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These selected essays on Canadian, Australian and New Zealand literatures often, although not always, consider individual texts and literary authors within the post-colonial paradigm. They discuss some of the most prominent, mostly contemporary literary authors in these genres, including, for example, Margaret Atwood, C. K. Stead, Christopher Koch, David Malouf, Richard Flanagan, Andrew Riemer, Ouyang Yu, A. D. Hope, Teju Cole from the USA, and others. Several studies focus on significant issues in recent diasporic and transcultural writing in English, including the specific Slovenian literary production, while some of the essays examine the literary representations of a country in a particular national collective consciousness.
Clark Blaise's Selected Essays brings together another aspect of his tremendous and courageous oeuvre: belle lettres, essays and occasional pieces which range over autobiography, his French-Canadan heritage, the craft of fiction, American fiction, Australian fiction, and the work of such individual writers and Jack Kerouac, V.S. Naipaul, Salmon Rushdie, Alice Munro, Leon Rooke, and Bernard Malamud, his friend and mentor.
Ralph Waldo Emerson believed that an appreciation of its vast natural resources would become the foundation of American culture. His assertion that human thought and actions proceed from nature, was a radical departure from the traditional European emphasis on domesticating nature to suit human needs. His philosophy is rich in common natural scenes of daily life, and expresses the inherent harmony between man and nature. This collection brings together 15 of Emerson's most significant essays, including "Nature", "The American Scholar", "Self-reliance" and "The Transcendentalist", as well as his assessments of Montaigne, Napoleon and Thoreau.
Comparing second generation children of immigrants in black Canadian and black British women’s writing, Settling Down and Settling Up extends discourses of diaspora and postcolonialism by expanding recent theory on movement and border crossing. While these concepts have recently gained theoretical currency, this book argues that they are not always adequate frameworks through which to understand second generation children who wish to reside "in place" in the nations of their birth. Considering migration and settlement as complex, interrelated processes that inform each other across multiple generations and geographies, Andrea Katherine Medovarski challenges the gendered constructions of nationhood and diaspora with a particular focus on Canadian and British black women writers, including Dionne Brand, Esi Edugyan, and Zadie Smith. Re-evaluating gender and spatial relations, Settling Down and Settling Up argues that local experiences, often conceptualized through the language of the feminine and the domestic in black women’s writings, are no less important than travel and border crossings.
Spoken word is one of the most popular styles of poetry in North America. While its prevalence is often attributed to the form’s strong ties to oral culture, Recalling Recitation in the Americas reveals how poetry memorization and recitation curricula, shaped by British Imperial policy, influenced contemporary performance practices. During the early twentieth century, educators frequently used the recitation of canonical poems to instill "proper" speech and behaviour in classrooms in Canada, the Caribbean, and the United States. Janet Neigh critically analyses three celebrated performance poets - E. Pauline Johnson-Tekahionwake (1861-1913), Langston Hughes (1902-1967), and Louise Bennett (1919-2006) - who refashioned recitation to cultivate linguistic diversity and to resist its disciplinary force. Through an examination of the dialogues among their poetic projects, Neigh illuminates how their complicated legacies as national icons obscure their similar approaches to resisting Anglicization. Recalling Recitation in the Americas focuses on the unexplored relationship between education history and literary form and establishes the far-reaching effects of poetry memorization and recitation on the development of modern performance poetry in North America.
This book brings together contributions on a wide range of topics, including regionalism, the North, demography, ethnicity, culture, and sport, to create a comprehensive and interesting introduction to Canadian society. The addition of a short story by Alistair MacLeod is a creative departure from the academic writing of the other chapters. This updated edition is an innovative collection that combines depth, breadth, sophistication, and readability to offer the reader a comprehensive overview of Canada. Contributors include Michael Howlett, Alistair MacLeod, Don Rubin, and Patricia Monture-Angus and subjects include public policy, theatre, minorities, globalisation, and aboriginal women.
Post-Colonial Drama is the first full-length study to address the ways in which performance has been instrumental in resisting the continuing effects of imperialism. It brings to bear the latest theoretical approaches from post-colonial and performance studies to a range of plays from Australia, Africa, Canada, New Zealand, the Caribbean and other former colonial regions. Some of the major topics discussed in Post-Colonial Drama include: * the interactions of post-colonial and performance theories * the post-colonial re-stagings of language and history * the specific enactments of ritual and carnival * the theatrical citations of the post-colonial body Post-Colonial Drama combines a rich intersection of theoretical approaches with close attention to a wide range of performance texts.
High courts around the world hold a revered place in the legal hierarchy. These courts are the presumed impartial final arbiters as individuals, institutions, and nations resolve their legal differences. But they also buttress and mitigate the influence of other political actors, protect minority rights, and set directions for policy. The comparative empirical analysis offered in this volume highlights important differences between constitutional courts but also clarifies the unity of procedure, process, and practice in the world’s highest judicial institutions. High Courts in Global Perspective pulls back the curtain on the interlocutors of court systems internationally. This book creates a framework for a comparative analysis that weaves together a collective narrative on high court behavior and the scholarship needed for a deeper understanding of cross-national contexts. From the U.S. federal courts to the constitutional courts of Africa, from the high courts in Latin America to the Court of Justice of the European Union, high courts perform different functions in different societies, and the contributors take us through particularities of regulation and legislative review as well as considering the legitimacy of the court to serve as an honest broker in times of political transition. Unique in its focus and groundbreaking in its access, this comparative study will help scholars better understand the roles that constitutional courts and judges play in deciding some of the most divisive issues facing societies across the globe. From Africa to Europe to Australia and continents and nations in between, we get an insider’s look into the construction and workings of the world’s courts while also receiving an object lesson on best practices in comparative quantitative scholarship today. Contributors: Aylin Aydin-Cakir, Yeditepe University, Turkey * Tanya Bagashka, University of Houston * Clifford Carrubba, Emory University * Amanda Driscoll, Florida State University * Joshua Fischman, University of Virginia * Joshua Fjelstul, Washington University in St. Louis * Tom Ginsburg, University of Chicago * Melinda Gann Hall, Michigan State University * Chris Hanretty, University of London * Lori Hausegger, Boise State University * Diana Kapiszewski, Georgetown University * Lewis A. Kornhauser, New York University * Dominique H. Lewis, Texas A&M University * Chien-Chih Lin, Academia Sinica, Taiwan * Sunita Parikh, Washington University in St. Louis * Russell Smyth, Monash University, Australia * Christopher Zorn, Pennsylvania State University Constitutionalism and Democracy
Eliza Hamilton Dunlop (1796–1880) arrived in Sydney in 1838 and became almost immediately notorious for her poem “The Aboriginal Mother,” written in response to the infamous Myall Creek massacre. She published more poetry in colonial newspapers during her lifetime, but for the century following her death her work was largely neglected. In recent years, however, critical interest in Dunlop has increased, in Australia and internationally and in a range of fields, including literary studies; settler, postcolonial and imperial studies; and Indigenous studies. This stimulating collection of essays by leading scholars considers Dunlop's work from a range of perspectives and includes a new selection of her poetry.