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Poet, novelist, painter and musician, Rabindranath Tagore (1861-1941) is the grand master of Bengali culture. Written during the 1890s, the stories in this selection brilliantly recreate vivid images of Bengali life and landscapes in their depiction of peasantry and gentry, casteism, corrupt officialdom and dehumanizing poverty. Yet Tagore is first and foremost India's supreme Romantic poet, and in these stories he can be seen reaching beyond mere documentary realism towards his own profoundly original vision.
The Golden Age of the English short story lies from its first wide acceptance in the middle of the 19th century until the middle of the 20th. This book celebrates this period through some of the most widely known writers of the time.
The Oxford Book of English Short Stories, edited by A. S. Byatt, who has published several collections of short stories, is the first anthology to take the English short story as its theme. The thirty-seven stories featured here are selected from the nineteenth and twentieth centuries, byauthors ranging from Dickens, Trollope, and Hardy to J. G. Ballard, Angela Carter, and Ian McEwan, though many draw ingeniously from the richness of earlier English literary writing. There are all sorts of threads of connection and contrast running through these stories. Their subjects vary from the sublime to the ridiculous, from the momentous to the trivial, from the grim to the farcical. There is English empiricism, English pragmatism, English starkness, English humour,English satire, English dandyism, English horror, and English whimsy. There are examples of social realism, from rural poverty to blitzed London; ghost stories and tales of the supernatural; surreal fantasy and science fiction. There are stories of sensibility, precisely delineated, from Hardy'sreluctant bride to the shocked heroine of Elizabeth Taylor's The Blush, from H. E. Bates's brilliant fusion of class, sex, death, and landscape, to D. H. Lawrence's exploration of a consciousness slowly detaching itself from its world. There are exuberant stories by Saki and Waugh, Wodehouse andFirbank, with a particularly English range from high irony to pure orchestrated farce. The very range and scope of the collection celebrates the eccentric differences and excellences of English short stories Some of A. S. Byatt's choices clearly take their place in the grand tradition of story-telling, while others are more unusual.Many break all the rules of unity of tone andnarrative, appearing to be one kind of story before unexpectedly turning into another. They pack together comedy and tragedy, farce and delicacy, elegance and the grotesque, with language as various as the subject-matter. As A. S. Byatt explains: 'My only criterion was that those stories I selectedshould be startling and satisfying, and if possible make the hairs on the neck prickle with excitement, aesthetic or narrative.'
DIVFirst-rate selections include Hardy's "The Fiddler of the Reels," James' "Oh, Whistle, and I’ll Come to You, My Lad," Dickens' "The Haunted Hotel," and tales by Saki, Kipling, Lawrence, Trollope, Stevenson, and others. /div
English by the Nature Method - Arthur M. Jensen.Selected Short Stories.The purpose behind the present collection of short stories is a double one. Firstly, it has been my intention to give to those who have gone through the main part of "English by the Nature Method" a chance to continue their studies in an easy and natural way by simply reading stories written in a language that they already command. Thus, at the beginning of this book, the stories make use only of the 2300 words contained in "English by the Nature Method". By degrees, new words are introduced, and these are explained by the help of the same 2300 words plus such new words as may have been taken into use in the stories already given. In this way the pupil's knowledge of words is increased little by little, until at the end of the book it includes 3700 words in all, carefully chosen among those most frequently used in the English language. In the second place, I have had in mind to try to be of help to those who may in other ways have reached a certain amount of knowledge of English, but who feel that they cannot directly gain an entrance into the world of English writers without spending too much time and labour. The specially prepared short stories of this book make up a convenient bridge leading the reader by easy steps from the usual school knowledge of English to an understanding of the language normally used by English writers.Arthur M. Jensen.
A selection of short stories including favourites such as Youth, a modern epic of the sea; The Secret Sharer, a thrilling psychological drama; An Outpost of Progress, a blackly comic prelude to Heart of Darkness; Amy Foster, a moving story of a shipwrecked, alienated Pole; and The Lagoon and Karain, two exotic, exciting Malay tales.