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"This book originated in a conference, Music, Cultural History and the Wesleys, hosted by CHOMBEC (Centre for the History of Music in Britain, the Empire and the Commonwealth) and held at the University of Bristol in July 2007"--Pref.
Hymnody is widely recognised as a central tenet of Methodism’s theological, doctrinal, spiritual, and liturgical identity. Theologically and doctrinally, the content of the hymns has traditionally been a primary vehicle for expressing Methodism’s emphasis on salvation for all, social holiness, and personal commitment, while particular hymns and the communal act of participating in hymn singing have been key elements in the spiritual lives of Methodists. An important contribution to the history of Methodism, British Methodist Hymnody argues that the significance of hymnody in British Methodism is best understood as a combination of its official status, spiritual expression, popular appeal, and practical application. Seeking to consider what, when, how, and why Methodists sing, British Methodist Hymnody examines the history, perception, and practice of hymnody from Methodism’s small-scale eighteenth-century origins to its place as a worldwide denomination today.
The Routledge Companion to John Wesley provides an overview of the work and ideas of one of the principal founders of Methodism, John Wesley (1703-91). Wesley remains highly influential, especially within the worldwide Methodist movement of some eighty million people. As a preacher and religious reformer his efforts led to the rise of a global Protestant movement, but the wide-ranging topics addressed in his writings also suggest a mind steeped in the intellectual developments of the North Atlantic, early modern world. His numerous publications cover not only theology but ethics, history, aesthetics, politics, human rights, health and wellbeing, cosmology and ecology. This volume places Wesley within his eighteenth-century context, analyzes his contribution to thought across his multiple interests, and assesses his continuing relevance today. It contains essays by an international team of scholars, drawn from within the Methodist tradition and beyond. This is a valuable reference particularly for scholars of Methodist Studies, theology, church history and religious history.
Excerpt from Select Hymns, With Tunes Annext: Designed Chiefly for the Use of the People Called Methodists Now, now let me know Its Virtue below Let it waih me, and l {hall be whiter than Snow, Let it hallow my Heart, And thro'ly convert, And make, me, O Lord, in the vvor-ld as thou art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
John Wesley published three tune books in two-decade intervals for the evangelical British Methodist movement within the Church of England with its varied audiences and diverse musical tastes. S T Kimbrough, Jr. and Carlton R. Young have published the only facsimile reprints, with critical introductions and notes, of the first two collections (1742 and 1761). Wesley intended his third collection, Sacred Harmony, or a choice Collection of Psalms and Hymns, Set to Music in two or three parts for the Voice, Harpsichord & Organ (1780), henceforth SH 1780, as a musical companion to his monumental A Collection of Hymns for the Use of the People Called Methodists (1780). This edition of SH 1780 provides the ecclesial, cultural, and musical contexts of the volume; traces the sources of each tune and text (with textual variants), provides indexes of texts and tunes, and appropriate appendices. The copy used for this facsimile includes the autograph of John Wesley and the date of January 10, 1780, on an opening flyleaf, his marginal notes, and is housed in the archives of Old St. George's United Methodist Church in Philadelphia, Pennsylvania. Each page of this facsimile edition of SH 1780 has been thoroughly cleaned of bleedthrough and blotches.