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One hundred and fifty-six poems, grouped by theme, are accompanied by drawings, oils, and watercolors by the poet.
Objectivist poet George Oppen (1908–1984), along with his contemporaries Lorine Niedecker, Charles Reznikoff, and Carl Rakoski, provide an important bridge between the vanguard modernist American poets and the later works of poets such as Robert Creeley. In work often compounded by the populist urbanity of city lives, the Objectivists explored the social statements poetry can make. Because Oppen wrote only one essay and one essay-review, his correspondence, in effect, constitutes his essays. Oppen is emerging as one of the major poets of the postwar era; he was the recipient of an American Academy and Institute of Arts and Letters Award, the PEN/West Rediscovery Award, and a Senior Fellowship from the National Endowment for the Arts. His collectionOf Being Numerousreceived the 1969 Pulitzer Prize for Poetry. These working papers include a rich correspondence, letters which provide access to the sustained, perceptive body of critical and aesthetic thinking of Oppen’s poetic career. Provocative and witty comments on poetry and poetics, especially interesting for the development of an Objectivist aesthetics, and shrewd, deeply felt assessments about the politics of the twentieth century and its moral dilemmas are some of the issues attended to. This edition offers primary documentation about an influential poetics, a little-known movement, and its active figures. Given the aggressive studies of the politics of canon-formation, the interest in describing a historical context for individual literary achievement, and current debates about mainstream poetry, the rethinking of the Objectivist movement, and the collection of documents contributing to its poetics, is an important achievement in literary scholarship.
The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.
“What an achievement, these sixty years of poetry! In whatever terms we Americans regard the rest of our recent history, the score of things done well and done ill, this much at least we have done superlatively.”—Hayden Carruth This famous anthology includes the works of more than 130 major American poets of the modern period—Robert Frost, Paul Goodman, Carl Sandburg, T.S. Eliot, Ezra Pound, Allen Ginsberg, and Gwendolyn Brooks among them—along with short biographies of each. “Not only the best on its period, I think, but is even perhaps safe from the competition of rivals.”—Robert Lowell
The volume offers a full sampling of Pratt's poems chosen both for their representativeness and for their intrinsic value.
In "Using English," writers from a range of academic discipline examine a wide variety of texts and discourses including: everyday conversation, English in the workplace, English and Rhetoric, literary practices, English and popular culture, language and literature. Highly interdisciplinary in approach, this second in a series of four book provides a coherent introduction to the way in which language is shaped and used in practice. Contributors include: Mike Baynham, Guy Cook, Lizbeth Goodman, Janet Maybin, Robin Mercer, Jane Miller and Neil Mercer.
For many years, for many people social psychology has been deemed a discipline in crisis. This new book proposes a way out of the crisis by letting go of the idea that psychology needs new foundations or a new identity, whether biological, discursive or cognitive. The psychological is not narrowly confined to any one aspect of human experience; it is quite literally everywhere. The book proposes a strong process-oriented approach to the psychological, which studies events or occasions. Aspects of experience such as communication or embodiment are treated as thoroughly mediated - the product of multiple intersecting relationships between the biological, the psychic and the social. The outcome is an image of a mobile, reflexively founded discipline which follows the psychological wherever it takes us, from the depths of embodiment to the complexities of modern global politics.
T.S. Elliot (1888-1965). Writings include: Prufrock and other Observations, Poems, Old Possum's Book of Practical Cats.
Lo femenino contiene el misterio de la creación. Esta verdad simple y primordial a menudo pasa desapercibida. Sin embargo, en estos tiempos de crisis global, que a su vez portan las semillas de una transformación global, es necesario que redespertemos al poder espiritual y al potencial de lo femenino. Las cualidades femeninas forman parte tanto del hombre como de la mujer y nos empujan hacia las profundidades de nuestro ser, hasta los misterios del alma, cuya sabiduría se denomina Sofía. Sin lo femenino nada nuevo puede nacer, nada nuevo puede llegar a la existencia; quedaríamos atrapados en las imágenes materialistas de la vida que están contaminando nuestro planeta y profanando nuestras almas. Tenemos que volver al centro de nuestro ser, al lugar donde lo sagrado se manifiesta en la existencia. Y la feminidad mística contiene la clave para poder llevar a cabo esta labor de redención y de transformación. En las últimas dos décadas Llewellyn Vaughan-Lee ha impartido enseñanzas sobre lo femenino y el anima mundi, el Alma del Mundo, que por primera vez han sido recopiladas en este libro.