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IN the Fall of the year when Krakatoa blew its head off in the East Indies, and sent its dust around the world, I fell sick of a fever in the city of Portate, which is on the west coast of South America. Portate had the latest brand of municipal enterprise and the oldest brand of fever. But they call any kind of sickness a fever there, to save trouble, and bury the alien with as little trouble as possible. I started for home, and came as far as Nassau, which is a town in the Bahamas. There, a wasted and dismal shape, I somehow fell into the hands of one Dr. Ulswater, who tended and medicined by back into the world of sunlight and other interesting objects. Nassau runs up the side of a bluff and overlooks a blue and dimpled harbour. Dr. Ulswater at last began to take me with him, to lie on the rocks and watch him search in the harbour shoals for small cuttlefish. He used a three-pronged spear to stir them out of their lairs, and a long knife to put into their vital points with skilful surgery. They waved and slapped their wild blistered arms around his neck and shoulders, while he poked placidly into their vitality. So, being entertained and happy, I recovered from yellow fever. By that time my handsome name, given by parents who recognised my merits, "Christopher Kirby," had come down handily in Dr. Ulswater's usage to "Kit," and we loved each other as two men can who are to each other a perpetual entertainment. Dr. Ulswater was a large, bushy man in the prime of a varied life. Born an American, he had studied in German universities, practised medicine in Italy, and afterward in Ceylon. One of his hobbies was South-American archaeology. He owned a silver mine in Nevada, and kept a sort of residence in New York at this time, and was collecting specimens for a New England museum. So that he was what you might call a distributed man, for he had been in most countries of the globe; yet he was not a "globe-trotter," but rather a floater,—in a manner resembling sea-weed, that drifts from place to place, but, wherever it drifts or clings, is tranquil and accommodating. He seemed to me suitable to the tropics and their seas,—large, easy, and warm of body; his learning like the sea, mysterious and bottomless; his mind luxuriously fertile, but somewhat ungoverned. His idioms were mixed, his conversations opalescent; his criticism of himself was that he had not personality enough. "No, my dear," he said, wrapping a dead cuttlefish up neatly in its own arms, "I am like a cuttlefish whose vital point is loose. You are an ignorant person, with prepossessions beyond belief, and absurd deferences for clothing and cleanliness; but you have personality and entertaining virtues. Therefore I will let you smoke two cigars to-night instead of one, and to-morrow maybe three, for your sickness is becoming an hypocrisy." Then we went over the rocks to our boat and the sulky sleepy negro boatman, the doctor with his flabby bundled cuttlefish, and I with a basket full of coral and conch-shells. The boatman rowed us out over a sea garden with submerged coral grottos; pink and white coral, branching and the "brain" coral, sea-fans and purple sea-feathers, coral shrubs, coral in shelving masses; also sponges, and green hanging moss, and yellow, emerald, and scarlet fish, silver, satin, ringed, fringed, spotted;—all deep beneath in their liquid, deluding atmosphere,—a cold vision, outlandish, brilliant, and grotesque, over which we floated and looked down.
To most of us, Rose O'Neill is best known as the creator of the Kewpie doll, perhaps the most widely known character in American culture until Mickey Mouse. Prior to O'Neill's success as a doll designer, however, she already had earned a reputation as one of the best-known female commercial illustrators. Her numerous illustrations appeared in America's leading periodicals, including Life, Harper's Bazaar, and Cosmopolitan. While highly successful in the commercial world, Rose O'Neill was also known among intellectuals and artists for her contributions to the fine arts and humanities. In the early 1920s, her more serious works of art were exhibited in galleries in Paris and New York City. In addition, she published a book of poetry and four novels. Yet, who was Rose Cecil O'Neill? Over the course of the twentieth century, Rose O'Neill has captured the attention of journalists, collectors, fans, and scholars who have disagreed over whether she was a sentimentalist or a cultural critic. Although biographers of Rose O'Neill have drawn heavily on portions of her previously unpublished autobiography, O'Neill's own voice--richly revealed in her well-written manuscript--has remained largely unheard until now. In these memoirs, O'Neill reveals herself as a woman who preferred art, activism, and adventure to motherhood and marriage. Featuring photographs from the O'Neill family collection, The Story of Rose O'Neill fully reveals the ways in which she pushed at the boundaries of her generation's definitions of gender in an effort to create new liberating forms.
"The Delectable Mountains" through Arthur Colton is a gripping story that draws readers to the coronary heart of adventure and exploration. Set in opposition to the backdrop of the harsh and suitable mountains, the story unfolds as an exciting trip complete of problems and discoveries. Colton's vibrant prose brings the landscapes to existence, evoking both the splendor and peril of the Delectable Mountains. As the protagonist units out on a quest thru this lovely terrain, readers are transported right into a universe wherein the spirit of exploration and the beauties of nature collide. Colton expertly constructs a story that blends travelogue, fiction, and the enduring fascination of the mountains. Throughout the story, readers will meet a numerous solid of people, every of whom provides to the richness of the plot. Whether dealing with the challenges of the adventure or enjoying within the breathtaking surroundings, the characters play an important part in including intensity and realism to the tale. "The Delectable Mountains" is greater than just an adventure story; it is a tribute to the human spirit's tenacity and the fascination of the fantastic outdoors.