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These translations of the major poems of Giacomo Leopardi (1798--1837) render into modern English verse the work of a writer who is widely regarded as the greatest lyric poet in the Italian literary tradition. In spite of this reputation, and in spite of a number of nineteenth-and twentieth-century translations, Leopardi's poems have never "come over" into English in such a way as to guarantee their author a recognition comparable to that of other great European Romantic poets. By catching something of Leopardi's cadences and tonality in a version that still reads as idiomatic modern English (with an occasional Irish or American accent), Leopardi: Selected Poems should win for the Italian poet the wider appreciative audience he deserves. His themes are mutability, landscape, love; his attitude, one of unflinching realism in the face of unavoidable human loss. But the manners of the poems are a unique amalgam of philosophical toughness and the lyrically bittersweet. In a way more pure and distilled than most others in the Western tradition, these poems are truly what Matthew Arnold asked all poetry to be, a "criticism of life." The translator's aim is to convey something of the profundity and something of the sheer poetic achievement of Leopardi's inestimable Canti.
Selected Poems by Giacomo Leopardi. (16 poems in the English Translation) Leopardi's Canti were written in 1835. This collection of lyric poetry is considered one of the most significant works of Italian literature. The order of the poems here published in the English translations by Alan Marshfield, Tim Chilcott, A. S. Kline, and Frederick Townsend, does not follow their original position within the structure of Leopardi's Canti. The 16 poems here published are the most valuable versions from Leopardi's Canti, available in the English language. Giacomo Leopardi, (born June 29, 1798, Recanati, Papal States-died June 14, 1837, Naples), Italian poet, scholar, and philosopher whose outstanding scholarly and philosophical works and superb lyric poetry place him among the great writers of the 19th century. Leopardi has aestheticized the theme of metaphysical contemplation and placed emphasis on 'hope' as a fulcrum for all art, the fall of which is anathema to the ego and for the World.
Alongside his monumental Notebooks and the poems collected in Canti, which make him one of Italy's greatest and best-loved poets, Giacomo Leopardi penned a number of fictional pieces, mostly in the form of gently humorous dialogues, in which he dealt with philosophical ideas and many of the metaphysical questions that preoccupied his restless spirit.First published in 1827 and here presented in a new translation by J.G. Nichols along with Thoughts, Leopardi's own selected pearls of wisdom and gems of social observation, this volume will enchant both those who are familiar with and those who are new to the works of Italy's last great polymath.
A groundbreaking translation of the epic work of one of the great minds of the nineteenth century Giacomo Leopardi was the greatest Italian poet of the nineteenth century and was recognized by readers from Nietzsche to Beckett as one of the towering literary figures in Italian history. To many, he is the finest Italian poet after Dante. (Jonathan Galassi's translation of Leopardi's Canti was published by FSG in 2010.) He was also a prodigious scholar of classical literature and philosophy, and a voracious reader in numerous ancient and modern languages. For most of his writing career, he kept an immense notebook, known as the Zibaldone, or "hodge-podge," as Harold Bloom has called it, in which Leopardi put down his original, wide-ranging, radically modern responses to his reading. His comments about religion, philosophy, language, history, anthropology, astronomy, literature, poetry, and love are unprecedented in their brilliance and suggestiveness, and the Zibaldone, which was only published at the turn of the twentieth century, has been recognized as one of the foundational books of modern culture. Its 4,500-plus pages have never been fully translated into English until now, when a team under the auspices of Michael Caesar and Franco D'Intino of the Leopardi Centre in Birmingham, England, have spent years producing a lively, accurate version. This essential book will change our understanding of nineteenth-century culture. This is an extraordinary, epochal publication.
This essential introduction to the poems of Giacomo Leopardi provides a complete translation of The Canti, explanatory notes, and a selection of Leopardi's prose keyed to related poems. Further background is provided by an introduction and a brief biography woven from Leopardi's own words.
"The Poems of Giacomo Leopardi" by Giacomo Leopardi is a collection of works by one of Italy's most celebrated poets. Leopardi's poetry is renowned for its profound reflection on existential themes, human suffering, and the search for meaning. His verse often explores themes of melancholy, nature, and the passage of time. Leopardi's most famous poems include "L'infinito" (The Infinite), which expresses the vastness of the universe and the limits of human understanding, and "A Silvia", a poignant elegy for a lost love. His works are marked by their lyrical beauty and philosophical depth, revealing his inner struggles and contemplations about life and the human condition. "The Poems of Giacomo Leopardi" offers readers a window into the emotional and intellectual world of one of the greatest Italian poets, whose work has had a lasting influence on modern literature and continues to resonate with readers today.
Admired for the poetical heights of his Canti, the gentle wit of his prose dialogues and the soul-searching questionings of his Zibaldone (Notebooks), Leopardi was also an acute social commentator and a sharp dissector of the human mind. Thoughts - a collection of philosophical and critical observations put together for publication by Leopardi himself shortly before his death in 1837 - shows a more light-hearted side to Leopardi's personality, and offers both those who are familiar with and those who are new to his works a fresh insight into the thought processes and the worldview of Italy's last great polymath.