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Martial, the father of the epigram, was one of the brilliant provincial poets who made their literary mark on first-century Rome. His Epigrams can be affectionate or cruel, elegiac or playful; they target every element of Roman society, from slaves to schoolmasters to, above all, the aristocratic elite.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.
In War, Liberty, and Caesar, Edward Paleit discusses how readers and writers of the English Renaissance read and understood Lucan's epic poem on the Roman civil wars. Looking at engagements with Lucan across a wide variety of literary forms, Paleit questions what made this Latin author so relevant during this period.
With this book I bring to a close the studies begun in The 'Dignity of Man.' Since the present work is a thematic and chronological extension of, if not precisely a sequel to, its predecessor, a common title might have served for both; however, here my subject is the deterioration, or at least the radical mutation, of the idea whose development I earlier tried to trace. More specifically, I am here concerned with the traditional and the emerging concepts of 'truth'--theological, scientific, political, and other--whose collision generated such heat and even such light in the age of Milton. I have tried to describe, at least in broad terms, the meshing of those inherited and newly formulated values which in my judgment gives the period its peculiar poignancy and relevance for the modern world. Between the birth and death of Milton English thought underwent a transformation whose consequences we perhaps do not fully understand even now. Yet in attempting to seek out the origins of this transformation in the early Renaissance and to sketch its progress through the earlier seventeenth century I have sought to indicate the intellectual and emotional pressures which shaped men's conception of 'truth' and of their capacity to attain it, and to suggest some of the consequences for literature. --from the Preface