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You could describe D.H. Lawrence as the great multi-instrumentalist among the great writers of the twentieth century. He was a brilliant, endlessly controversial novelist who transformed, for better and for worse, the way we write about sex and emotions; he was a wonderful poet; he was an essayist of burning curiosity, expansive lyricism, odd humor, and radical intelligence, equaled, perhaps, only by Virginia Woolf. Here Geoff Dyer, one of the finest essayists of our day, draws on the whole range of Lawrence’s published essays to reintroduce him to a new generation of readers for whom the essay has become an important genre. We get Lawrence the book reviewer, writing about Death in Venice and welcoming Ernest Hemingway; Lawrence the travel writer, in Mexico and New Mexico and Italy; Lawrence the memoirist, depicting his strange sometime-friend Maurice Magnus; Lawrence the restless inquirer into the possibilities of the novel, writing about the novel and morality and addressing the question of why the novel matters; and, finally, the Lawrence who meditates on birdsong or the death of a porcupine in the Rocky Mountains. Dyer’s selection of Lawrence’s essays is a wonderful introduction to a fundamental, dazzling writer.
A selection of Lawrence's work, which underlines the innovation that made him one of the most distinctive of 20th-century writers. The selection includes: Sons and Lovers, Women in Love, Lady Chatterley's Lover, The Captain's Doll, The Fox, The Ladybird, St Mawr, The Princess, The Virgin and the Gypsy and The Escaped Cock.
An authoritative selection of letters by one of the great English letter-writers, first published in 1997, is also available in paperback.
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD "In the spirit of Julian Barnes's Flaubert's Parrot and Alain de Botton's How Proust Can Change Your Life, Mr. Dyer's Out of Sheer Rage keeps circling its subject in widening loops and then darting at it when you least expect it . . . a wild book."--Christopher Lehmann-Haupt, The New York Times Geoff Dyer was a talented young writer, full of energy and reverence for the craft, and determined to write a study of D. H. Lawrence. But he was also thinking about a novel, and about leaving Paris, and maybe moving in with his girlfriend in Rome, or perhaps traveling around for a while. Out of Sheer Rage is Dyer's account of his struggle to write the Lawrence book--a portrait of a man tormented, exhilarated, and exhausted. Dyer travels all over the world, grappling not only with his fascinating subject but with all the glorious distractions and needling anxieties that define the life of a writer.
Lawrence first put together the collection of his poems in 1928. They are arranged chronologically "to make up a biography of an emotional and inner life".
'A critic must be able to feel the impact of a work of art in all its complexity and force. To do so, he must be a man of force and complexity himself...' 'A critic must be emotionally alive in every fibre, intellectually capable and skilful in essential logic, and then morally very honest.' These comments by D. H. Lawrence are as close a description as any of himself as a critic. They come from his essay on fellow novelist John Galsworthy, and there are many other pieces on novels and novelists in this selection. But Lawrence's range of genres extends to poetry and plays andpaintings, and his critical writing encompasses an enormous variety of subjects, from Aeschylus and the Apocalypse to symbolism and syphilis, for his nterests are philosophical , psychological, religious, moral, sociological, historical and cultural as well as literary and artistic. This selectionis a treasure-trove of 'thought adventures' by one of literature's liveliest critical spirits.
Contains the author's best known poems accompanied with notes and tips on essay writing and A-level exam skills
This masterly work offers an exciting recreation of the life and times of British novelist D.H. Lawrence.
In his last novel, published less than a year before his untimely death at the age of forty-five, D.H. Lawrence takes up the theme of Christ's resurrection and his final days on Earth. Lawrence recounts Christ's agonizing journey from death back to life with an alarmingly profane realism, depicting the tale from the moment of his initial painful awakening to his eventual redemptive sexual relationship with the priestess of the pagan goddess Isis. The story expands beyond its Christian roots to explore and embrace Lawrence's abiding faith in the life-force apparent in every aspect of the natural world. For his final work, Lawrence has encapsulated a lifetime of extraordinary vision into one profound and exquisite parable.