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Volume I contains eight sonatas, a composer biography, and useful written-out ornaments, all helpful to students. Included are some of the more often taught and performed of the Scarlatti sonatas such as Sonata in C Major. All newly engraved and at a great price.
These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style.
Compiled for intermediate to early-advanced pianists, this edition includes biographical information on Scarlatti, performance notes by the editor and composer, explanations of ornamentations, and a discussion on the influence of Spanish folk music on Scarlatti's works.
Musicians have long treasured the Mozart sonatas for their symmetry and perfection. This volume presents single movements as well as complete sonatas (K. 282, 283, 545 and 570) for study by the advancing pianist. The sonatas provide ample opportunity for developing control, technical facility, a singing style, and balance and voicing. The preface gives Dr. Hinson's helpful suggestions on pedaling, ornamentation, articulation and dynamics, as well as a suggested order of study. Careful editing allows the teacher and student to make informed choices in interpreting these masterpieces.
Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.
This carefully graded, pedagogical performance edition contains 12 outstanding classical sonatas by Haydn, Mozart and Beethoven. Each sonata appears in its original form and comes complete with performance notes and clearly presented editorial markings.
Beethoven's Complete Pianoforte Sonatas, edited by Harold Craxton, are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.
Volume II includes another eight of Scarlatti's most often taught and performed piano sonatas. As with volume I, this compilation contains a biography of the composer, careful editing of the selected sonatas, and written-out ornaments to better aid any aspiring young piano student. A must have!
We proudly add this collection of the most frequently performed Muzio Clementi piano sonatas to our highly respected Piano Maters Series. This compilation is newly engraved and contains a biography of the composer, careful editing, and written-out ornaments to better aid the piano student. Titles are: * Sonata in F Minor, Opus 13, No. 6 * Sonata in G Major, Opus 25, No. 2 * Sonata in D Major, Opus 25, No. 6 * Sonata in A Major, Opus 33, No. 1.
Interest in the authentic performance of early music has grown dramatically in recent years, and scholarly investigation has particularly benefited the study of keyboard music of the classical period. In this landmark publication, the most comprehensive study written on Haydn's keyboard sonatas, a leading Haydn scholar presents novel ideas, corrects misconceptions, and offers new hypotheses on long-debated issues of early music research. Laszlo Somfai begins with a thorough study of Haydn's keyboard instruments and their development. After recommending instruments appropriate for modern use, he discusses performance practice and style, explains the peculiarities of Haydn's manuscripts in the context of eighteenth-century notation, and provides specific suggestions for playing ornaments, improvising, slurring, and dynamics. He also investigates Haydn's sonata genres within their historical context and discusses the problems of establishing a chronology of their composition. Finally, Somfai analyzes the organization and style of each musical form. The book includes an index listing the sonatas by date of first publication, and an extensive bibliography.