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Selected works of Theodore Dreiser from the series "Best of the Best" is the book that everyone should read to understand themselves and each other. The authors and works for this book series were selected, as a result of numerous studies, analysis of the texts over the past 100 years and the demand for readers. It must be read in order to understand the world around us, its history, to recognize the heroes, to understand the winged expressions and jokes that come from these literary works. Reading these books will mean the discovery of a world of self-development and self-expression for each person. These books have been around for decades, and sometimes centuries, for the time they recreate, the values they teach, the point of view, or simply the beauty of words. This volume of the Best of the Best series includes famous works SISTER CARRIE JENNIE GERHARDT THE FINANCIER THE TITAN THE STOIC THE GENIUS AN AMERICAN TRAGEDY TWELVE MEN
Theodore Dreiser staked his reputation on fearless expression in his fiction, but he never was more outspoken than when writing about American politics, which he did prolifically. Although he is remembered primarily as a novelist, the majority of his twenty-seven books were nonfiction treatises. To Dreiser, everything was political. His sense for the hype and hypocrisies of politics took shape in reasoned but emphatic ruminations in his fiction and nonfiction on the hopes and disappointments of democracy, the temptations of nationalism and communism, the threat and trumpets of war, and the role of writers in resisting and advancing political ideas. Spanning a period of American history from the Progressive Era to the advent of the Cold War, this generous volume collects Dreiser's most important political writings from his journalism, broadsides, speeches, private papers, and long out-of-print nonfiction books. Touching on the Great Depression, the New Deal, and both World Wars as well as Soviet Russia and the persecution of Jews in Nazi Germany, these writings exemplify Dreiser's candor and his penchant for championing the defenseless and railing against corruption. Positing Dreiser as an essential public intellectual who addressed the most important issues of the first half of the twentieth century, these writings also navigate historical terrain with prescient observations on topics such as religion, civil rights, national responsibility, individual ethics, global relations, and censorship that remain particularly relevant to a contemporary audience. Editor Jude Davies provides historical commentaries that frame these selections in the context of his other writings, particularly his novels.
Selected by the Modern Library as one of the 100 best novels of all time 'American writing, before and after Dreiser's time, differed almost as much as biology before and after Darwin,' said H. L. Mencken. Sister Carrie, Dreiser's great first novel, transformed the conventional 'fallen woman' story into a bold and truly innovative piece of fiction when it appeared in 1900. Naïve young Caroline Meeber, a small-town girl seduced by the lure of the modern city, becomes the mistress of a traveling salesman and then of a saloon manager, who elopes with her to New York. Both its subject matter and Dreiser's unsparing, nonjudgmental approach made Sister Carrie a controversial book in its time, and the work retains the power to shock readers today. 'Sister Carrie came to housebound and airless America like a great free Western wind, and to our stuffy domesticity gave us the first fresh air since Mark Twain and Whitman,' noted Sinclair Lewis. 'Dreiser enlarged, willy-nilly, by a kind of historical accident if you will, the range of American literature,' observed Robert Penn Warren. '[Sister Carrie] is a vivid and absorbing work of art.'
The specially commissioned essays collected in this volume establish new parameters for both scholarly and classroom discussion of Dreiser. This Companion provides fresh perspectives on the frequently read classics, Sister Carrie and An American Tragedy, as well as on topics of perennial interest, such as Dreiser's representation of the city and his prose style. The volume investigates topics such as his representation of masculinity and femininity, and his treatment of ethnicity. It is the most comprehensive introduction to Dreiser's work available.
An American writer of the naturalist school, Theodore Dreiser produced controversial novels, often featuring protagonists that succeeded at their objectives in spite of their lack of morality. Celebrated novels such as ‘Sister Carrie’ and ‘An American Tragedy’ led to Dreiser’s nomination for the Nobel Prize in Literature, establishing his name as an American master. This comprehensive eBook presents Dreiser’s collected works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Dreiser’s life and works * Concise introductions to the novels and other texts * All 6 novels in the US public domain, with individual contents tables * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Includes Dreiser’s plays, first time in digital print * A selection of Dreiser’s non-fiction * Special ‘Contextual Pieces’ section, with reviews, letters and essays evaluating Dreiser’s contribution to literature * Features Dreiser’s autobiography ‘A Book About Myself’ - discover the author’s personal and literary life * Scholarly ordering of texts into chronological order and literary genres Please note: two novels and a short story collection published after 1922 cannot appear in this collection due to copyright. When new texts enter the public domain, they will be added to the eBook as a free update. Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels Sister Carrie Jennie Gerhardt The Financier The Titan The “Genius” The Shorter Fiction Free and Other Stories The Plays Plays of the Natural and Supernatural The Hand of the Potter The Non-Fiction A Traveler at Forty A Hoosier Holiday Twelve Men Hey Rub-A-Dub-Dub The Contextual Pieces Contextual Articles, Essays and Reviews The Autobiography A Book About Myself Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
The Titan is a novel by Theodore Dreiser and the sequel to The Financier. Frank Cowperwood has moved to Chicago with new wife Aileen. His plan is to take over the street-railway system in the process bankrupting opponents with political allies. The Titan follows Cowperwood through the trials of realizing his dream, marital upheavals and social banishment. Theodore Dreiser was an American novelist and journalist who the naturalist school and is known for portraying characters whose value lies not in their moral code, but in their persistence against all obstacles, and literary situations that more closely resemble studies of nature than tales of choice and agency.
Dreiser's captivating portraits of turn-of-the-century America's famous figures Before coming to national attention for his novel "Sister ""Carrie," Theodore Dreiser worked for nearly a decade as a magazine editor and freelance writer. Now in paperback, "Art, Music, and Literature, 1897-1902" collects a rich selection of Dreiser's brief, colorful articles and interviews with American artists, musicians, and writers during this period. His profiles and interviews include such notables as Alfred Stieglitz, William Dean Howells, and legendary impresario Major James Burton Pond, as well as numerous women artists, novelists, and musicians. The volume is liberally seasoned with period illustrations reproduced from the original publications, and Yoshinobu Hakutani's notes provide biographical details about Dreiser's various subjects.
Theodore Dreiser heavily invested himself in The Genius, an autobiographical novel first published in 1915. Thoroughly immersed in the turn-of-the-century art scene, The Genius explores the multiple conflicts between art and business, art and marriage, and between traditional and modern views of sexual morality. Despite heavy editing, The Genius was deemed so shocking that its sale was immediately prohibited by the New York Society for the Suppression of Vice. It was not released until 1923, and thereafter the episode confirmed Dreiser's status as a writer ahead of his time
"A collection of essays by editor, biographer, bibliographer, and book historian James L. W. West III, covering editorial theory, archival use, textual emendation, and scholarly annotation. Discusses the treatment of both public documents (novels, stories, nonfiction) and private texts (letters, diaries, journals, working papers)"--Provided by publisher.
Doctor Storm looked at Mr. Haymaker as though he were very sorry for him—an old man long accustomed to his wife’s ways and likely to be made very unhappy by her untimely end; whereas Mr. Haymaker, though staring in an almost sculptural way, was really thinking what a farce it all was, what a dull mixture of error and illusion on the part of all. Here he was, sixty years of age, weary of all this, of life really—a man who had never been really happy in all the time that he had been married; and yet here was his wife, who from conventional reasons believed that he was or should be, and who on account of this was serenely happy herself, or nearly so. And this doctor, who imagined that he was old and weak and therefore in need of this loving woman’s care and sympathy and understanding! Unconsciously he raised a deprecating hand....FROM THE BOOKS.