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You could describe D.H. Lawrence as the great multi-instrumentalist among the great writers of the twentieth century. He was a brilliant, endlessly controversial novelist who transformed, for better and for worse, the way we write about sex and emotions; he was a wonderful poet; he was an essayist of burning curiosity, expansive lyricism, odd humor, and radical intelligence, equaled, perhaps, only by Virginia Woolf. Here Geoff Dyer, one of the finest essayists of our day, draws on the whole range of Lawrence’s published essays to reintroduce him to a new generation of readers for whom the essay has become an important genre. We get Lawrence the book reviewer, writing about Death in Venice and welcoming Ernest Hemingway; Lawrence the travel writer, in Mexico and New Mexico and Italy; Lawrence the memoirist, depicting his strange sometime-friend Maurice Magnus; Lawrence the restless inquirer into the possibilities of the novel, writing about the novel and morality and addressing the question of why the novel matters; and, finally, the Lawrence who meditates on birdsong or the death of a porcupine in the Rocky Mountains. Dyer’s selection of Lawrence’s essays is a wonderful introduction to a fundamental, dazzling writer.
Two stories using Arizona and New Mexico as backgrounds, show free life versus civilization.
Squires (English, Virginia Tech) and Talbot (Spanish, Roanoke College) collected Frieda Laurence's letters for years before realizing that they could add considerable insight to a biography of her famous writer husband. The result, though focusing on him, turned out to be a biography of them as a couple, pulling her out from his shadow. Annotation copyrighted by Book News, Inc., Portland, OR
This series provides a wide variety of reading material for all learners of English. The books are retold versions of popular classics and contemporary titles as well as specially written stories.
England, My England is a collection of short stories by D. H. Lawrence. Individual items were originally written between 1913 and 1921, many of them against the background of World War I. Most of these versions were placed in magazines or periodicals. Ten were later selected and extensively revised by Lawrence for the England, My England volume. This was published on 24 October 1922 by Thomas Seltzer in the US. The first UK edition was published by Martin Secker in 1924.
Part 1 provides an overview of Lawrence's work in the genre, discussing his early realist stories, the modernist tales, and the late fables and satires. Part 2 contains a thorough analysis of ten of Lawrence's best known and most widely studied stories ('Odour of Chrysanthemums',' Daughters of the Vicar',' Love Among the Haystacks',' The Prussian Officer',' England, My England',' The Horse-Dealer's Daughter',' The Blind Man',' The Rocking-Horse Winner',' The Man Who Loved Islands', and' Things'). The analysis includes details of composition, a detailed synopsis, plus a short focus on a critical issue which opens up the structure of the story in question. Part 3 uses sections from four of the stories to demonstrate Lawrence's use of dialogue, symbolism, free indirect discourse, and mimicry and satire. Part 4 presents a Select Bibliography of editions of the stories plus secondary criticism.
Short Stories. This first-ever selection of Alice Munro's stories sums up her genius. Her territory is the secrets that cackle beneath the facade of everyday lives, the pain and promises, loves and fears of apparently ordinary men and women whom she renders extraordinary and unforgettable.