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Second edition of best-selling one-year introductory course in ancient Greek for students and adults. This volume contains a narrative adapted entirely from ancient authors in order to encourage students rapidly to develop their reading skills. The texts and numerous illustrations also provide a good introduction to Greek culture.
Cameos showcase Tiberius in private and Augustus in court, with Pompey the Great on campaign and Phaedrus himself struggling against prejudice and persecution, and tales feature all sorts - a toadying slave, wicked servant, vain musician, effeminate soldier, sexy poet, and rogue quack. These forgotten tales tell short and clear Roman parables of power and powerlessness. Humorous and acute, they explain, and protest at, the Caesars, and they sit perfectly among Aesop's sadistic lions, murderous wolves, and apes in purple."--Jacket.
A collection of animal fables told by the Greek slave Aesop.
Excerpt from Select Fables of Phaedrus: Edited for the Use of Schools When the subject is made up of two or more substantives denoting different persons or things, but regarded as in connection with each other, the verb is put in the plural. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
La Fontaine's verse fables turned the traditional folktales derived from Aesop and a range of Oriental sources into some of the greatest, and best-loved, poetic work in French. His versions of stories such as 'The Hare and the Tortoise' and 'The Wolf and the Lamb' are witty and sophisticated, satirizing human nature in miniature dramas in which the outcome is always unpredictable. The behaviour of both animals and humans is usually centred on deception and cooperation (or the lack of it), as they cheat and fight each other, arguing about life and death, property and food, in an astonishing variety of narrative styles. The fables have long been popular with all ages, though their ironic take on contemporary society in French aristocratic circles is best appreciated by adults. This new translation by Christopher Betts matches the original in inventiveness and subtlety. It includes half of the fables first published in twelve books between 1668 and 1693, across the full range of subjects and themes. The fables are illustrated with a selection of Gustave Doré's majestic engravings, and an introduction offers insights into La Fontaine's life and literary artistry.
Driven by thirst, a Wolf and a Lamb had come to the same stream; the Wolf stood above, and the Lamb at a distance below. Then, the spoiler, prompted by a ravenous maw, alleged a pretext for a quarrel. "Why," said he, "have you made the water muddy for me while I am drinking?" The Fleece-bearer, trembling, answered: "Prithee, Wolf, how can I do what you complain of? The water is flowing downwards from you to where I am drinking." The other, disconcerted by the force of truth, exclaimed: "Six months ago, you slandered me." "Indeed," answered the Lamb, "I was not born then." "By Hercules," said the Wolf, "then "twas your father slandered me;" and so, snatching him up, he tore him to pieces, killing him unjustly. This Fable is applicable to those men who, under false pretences, oppress the innocent.