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A transcription of a Syriac text from the monastic library of St Catherine, Mount Sinai, first published in 1900.
A translation of a Syriac text from the monastic library of Saint Catherine, Mount Sinai, first published in 1900.
This startling study of early Christian attitudes toward sexuality begins with an account of the different stances adopted by the Church—from the Early Fathers’ view that sex and the female body were irredeemably unholy, to Augustine’s contention that sex was natural, but lust was evil. While the Church Fathers struggled to reach consistent theoretical conclusions, the underlying conflation of ‘women’ with ‘sex’ meant that patristic statements on chastity, virginity and marriage effectively read as ecclesiastical law governing women’s conduct. Joyce Salisbury explains the relationship between Church doctrine and the position of women by placing these official views alongside an ascetic tradition which resisted the constraints imposed by sexual intercourse. Through an examination of texts of female and popular authorship, and the extraordinary lives of seven women saints—including the transvestites Castissima and Pelagia—she presents a markedly different picture of sexual and social roles. For many of these women, celibacy became a form of emancipation. Church Fathers, Independent Virgins bears witness to the entrenched power of the Church to oppress, the continuing power of women to overcome, and the enduring effects of medieval sexual attitudes.
The Oxford Handbook of the Bible in Orthodox Christianity investigates the various ways in which Orthodox Christian, i.e., Eastern and Oriental, communities, have received, shaped, and interpreted the Christian Bible. The handbook is divided into five parts: Text, Canon, Scripture within Tradition, Toward an Orthodox Hermeneutics, and Looking to the Future. The first part focuses on how the Orthodox Church has never codified the Septuagint or any other textual witnesses as its authoritative text. Textual fluidity and pluriformity, a characteristic of Orthodoxy, is demonstrated by the various ancient and modern Bible translations into Syriac, Coptic, Ethiopian, Armenian among other languages. The second part discusses how, unlike in the Protestant and Roman-Catholic faiths where the canon of the Bible is "closed" and limited to 39 and 46 books, respectively, the Orthodox canon is "open-ended," consisting of 39 canonical books and 10 or more anaginoskomena or "readable" books as additions to Septuagint. The third part shows how, unlike the classical Protestant view of sola scriptura and the Roman Catholic way of placing Scripture and Tradition on par as sources or means of divine revelation, the Orthodox view accords a central role to Scripture within Tradition, with the latter conceived not as a deposit of faith but rather as the Church's life through history. The final two parts survey "traditional" Orthodox hermeneutics consisting mainly of patristic commentaries and liturgical interpretations found in hymnography and iconography, and the ways by which Orthodox biblical scholars balance these traditional hermeneutics with modern historical-critical approaches to the Bible.
Early Christian Dress is the first full-length monograph on the subject of dress in early Christianity. It pays attention to the ways in which dress expressed and shaped Christian identity, the role dress played in Christians’ rivalries with pagan neighbours, and especially to the ways in which notions of gender were culled and revised in the process. Although many scholars have argued that gender in late antiquity was a performed and embodied category, few have paid attention to the ways in which dress and physical appearances were implicated in the understanding of femininity and masculinity. This study addresses that gap, revealing the amount of sartorial work necessary to secure stable gender categories in the worlds of early Imperial pagans and late ancient Christians. This study analyzes several vigorous discussions and debates that arose over Christian women’s dress. It examines how Christians interpreted their dress—especially the dress of female ascetics—as evidence of Christianity’s advanced morality and piety, a morality and piety that was coded "masculine." Yet even Christian leaders who championed ascetic women’s ability to achieve a degree of virility in terms of their virtue and spiritual status were troubled when ascetics’ dress threatened to materially dissolve gender categories, difference, and hierarchies. In the end, the study enables us to gain a broader view of how gender was constructed, perceived, and contested in early Christianity.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.