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"Denise Levertov fulfills the eternal mission of the true Poet: to be a receptacle of Divine Grace and a 'spendor of that Grace to humanity.'" --World Literature Today
Revealing essays discuss the religious power of music, the role of the liberal church in social justice, the historical origins of the free church movement, the balance of spirituality and social responsibility and more. Spans Adams' entire career.
Theologian, ethicist, and political analyst, Reinhold Niebuhr was a towering figure of twentieth-century religious thought. Now newly repackaged, this important book gathers the best of Niebuhr’s essays together in a single volume. Selected, edited, and introduced by Robert McAfee Brown—a student and friend of Niebuhr’s and himself a distinguished theologian—the works included here testify to the brilliant polemics, incisive analysis, and deep faith that characterized the whole of Niebuhr’s life.“This fine anthology makes available to a new generation the thought of one of the most penetrating and rewarding of twentieth-century minds. Reinhold Niebuhr remains the great illuminator of the dark conundrums of human nature, history and public policy.”—Arthur Schlesinger, Jr.“Sparkling gems. . . brought from the shadows of history into contemporary light. Beautifully selected and edited, they show that Niebuhr’s fiery polemics and gracious assurances still speak with power to us today.”—Roger L. Shinn“An extremely useful volume.”—David Brion Davis, New York Review of Books“This collection, which brings together Niebuhr’s most penetrating and enduring essays on theology and politics, should demonstrate for a new generation that his best thought transcends the immediate historical setting in which he wrote. . . . [Brown’s] introduction succinctly presents the central features of Niebuhr’s life and thought.”—Library Journal
"There isn't a dull or conventional page, or an unlovely sentence in the book."--Scott Eyman, The Palm Beach Post
On the occasion of his seventy-fith birthday, Pantheon is publishing a gathering of John Berger's most insightful and provocative writings on art over the past forty years. "Selected Essays brings together a comprehensive array of writings from Berger's previous collections: "Toward Reality, "The Moment of Cubism, "The Look of Things," About Looking, "The Sense of Sight, and "Keeping a Rendezvous. From Piero to Pollock, from Kokoschka to La Tour, from mass demonstrations to museums-the ideas in these essays are as fresh and compelling as they were when first published. Polemical, meditative, radical, always original, they display a remarkable continuity of thoughtful inquiry and political engagement.
"We do not have too much intellect and too little soul, but too little precision in matters of the soul."—Robert Musil Best known as author of the novel The Man without Qualities, Robert Musil wrote these essays in Vienna and Berlin between 1911 and 1937. Offering a perspective on modern society and intellectual life, they are concerned with the crisis of modern culture as it manifests itself in science and mathematics, capitalism and nationalism, the changing roles of women and writers, and more. Writing to find his way in a world where moral systems everywhere were seemingly in decay, Musil strives to reconcile the ongoing conflict between functional relativism and the passionate search for ethical values. Robert Musil was born in 1880 and died in 1942. His first novel, Young Törless, is available in English. A new two-volume translation by Burton Pike and Sophie Wilkins of The Man without Qualities is forthcoming from Alfred A. Knopf. "Now we have these thirty-one invaluable and entertaining pieces, from an article on 'The Obscene and Pathological in Art' to the equally provocative talk 'On Stupidity,' which, with a new translation of The Man without Qualities forthcoming . . . amount to a literary event for the reader of English comparable to Constance Garnett's massive translation of Chekhov's stories."—Joseph Coates, Chicago Tribune "Musil is one of the few great moderns, one of the handful who ventured to confront the issues that shape and define our time. . . . He has a range and a striking capacity every bit as great as that of Mann, Joyce, or Beckett."—Boston Review "These essays are crucial in understanding a writer and critic whose lifelong task was an attempt to resolve the dichotomy between the precision of scientific form and the soul—the matter of life and art."—Choice
Tennessee Williams' witty, engaging, and elegant essays are now available in a revised and much expanded edition.
Friedrich Dürrenmatt was one of the most important literary figures of the twentieth century, a talent on par with Samuel Beckett, Albert Camus, Jean-Paul Sartre, and Bertolt Brecht. A prolific writer of letters, poems, novels, and shorter fictions, his essays on literary forms as well as those on philosophy and politics provide a window onto his world and his work, demonstrating both his critical acumen and the breadth of his talents as a stylist. Gathered from throughout his long career, the writings featured in Dürrenmatt's Selected Essays are by turns playful and polemical, poetic and provocative, mordantly comical and deadly serious. Critics have often been perplexed by Dürrenmatt's sudden shifts--from stage to prose and back, from comedy to tragedy and vice versa, from writing to drawing. In this volume, the full range of his interests in arts and letters--and their relationships to each other--becomes evident. In one section, a cluster of essays on the theater illuminate his idiosyncratic dramaturgical theories, drawing on examples from Attic comedy to Schiller, Brecht, and professional wrestling. In another, his philosophical essays intermingle his passionate reflections on ethical and political questions with his skeptical forays into metaphysics. And in autobiographical pieces such as the monumental "Vallon de l'Ermitage," Dürrenmatt offers an intimate look at his "web of time"--the places where he traveled and the people with whom he lived and worked. Suffused with melancholy, flashes of tenderness, and the author's inimitable sense of the grotesque and absurd, these essays provide a compelling look at the author's prodigious strength as a writer of nonfiction.