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How youth-centered ambitions destroyed the ideals of nationhood in Guinea
Originally published in 1976, this book was the first comprehensive analysis in English of the post-independence developments in the West African Republic of Guinea. It is a scholarly analysis of the different aspects of life in the country: political, economic and social. Among other things, the significance and consequences of the 1958 historic vote for independence are carefully examined: the role of President Touré, the country’s first and only Head of State, is assessed; the role of one of Africa’s earliest single mass parties, the Democratic Party of Guinea is also discussed, and the abortive invasion of November 1970 is situated in its correct historical perspective. This carefully researched book was based on observation and interviews, and on published and unpublished government and party documents, most of which were only available inside Guinea.
Guinea is rich, both materially and culturally, with the world's largest bauxite reserves, gold, diamonds and iron ore. It abounds in culture and traditions and has a remarkable, if often turbulent, history. Guinea is also exceptional in that it was the first French colony proudly to declare its independence, in 1958. Thereafter, the country suffered under the tyranny of Sekou Toure. Today, headed for the first time by an elected president, Guineans are trying to put their troubled past behind them and fulfil the promise of a decent life for all. It will not be easy. Tens of thousands perished in the years of chaos and even more human potential continues to go to waste. Guinea is the classic paradox: there are vast mineral reserves, its peoples are resourceful and the earning potential of agriculture and tourism is evident. And yet, most citizens are desperately poor and lack even the most basic services. Governance lies at the heart of this problem. Posthumus touches on all these themes, while taking the reader to all corners of Guinea, which is captivating and exasperating in equal measure. He also highlights Guinea's remarkable cultural accomplishments, most notably its globally renowned music.
The book is a study of identity transformation and negotiation of identity as applied to Ahmed Sékou Touré and subordinates in colonial and post-colonial Guinea.
"... A historical ethnography of the socialist period in Guinea"--Page 5.
Provides basic yet comprehensive facts about the social, economic, political and millitary institutions of the country.
Music has long been an avenue for protest, seen as a way to promote freedom and equality, instill hope, and fight for change. Popular music, in particular, is considered to be an effective form of subversion and resistance under oppressive circumstances. But, as Nomi Dave shows us in The Revolution’s Echoes, the opposite is also true: music can often support, rather than challenge, the powers that be. Dave introduces readers to the music supporting the authoritarian regime of former Guinean president Sékou Touré, and the musicians who, even long after his death, have continued to praise dictators and avoid dissent. Dave shows that this isn’t just the result of state manipulation; even in the absence of coercion, musicians and their audiences take real pleasure in musical praise of leaders. Time and again, whether in traditional music or in newer genres such as rap, Guinean musicians have celebrated state power and authority. With The Revolution’s Echoes, Dave insists that we must grapple with the uncomfortable truth that some forms of music choose to support authoritarianism, generating new pleasures and new politics in the process.
Provides a study of the political evolution of Guinea from World War Two to the present. Based on primary-source information, this book examines with rare depth and breadth the eventful history of this nation-state, whose trajectory has impacted in no small ways Francophone Africa and the rest of the continent.