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'Studio' presents an extraordinary anthology of visual and verbal insights into the way paintings are made, and the complex blend of motivation and inspiration that sustains the painter in his or her solitary search for meaning.
The Tarnanthi 2019 catalogue captures the flavour, colour and diversity of one of Australia's foremost Aboriginal and Torres Strait Islander cultural events.This richly illustrated 250-page book contains exquisite imagery and insightful essays from artists, curators and art experts, examining the outstanding works of art featured in Tarnanthi 2019 and the artists who created them.The Tarnanthi 2019 catalogue makes a superb memento of your visit to Tarnanthi or an ideal gift for friends and family.
Guy Grey-Smith (1916-1981) remains one of the most important Australian artists of his generation. His artwork has been collected by every major public gallery in the country. Based in Western Australia, Grey-Smith exhibited nationally, participated in key international exhibitions, received Queens Honors Awards, and was a spirited contributor and active participant in the national arts scene. Granted access for the first time to Guy Grey-Smith's notebooks, war-time sketches, correspondence, and estate, author Andrew Gaynor draws a fascinating portrait of a country boy whose life was first liberated, then stalled, by the brutality of war. Teaching himself to draw while interned in prisoner of war camps, Grey-Smith went on to create some of the most enduring and powerful images of the Australian landscape, redolent with color, texture, and an unmistakable life force. He studied under the modernist sculptor Henry Moore at the Chelsea School of Art, London. Although primarily a painter, Grey-Smith also produced sculptures, pen and ink drawings, etchings, and wood blocks. This is the first book about this outstanding Australian artist and his remarkable 35-year career.
The important book surveys Britain's art tradition from the British Renaissance in the mid-16th century as the country became the center of the "civilized" world. With the prohibition against t the religious imagery that is basic to European art, the British developed a down-to-earth perspective, a confidence and an individualism that became their hallmark.
Painting Antiquity explores the archaeological dimension of the works of these three artists: in doing so, it addresses how the aesthetic engagement these artists had with ancient objects represented a unique and important development in the cultural reception of the past.
"In a definitive overview of Laurence Aberhart's work to date, 238 full-page reproductions of iconic photographs of churches, marae, cemeteries, Masonic Lodges and other subjects are accompanied by essays by New Zealand art writers Gregory O'Brien and Justin Paton. O'Brien pursues the motif of the horizon through Aberhart's work, considering the many journeys that his career encompasses and the shelters and structures seen along the way, while Paton focuses on the human presences that animate Aberhart's body of work"--Book jacket.