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In 1962, a Hiroshima peace delegation and an Auschwitz survivor's organization exchanged relics and testimonies, including the bones and ashes of Auschwitz victims. This symbolic encounter, in which the dead were literally conscripted in the service of the politics of the living, serves as a cornerstone of this volume, capturing how memory was utilized to rebuild and redefine a shattered world. This is a powerful study of the contentious history of remembrance and the commemoration of the atomic bomb in Hiroshima in the context of the global development of Holocaust and World War II memory. Emphasizing the importance of nuclear issues in the 1950s and 1960s, Zwigenberg traces the rise of global commemoration culture through the reconstruction of Hiroshima as a 'City of Bright Peace', memorials and museums, global tourism, developments in psychiatry, and the emergence of the figure of the survivor-witness and its consequences for global memory practices.
This title was first published in 1984. Examining the development of the Japanese economy, this book examines the position of Japan's economy in the world, the internal structure of the large corporation system and the life of the Japanese people.
"Ordinary Economies in Japan directs our attention to a subordinate yet powerful theme in modern Japanese economic thought that appeared unobtrusively in the mid-Tokugawa period and found expression in the formation of voluntary, non-hierarchical associations of commoners who purposively organized their self-help activities apart from state authority. Tetsuo Najita's compelling analysis of kô is groundbreaking and explains a great deal about Japanese modernization that economic historians have overlooked or undervalued."—Stephen Vlastos, University of Iowa
Edited by Roy Starrs, this collection of essays by an international group of leading Japan scholars presents new research and thinking on Japanese modernism, a topic that has been increasingly recognized in recent years to be key to an understanding of contemporary Japanese culture and society. By adopting an open, multidisciplinary, and transnational approach to this multifaceted topic, the book sheds new light both on the specific achievements and on the often-unexpected interrelationships of the writers, artists and thinkers who helped to define the Japanese version of modernism and modernity. Specific topics addressed include the literary modernism of major writers such as Akutagawa, Kawabata, Kajii, Miyazawa, and Murakami, avant-garde modernism in painting, music, theatre, and in the performance art of Yoko Ono, and the everyday modernism of popular culture and of new urban activities such as shopping and sports.
This first in-depth study in English of one of Japan’s popular historians and a well-known journalist of the Meiji and Taish periods challenges the conventional view that Yamaji Aizan was essentially a ‘nationalist’ at heart eager to see Japan expand into Asia and a supporter of the colonization of Korea.
"Few peoples have drawn the 'us' and 'them' line so clearly and maintained it for so long." —From The Jews and the Japanese It is difficult to imagine two more widely different—almost incompatible—societies than those of the Jews and the Japanese: a people spread over the four corners of the world versus a people with an almost uninterrupted history of sovereignty in its own land: geographical heterogeneity versus linguistic and cultural homogeneity; a cosmopolitan experience versus an island mentality; strict religious and moral commandments versus group–based and aesthetically bound values. Yet, there are also surprising analogies between these two peoples. It is this extraordinary combination of similarities and differences that are explored. In The Jews and the Japanese, Professor Shillony describes how these two peoples, both rich in cultural heritage and historical experiences, have interacted with the Christian West, their outstanding achievements and immense tragedies, and their attempts to integrate with the West and its repeated rejection of them.
From the late 1920s through World War II, film became a crucial tool in the state of Japan. Detailing the way Japanese directors, scriptwriters, company officials, and bureaucrats colluded to produce films that supported the war effort, Imperial Screen is a highly readable account of the realities of cultural life in wartime Japan. High's treatment of the Japanese film world as a microcosm of the entire sphere of Japanese wartime culture demonstrates what happens when conscientious artists and intellectuals become enmeshed in a totalitarian regime. This English language edition is revised and expanded from the original Japanese edition.