of which one, Mustapha, is printed in full. The texts have been freshly collated (spelling has been modernized) and the volume includes an introduction, notes and commentary.
William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.
Fulke Greville's reputation has always been overshadowed by that of his more famous friend, Philip Sidney, a legacy due in part to Greville's complex moulding of his authorial persona as Achates to Sidney's Aeneas, and in part to the formidable complexity of his poetry and prose. This volume seeks to vindicate Greville's 'obscurity' as an intrinsic feature of his poetic thinking, and as a privileged site of interpretation. The seventeen essays shed new light on Greville's poetry, philosophy, and dramatic work. They investigate his examination of monarchy and sovereignty; grace, salvation, and the nature of evil; the power of poetry and the vagaries of desire, and they offer a reconsideration of his reputation and afterlife in his own century, and beyond. The volume explores the connections between poetic form and philosophy, and argues that Greville's poetic experiments and meditations on form convey penetrating, and strikingly original contributions to poetics, political thought, and philosophy. Highlighting stylistic features of his poetic style, such as his mastery of the caesura and of the feminine ending; his love of paradox, ambiguity, and double meanings; his complex metaphoricity and dense, challenging syntax, these essays reveal how Greville's work invites us to revisit and rethink many of the orthodoxies about the culture of post-Reformation England, including the shape of political argument, and the forms and boundaries of religious belief and identity.
A collection of 6 volumes of Oakeshott's work: Notebooks, 1922-86, Early Political Writings 1925-30, The Concept of a Philosophical Jurisprudence, Vocabulary of a Modern European State, Lectures in the History of Political Thought, and What is History?
This book investigates the construction of identity and the precarity of the self in the work of the Calvinist Fulke Greville (1554–1628) and the Jesuit Robert Southwell (1561–1595). For the first time, a collection of original essays unites them with the aim to explore their literary production. The essays collected here define these authors’ efforts to forge themselves as literary, religious, and political subjects amid a shifting politico-religious landscape. They highlight the authors’ criticism of the court and underscore similarities and differences in thought, themes, and style. Altogether, the essays in this volume demonstrate the developments in cosmology, theology, literary conventions, political ideas, and religious dogmas, and trace their influence in the oeuvre of Greville and Southwell.
Sir Philip Sydney was born in 1534 and by the time of his death only 32 years later had come to exemplify the ideal courtier. This collection of his writings is the ideal window into the mind and work of this essayist, poet, diplomat, and favorite.