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It’s about being seen. Both for who you are, and who you hope you can become. History is a mirror, and all too often, the history we’re told in school reflects only a small subset of the population. In the new ongoing graphic novel program; Seen: True Stories of Marginalized Trailblazers, you’ll find the stories of the real groundbreakers who changed our world for the better. Meet Edmonia Lewis, the woman who changed America during the Civil War by becoming the first sculptor of African-American and Native American heritage to earn international acclaim. In the tradition of March, Science Comics, and A Quick and Easy Guide to They/Them Pronouns, Jasmine Walls and Bex Glendining shine a light on a true story of courage, determination and perseverance through one of America’s most violent eras to create true beauty that still resonates today.
Child of the Fire is the first book-length examination of the career of the nineteenth-century artist Mary Edmonia Lewis, best known for her sculptures inspired by historical and biblical themes. Throughout this richly illustrated study, Kirsten Pai Buick investigates how Lewis and her work were perceived, and their meanings manipulated, by others and the sculptor herself. She argues against the racialist art discourse that has long cast Lewis’s sculptures as reflections of her identity as an African American and Native American woman who lived most of her life abroad. Instead, by seeking to reveal Lewis’s intentions through analyses of her career and artwork, Buick illuminates Lewis’s fraught but active participation in the creation of a distinct “American” national art, one dominated by themes of indigeneity, sentimentality, gender, and race. In so doing, she shows that the sculptor variously complicated and facilitated the dominant ideologies of the vanishing American (the notion that Native Americans were a dying race), sentimentality, and true womanhood. Buick considers the institutions and people that supported Lewis’s career—including Oberlin College, abolitionists in Boston, and American expatriates in Italy—and she explores how their agendas affected the way they perceived and described the artist. Analyzing four of Lewis’s most popular sculptures, each created between 1866 and 1876, Buick discusses interpretations of Hiawatha in terms of the cultural impact of Henry Wadsworth Longfellow’s epic poem The Song of Hiawatha; Forever Free and Hagar in the Wilderness in light of art historians’ assumptions that artworks created by African American artists necessarily reflect African American themes; and The Death of Cleopatra in relation to broader problems of reading art as a reflection of identity.
Biography of African American sculptor Edmonia Lewis.
"A biographical novel in verse of a half Native American, half African American female sculptor, Edmonia Lewis, working in the years right after the Civil War"--
A new non-fiction graphic novel series for fans of March and A Quick and Easy Guide to They/Them Pronouns that explores the stories of the real groundbreakers and Marginalized Trailblazers who changed our world for the better. It’s about being seen. Both for who you are, and who you hope you can become. History is a mirror, and all too often, the history we’re told in school reflects only a small subset of the population. Meet Rachel Carson, the woman who changed the way America fought against the environmental crisis through her bestselling books, ultimately spurring the creation of the U.S. Environmental Protection Agency. Birdie Willis & Rii Abrego present the true story of the marine biologist whose dedication, compassion and integrity gave a new generation of Americans hope for a brighter tomorrow.
Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 female artists from around the globe in text that's smart, feisty, educational, and an enjoyable read. Replete with beautiful reproductions of the artists' works and contemporary portraits of each artist by renowned illustrator Lisa Congdon, this is art history from the Renaissance to Abstract Expressionism for the modern art lover, reader, and feminist.
Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds ofimportant works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch--in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature imagesnever before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meetLaura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration onthe famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their workwith a social and political agenda, and through the tumultuous, explosive years of the civil rights movement. Drawing on revealing interviews with numerous contemporary artists, such as Betye Saar, Faith Ringgold, Nanette Carter, Camille Billops, Xenobia Bailey, and many others, the second half ofCreating Their Own Image probes more recent stylistic developments, such as abstraction, conceptualism, and post-modernism, never losing sight of the struggles and challenges that have consistently influenced this body of work. Weaving together an expansive collection of artists, styles, andperiods, Farrington argues that for centuries African-American women artists have created an alternative vision of how women of color can, are, and might be represented in American culture. From utilitarian objects such as quilts and baskets to a wide array of fine arts, Creating Their Own Imageserves up compelling evidence of the fundamental human need to convey one's life, one's emotions, one's experiences, on a canvas of one's own making.
The first original graphic novel in a new series spotlighting the true stories of the real groundbreakers who changed our world for the better. “Sometimes the times were dark and the outlook was lonesome, but where there is a will, there is a way. I pitched in and dug at my work until now I am where I am.” Meet Edmonia Lewis, the woman who changed America during the Civil War by becoming the first sculptor of African-American and Native American heritage to earn international acclaim. Jasmine Walls & Bex Glendining present the true story of courage, determination and perseverance through one of America’s most violent eras to create true beauty that still reverberates today. It’s about being seen. Both for who you are, and who you hope you can become. History is a mirror, and all too often, the history we’re told in school reflects only a small subset of the population. In Seen: True Stories of Marginalized Trailblazers, you’ll find the stories of the real groundbreakers who changed our world for the better. They’re the heroes: the inventors, the artists, the activists, and more whose stories you won’t want to miss. The people whose lives show us both where we are, and where we’re going.
A Monologue - describing the life of Edmonia Lewis aka "Wildfire" - in her words.