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On the works of Māmanị Rāẏachama Goswāmī, b. 1942, Assamese author; contributed research papers.
The shadow of Kamakhya is a collection of stories set in Assam. Handpicked by the author, the stories are invested with a wealth of detail which evoke a feel of the region. The themes explored, however, are wide-ranging--the pain of thwarted passion, blighted hopes, the struggle for exsistence--and they transcend the ambience with ease.
Katha proudly presents Indira Goswami's hugely successful novel, The Man from Chinnamasta. Set in the times of unrest and turmoil at the turn of the twentieth century, the novel paints the hoary history of Assam's most famous temple of the Sakta cult, Kamakhya.The story flows as swiftly as the Brahmaputra; it holds the reader's attention as seductively. And as the narrative moves inexorably towards its end, we see the power of the storyteller in Indira Goswami. This evocative translation by Prashant Goswami makes the novel a must read for all lovers of good fiction.
Pages Stained with Blood is a thought-provoking and candid history of the 1984 riots. Indira Goswami reacts to the bloodshed and the savagery that followed Prime Minister Indira Gandhi s assassination and weaves a powerful tale of human frailties and mindless violence.
Indira Goswami’s last work of fiction, The Bronze Sword of Thengphakhri Tehsildar is the heroic tale of a Bodo freedom fighter who was, arguably, the first woman revenue collector, a tehsildar, in British India. Set in late 19th-century Assam, the novel generated a great deal of interest when it was published. Thengphakhri is a fascinating character that the author recreated from folklore and songs and stories that she’d heard in her childhood. The image of the protagonist, galloping across the plains of Bijni kingdom in lower Assam to collect taxes for the British, is a compelling one and one that inspires awe and admiration. At a time when educated Indians, social reformers and the British government were trying to fight misogynist practices such as sati, child marriage and the purdah system, here was a woman working with the British officers, shoulder to shoulder, as a tax collector who rode a horse, wore a hat and had knee-length black hair. Indira Goswami has woven a complex tale wherein the foundations of the colonial rulers were shaken by insurgents seeking freedom across Assam just before the rise of the Indian National Congress. Published by Zubaan.
Autobiography of a woman Assamese author.
At the dawn of independence in India, in a small
The Blue-necked God (Nilakantha Braja), published in 1976, is one of Indira Goswami’s early novels and the first time that a writer highlighted the exploitation and poverty of widows, dumped in a ‘sacred’ city to eke out their days in prayer by uncaring, callous families under the guise of religious sanction and tradition. It was a book that raised many eyebrows when it was first published for this amazing narrative combined fact and fiction, autobiography and reflection in a fascinating mix as she tried to depict the confusion and the mental agony she herself experienced after the death of her husband through her character Saudamini. The physical, emotional, financial deprivation faced by the young widow has been woven into a perceptive text that drew on the author’s own research and experiences as she roamed the streets of Vrindavan and exposed, for the first time, the uglier side of the city and its traditions. ‘Indira Goswami is one of the pre-eminent literary figures in India and a woman of remarkable courage and conviction... She has also been an important voice in championing women’s causes, and has done much to highlight the plight of widows. [She] is one of those rare figures whose achievements as a writer are closely paralleled by their accomplishments as a social and political activist.’ - Amitav Ghosh Published by Zubaan.