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Martha Gellhorn was one of the most extraordinary of all female war correspondents. Her career tracked many of the flashpoints of the 20th century: she witnessed at first hand the Depression in the south of the United States; the Spanish Civil War; and more. This book features a selection of her intimate letters.
From Martha Gellhorn's critically acclaimed biographer, the first collected letters of this defining figure of the twentieth-century Martha Gellhorn's heroic career as a reporter brought her to the front lines of virtually every significant international conflict between the Spanish Civil War and the end of the Cold War. While Gellhorn's wartime dispatches rank among the best of the century, her personal letters are their equal: as vivid and fascinating as anything she ever published. Gellhorn's correspondence from 1930 to 1996—chronicling friendships with figures as diverse as Eleanor Roosevelt, Leonard Bernstein, and H. G. Wells, as well as her tempestuous marriage to Ernest Hemingway—paint a vivid picture of the twentieth century as she lived it. Caroline Moorehead, who was granted exclusive access to the letters, has expertly edited this fascinating volume, providing prefatory and interstitial material that contextualizes Gellhorn's correspondence within the arc of her entire life. The letters introduce us to the woman behind the correspondent—a writer of wit, charm, and vulnerability. The result is an exhilarating, intimate portrait of one of the most accomplished women of modern times.
An engrossing collection that burnishes Gellhorn's reputation as an astute observer, insightful writer, and uniquely brave woman. -- Kirkus starred review) This carefully curated collection ... reveals the exciting life of a brilliant woman whose work paved the way for many who followed behind her. -- The Globe and Mail What a pleasure reading her correspondence and being reminded of how beautifully she wrote, filled with passion and insight. -- Azar Nafisi An essential book ... Janet Somerville has done a marvelous job with marvelous material. Bravo. -- Ward Just Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred objectivity shit and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as Mrs. Hemingway from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Yours, for Probably Always is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of the people who were the sufferers of history. Renewed interest in her life makes this collection, packed with newly discovered letters and pictures, fascinating reading.
A portrait of the preeminent female war correspondent describes her birth in turn-of-the-century St. Louis, her work in major cities throughout the world, her many powerful friendships, and her marriage to Hemingway.
An intimate and illuminating glimpse at Ernest Hemingway as a father, revealed through a selection of letters he and his son Patrick exchanged over the span of twenty years. In the public imagination, Ernest Hemingway looms larger than life. But the actual person behind the legend has long remained elusive. Now, his son Patrick shares the letters they exchanged over two decades, offering a glimpse into how one of America’s most iconic writers interacted with his children. These letters reveal a father who wished for his children to share his interests—hunting, fishing, travel—and a son who was receptive to the experiences his father offered. Edited by and including an introduction by Patrick Hemingway’s nephew Brendan Hemingway and his grandson Stephen Adams, and featuring a prologue and epilogue by Patrick reflecting on his father’s legacy, Dear Papa is a loving and collaborative family project and a nuanced, fascinating portrait of a father and son.
Now including a foreward by Bill Buford and photographs of Gellhorn with Hemingway, Dorothy Parker, Madame Chiang Kai-shek, Gary Cooper, and others, this new edition rediscovers the voice of an extraordinary woman and brings back into print an irresistibly entertaining classic. "Martha Gellhorn was so fearless in a male way, and yet utterly capable of making men melt," writes New Yorker literary editor Bill Buford. As a journalist, Gellhorn covered every military conflict from the Spanish Civil War to Vietnam and Nicaragua. She also bewitched Eleanor Roosevelt's secret love and enraptured Ernest Hemingway with her courage as they dodged shell fire together. Hemingway is, of course, the unnamed "other" in the title of this tart memoir, first published in 1979, in which Gellhorn describes her globe-spanning adventures, both accompanied and alone. With razor-sharp humor and exceptional insight into place and character, she tells of a tense week spent among dissidents in Moscow; long days whiled away in a disused water tank with hippies clustered at Eilat on the Red Sea; and her journeys by sampan and horse to the interior of China during the Sino-Japanese War.
Martha Gellhorn was one of the first—and most widely read—female war correspondents of the twentieth century. She is best known for her fearless reporting in Europe before and during WWII and for her brief marriage to Ernest Hemingway, but she was also an acclaimed novelist. In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, A Stricken Field follows a journalist who returns to Prague after its annexation and finds her efforts to obtain help for the refugees and to convey the shocking state of the country both frustrating and futile. A convincing account of a people under the brutal oppression of the Gestapo, A Stricken Field is Gellhorn’s most powerful work of fiction. “[A] brave, final novel. Its writing is quick with movement and with sympathy; its people alive with death, if one can put it that way. It leaves one with aching heart and questing mind.”—New York Herald Tribune “The translation of [Gellhorn’s] personal testimony into the form of a novel has . . . force and point.”—Times Literary Supplement
Martha Gellhorn was the youngest of 16 handpicked reporters who filed accurate, confidential reports on the human stories behind the statistics of the Depression directly to Roosevelt's White House.
“With their intellectual brilliance, humor and wonderful eye for detail, Leonard Bernstein’s letters blow all biographies out of the water.”—The Economist (2013 Book of the Year) Leonard Bernstein was a charismatic and versatile musician—a brilliant conductor who attained international superstar status, and a gifted composer of Broadway musicals (West Side Story), symphonies (Age of Anxiety), choral works (Chichester Psalms), film scores (On the Waterfront), and much more. Bernstein was also an enthusiastic letter writer, and this book is the first to present a wide-ranging selection of his correspondence. The letters have been selected for the insights they offer into the passions of his life—musical and personal—and the extravagant scope of his musical and extra-musical activities. Bernstein’s letters tell much about this complex man, his collaborators, his mentors, and others close to him. His galaxy of correspondents encompassed, among others, Aaron Copland, Stephen Sondheim, Jerome Robbins, Thornton Wilder, Boris Pasternak, Bette Davis, Adolph Green, Jacqueline Kennedy Onassis, and family members including his wife Felicia and his sister Shirley. The majority of these letters have never been published before. They have been carefully chosen to demonstrate the breadth of Bernstein’s musical interests, his constant struggle to find the time to compose, his turbulent and complex sexuality, his political activities, and his endless capacity for hard work. Beyond all this, these writings provide a glimpse of the man behind the legends: his humanity, warmth, volatility, intellectual brilliance, wonderful eye for descriptive detail, and humor. “The correspondence from and to the remarkable conductor is full of pleasure and insights.”—The New York Times Book Review (Editors’ Choice) “Exhaustive, thrilling [and] indispensable.”—USA Today (starred review)
Truth is stranger than fiction. If you've imagined famous writers to be desk-bound drudges, think again. Writers Gone Wild rips back the (book) covers and reveals the seamy underside of the writing life. Insightful, intriguing, and irresistibly addictive, Writers Gone Wild reveals such fascinating stories as: * The night Dashiell Hammett hired a Chinese prostitute to break up S. J. Perelman's marriage (and ran off with his wife). * Why Sylvia Plath bit Ted Hughes on the cheek. * Why Ernest Hemingway fought a book critic, a modernist poet, and his war correspondent/wife Martha Gellhorn (but not at the same time). * The near-fatal trip Katherine Anne Porter took while high on marijuana in Mexico. * Why women's breasts sent Percy Bysshe Shelley screaming from the room. * The day Virginia Woolf snuck onto a Royal Navy ship disguised as an Abyssinian prince. Pull up a chair, turn on good reading light, and discover what your favorite writers were up to while away from their desks. Sometimes, they make the wildest characters of all.