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Friedrich Hölderlin (1770-1843) is now recognized as one of Europe’s supreme poets. He first found his true voice in the epigrams and odes he wrote when transfigured by his love for the wife of a rich banker. He later embarked on an extraordinarily ambitious sequence of hymns exploring cosmology and history, from mythological times to the discovery of America and his own era. The ’Canticles of Night’, by contrast, include enigmatic fragments in an unprecedented style, which anticipates the Symbolists and Surrealists. Together the works collected here show Hölderlin’s use of Classical and Christian imagery and his exploration of cosmology and history in an attempt to find meaning in an uncertain world.
The first appearance of this award-winning writer's work since the 1940s, this collection, which includes an introduction by John Ashbery, restores Joan Murray's striking poetry to its originally intended form. Though John Ashbery hailed Joan Murray as a key influence on his work, Murray’s sole collection, Poems, published after her death at the early age of twenty-four and selected by W. H. Auden for inclusion in the Yale Series of Younger Poets, has been almost entirely unavailable for the better part of half a century. Poems was put together by Grant Code, a close friend of Murray’s mother, and when Murray’s papers, long thought to be lost, reappeared in 2013, it became clear that Code had exercised a heavy editorial hand. This new collection, edited by Farnoosh Fathi from Murray’s original manuscripts, restores Murray’s raw lyricism and visionary lines, while also including a good deal of previously unpublished work, as well as a selection of her exuberant letters.
Friedrich Holderlin (1770-1843), regarded as one of the giants of German literature, produced a large body of lyric poetry and a novel, HYPERION, before becoming insane in 1802. His ode to the wife of a banker to whose children he was tutor and his hymns exploring cosmology and history are as extraordinary as the visionary lyrics of Blake and Yeats.
Collects the poems and fragments of the ancient Greek poet's surviving work, displaying the wide variety of themes in her work, from amorous songs celebrating adolescent females to poems of invocation, desire, spite, celebration, and remembrance.
"In this expanded edition of his distinguished Sappho: Poems and Fragments (2002), Stanley Lombardo offers over 100 fragments not included in the original edition, as well as the new poems discovered in 2004 and 2014. His translation of this latter material yields fresh insights into Sappho's representations of old age, two of her brothers, and her special relationship with Aphrodite. Pamela Gordon's engaging, balanced, and informative Introduction has been revised to incorporate discussion of the new fragments, which subtly alter our previous understanding of the archaic poet's corpus. Complete Poems and Fragments also offers a useful updated bibliography, as well as a section on 'Elegiac Sappho' that presents the reception of the Lesbian poet in later Greek and Latin elegiac poems. A wonderful find for any Greekless reader searching for a complete and up-to-date Sappho. --Patricia A. Rosenmeyer, Department of Classics, University of Wisconsin-Madison
Presents a Sappho by a poet and translator that treats the fragments as aesthetic wholes, complete in their fragmentariness, and which is also, as the translator puts it: 'ever mindful of performative qualities, quality of voice, changes of voice...'
Marilyn Monroe’s image is so universal that we can’t help but believe that we know all there is to know of her. Every word and gesture made headlines and garnered controversy. Her serious gifts as an actor were sometimes eclipsed by her notoriety -- and the way the camera fell helplessly in love with her. But what of the other Marilyn? Beyond the headlines -- and the too-familiar stories of heartbreak and desolation -- was a woman far more curious, searching and hopeful than the one the world got to know. Even as Hollywood studios tried to mold and suppress her, Marilyn never lost her insight, her passion, and her humour. To confront the mounting difficulties of her life, she wrote. Now, for the first time, we can meet this private Marilyn and get to know her in a way we never have before. Fragments is an unprecedented collection of written artifacts -- notes to herself, letters, even poems -- in Marilyn’s own handwriting, never before published, along with rarely seen intimate photos. These bits of text -- jotted in notebooks, typed on paper or written on hotel letterhead -- reveal a woman who loved deeply and strove to perfect her craft. They show a Marilyn Monroe unsparing in her analysis of her own life, but also playful, funny and impossibly charming. The easy grace and deceptive lightness that made her performances so memorable emerge on the page, as does the simmering tragedy that made her last appearances so heartbreaking. Fragments is an event -- an unforgettable book that will redefine one of the greatest stars of the twentieth century and which, nearly fifty years after her death, will definitively reveal Marilyn Monroe’s humanity.
The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. The Odes contain versions of some of the best known Greek myths and are also a valuable source for Greek religion and ethics. Verity's lucid translations are complemented by insights into competition, myth, and meaning. - ;'we can speak of no greater contest than Olympia' The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. He celebrated the victories of athletes competing in foot races, horse races, boxing, wrestling, all-in fighting and the pentathlon, and his Odes are fascinating not only for their poetic qualities, but for what they tell us about the Games. Pindar praises the victor by comparing him to mythical heroes and the gods, but also reminds the athlete of his human limitations. The Odes contain versions of some of the best known Greek myths, such as Jason and the Argonauts, and Perseus and Medusa, and are a valuable source for Greek religion and ethics. Pindar's startling use of language - striking metaphors, bold syntax, enigmatic expressions - makes reading his poetry a uniquely rewarding experience. Anthony Verity's lucid translations are complemented by an introduction and notes that provide insight into competition, myth, and meaning. -
An annotated bilingual edition of Hölderlin’s radical and influential late poetry Despite his influence on such figures as Nietzsche, Rilke, Heidegger, and Celan, Friedrich Hölderlin (1770–1843) is only now being fully appreciated as perhaps the first great modern of European poetry. Drawing on the most recent scholarship, this annotated translation conveys the radical idiom and vision that continue to make him a contemporary. Richard Sieburth includes almost all Hölderlin’s late poems in free rhythms from the years between 1801 and 1806, the period just prior to his hospitalization for insanity. Sieburth’s critical introduction discusses the poet’s career, assesses his role as the link between classicism and romanticism, and explores Hölderlin’s ongoing importance to modern poetics and philosophy. Annotations explicate the individual poems, a number of which are translated into English for the first time.
Poems explore the murder of a young Chinese American, the author's experiences while traveling through Mexico, and the life of the mythological character, Perseus.