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This collection of essays situates George Gascoigne in context as the pre-eminent writer of the early part of Queen Elizabeth’s reign. His ceaseless experimentation was hugely influential on those later Elizabethans - including Spenser, Sidney and Shakespeare - who represent the great flowering of the English literary renaissance. Gascoigne rarely returned to a genre, writing prose fiction, blank verse, plays, sonnets, narrative verse, courtly entertainments, satire and many other literary forms, and the later Elizabethans were fully aware of his significance. These essays are organised into three main sections: influences upon Gascoigne, such as Skelton; Gascoigne’s influence on others, including Spenser; and finally a reassessment of his critical neglect and the story behind his marginalised status in the English literary canon. As only the second multi-authored essay collection on Gascoigne, this book makes a valuable contribution to our understanding of this important and often misunderstood writer.
Revisiting Shakespeare’s Italian Resources is about the complex dynamics of transmission and transformation of the Italian sources of twelve Shakespearean plays, from The Two Gentlemen of Verona to Cymbeline. It focuses on the works of Sir Giovanni Fiorentino, Da Porto, Bandello, Ariosto, Dolce, Pasqualigo, and Groto, as well as on commedia dell’arte practices. This book discusses hitherto unexamined materials and revises received interpretations, disclosing the relevance of memorial processes within the broad field of intertextuality vis-à-vis conscious reuses and intentional practices.
Shakespeare's Books contains nearly 200 entries covering the full range of literature Shakespeare was acquainted with, including classical, historical, religious and contemporary works. The dictionary covers works whose importance to Shakespeare has emerged more clearly in recent years due to new research, as well as explaining current thinking on long-recognized sources such as Plutarch, Ovid, Holinshed, Ariosto and Montaigne. Entries for all major sources include surveys of the writer's place in Shakespeare's time, detailed discussion of their relation to his work, and full bibliography. These are enhanced by sample passages from early modern England writers, together with reproductions of pages from the original texts. Now available in paperback with a new preface bringing the book up to date, this is an invaluable reference tool.
This 1999 book offers an original study of lyric form and social custom in the Elizabethan age. Ilona Bell explores the tendency of Elizabethan love poems not only to represent an amorous thought, but to conduct the courtship itself. Where studies have focused on courtiership, patronage and preferment at court, her focus is on love poetry, amorous courtship, and relations between Elizabethan men and women. The book examines the ways in which the tropes and rhetoric of love poetry were used to court Elizabethan women (not only at court and in the great houses, but in society at large) and how the women responded to being wooed, in prose, poetry and speech. Bringing together canonical male poets and women writers, Ilona Bell investigates a range of texts addressed to, written by, read, heard or transformed by Elizabethan women, and charts the beginnings of a female lyric tradition.
"Othello" is perhaps Shakespeare's most troublesome tragedy. While it has retained its popularity on the stage, many critics have struggled to come to terms with it. The Romantics warmed to the figure of Othello himself and wrung their hands over the plight of Desdemona; the Modernists looked down on the play as an achievement of Shakespeare's stagecraft rather than of his imagination. Excerpting and discussing the critical history of the play from the earliest pronouncements to present-day criticism, this guide does justice to the variety of opinion and points out significant themes and recurring critical concerns, without glossing over the ugly racism of many critical accounts and the inadequacy of many attempts to face up to the issues raised by the play.
Mary Sidney Herbert, Countess of Pembroke, was renowned in her own time for her metrical translation of biblical Psalms, several original poems, translations from French and Italian, and her literary patronage. William Shakespeare used her Antonius as a source, Edmund Spenser celebrated her original poems, John Donne praised her Psalmes, and Lady Mary Wroth and Aemilia Lanyer depicted her as an exemplary poet. Arguably the first Englishwoman to be celebrated as a literary figure, she has also attracted considerable modern attention, including more than two hundred critical studies. This volume offers a brief introduction to her life and an extensive overview of the critical reception of her works, reprints some of the most essential and least accessible essays about her life and writings, and includes a full bibliography.