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Pakistan's finest women writers - Jamila Hashmi, Mumtaz Shirin, and Fahmida Riaz, amongst others - introduce us to the compelling cadences of a rich literary culture. A naive peasant is left with a white man's baby; a frustrated housewife slashes her husband's silk pyjamas; a middle-class woman sees visions of salvation in the tricks of circus animals ... Equally at ease with polemic and lyricism, these writers mirror the events of their convoluted history - nationalism and independence, wars with India, the creation of Bangladesh, the ethnic conflicts in Karachi - in innovative and courageous forms. Influenced both by the Indian and Islamic traditions of their milieu and by the shocking impact of modernity, they are distinguished above all by their artistic integrity and intellectual honesty. 'An excellent anthology by Urdu's foremost women writers' Muneeza Shamsie, Newsline 'I hope that this engaging and diverse work will encourage other translations of contemporary Pakistani fiction.' SOAS bulletin
If Pakistan Were A Different Nation Then What Was Ts National & Cultural Identity? Where Could It Trace Its Beginning? The Short Stories- Written Originally In Urdu, Punjabi, Sindhi, Pushto And Suraiki And Now Translated Into English- Showcased In This Anthology Engage With The Above Questions In Their Own Ways, Articulating A Multiplicity Of Voices And Experiences. They Chronicle The Birth Of The Pakistani Nation In Traumatic Circumstances And Its Chequered History Over The Past Fifty Years, Through Depicting The ýDesires And Aspirations And Thousand Other Unnamed Feelingsý Of Their Protagonists. While Doing So, They Also Depict The Immensely Varies And Rich Tapestry Of The Cultural Life In Pakistan
This anthology brings together English translations of twenty-six Urdu short stories by mostly renowned Pakistani writers. All the stories were written between 1947 and the present time. Authors range from the celebrated Saadat Hasan Manto to Dr Shershah Syed and Mehmood Zafar. Not all of these stories are necessarily the most famous works of their authors, and most of them have not been translated into English before. However, their exquisite depiction of diverse experiences and social realities justifies calling them unforgettable gems of Urdu short story writing. Selected and translated by Amina Azfar, these stories will delight the general reader and will also be found useful by students and scholars studying South Asian literature, culture, and history.
Some of the best Urdu short stories, from the earliest to contemporary works, come together in this anthology; all in brand new translations. Some of the stories included here are available in different anthologies in other translations, but there are also several that have been translated for the first time, specifically for this volume. The book demonstrates the range of the genre in Urdu.
The iconic title story of this collection narrates how Najab defies his father, the international border between India and Pakistan and the hostile salt desert of the Rann of Kutch for Fatimah. In ‘When Gandhi Came to Gorakhpur’ Shadilal, a small-time lawyer, dithers over giving up his profession and joining the freedom struggle until his mind is made up for him. And when Sultan Mahmud of Ghazni stints on a few silver coins for the poet Abul Qasim, he is visited by terrible nightmares in ‘Of Abul Qasim’. Love across the Salt Desert, which brings together a selection of Keki Daruwalla’s best-received short fiction, presents thematic variety and stunning breadth of vision. His prose is witty, precise and shot through with a unique poetic sensibility. These stories establish Daruwalla, one of India’s best-known poets, as a daring and gifted practitioner of short fiction. Son, have you brought anything? he asked, an edge of iron deliberately introduced into his voice. Yes, replied Najab, as he ushered Fatimah in. The rain stormed down and swept away three years of drought.
From the author of the award-winning Moth Smoke comes a perspective on love, prejudice, and the war on terror that has never been seen in North American literature. At a café table in Lahore, a bearded Pakistani man converses with a suspicious, and possibly armed, American stranger. As dusk deepens to night, he begins the tale that has brought them to this fateful meeting. . . Changez is living an immigrant’s dream of America. At the top of his class at Princeton, he is snapped up by Underwood Samson, an elite firm that specializes in the “valuation” of companies ripe for acquisition. He thrives on the energy of New York and the intensity of his work, and his infatuation with regal Erica promises entrée into Manhattan society at the same exalted level once occupied by his own family back in Lahore. For a time, it seems as though nothing will stand in the way of Changez’s meteoric rise to personal and professional success. But in the wake of September 11, he finds his position in his adopted city suddenly overturned, and his budding relationship with Erica eclipsed by the reawakened ghosts of her past. And Changez’s own identity is in seismic shift as well, unearthing allegiances more fundamental than money, power, and perhaps even love. Elegant and compelling, Mohsin Hamid’s second novel is a devastating exploration of our divided and yet ultimately indivisible world. “Excuse me, sir, but may I be of assistance? Ah, I see I have alarmed you. Do not be frightened by my beard: I am a lover of America. I noticed that you were looking for something; more than looking, in fact you seemed to be on a mission, and since I am both a native of this city and a speaker of your language, I thought I might offer you my services as a bridge.” —from The Reluctant Fundamentalist
The Indian short story is extraordinary in its ability to stick to the traditional rules of the craft and still demonstrate remarkable originality. It revolves around a limited number of characters, confines itself in time and space, and has a well-plotted narrative that drives its central theme. Within the traditional framework, however, creativity flowers and a fresh and imaginative story emerges. This volume is chock-full with such stories, written by authors well known in their regional languages as well as those who have made a name for themselves in English literary circles. Carefully selected by India's literary giant, the late Khushwant Singh, these pieces represent the best of Indian writing from around the country.
Moving from the elegant drawing rooms of Lahore to the mud villages of rural Multan, a powerful collection of short stories about feudal Pakistan. An impoverished young woman becomes a wealthy relative’s mistress; an electrician on the make confronts his desperate assailant to protect his most prized possession; a farm manager rises far in the world—but his family discovers after his death the transience of power; a maid, who advances herself through sexual favours, unexpectedly falls in love. In these linked stories about the family and household staff of the ageing KK Harouni, we meet masters and servants, landlords and supplicants, politicians and electricians, village women, and Karachi housewives. Part Chekhov, part RK Narayan, these stories are dark and light, complex and humane; at heart about the relationship between the powerful and powerless, bound together in life—and in death. Together they make up a vivid portrait of a feudal world rarely brought alive in the English language. Sensuous, graceful, melancholy, In Other Rooms, Other Wonders gives you Pakistan as you have never seen it. It marks the debut of an amazing new talent.