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Do I dare disturb the universe? It is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best known poems of the twentieth century, T. S. Eliot’s The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and his also famous The Wasteland, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If a reader works through his love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work. Many do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Dante’s Divine Comedy, and its inclusion of amour as a means to salvation. His work is generally seen as the greatest literature ever to come out of Italy, sometimes referred to as the epic representation of St. Thomas Aquinas’ Summa Theologica, one of the central documents establishing Catholic doctrine. This book explores how these brilliant men struggle with the highest meanings of life in their artistic expressions and perhaps manage to express what Rudolph Otto designates the mysterium tremendum, the experience of a mystical awe, what he calls the numinous or, in more common terms, the experience of God.
Do I dare disturb the universe? This is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best-known poems of the previous century, T. S. Eliot’s The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and The Waste Land, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If the reader works through Eliot’s love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work, but do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Dante’s Divine Comedy, and its inclusion of amour as a means to salvation. Dante’s work is generally seen as the greatest literature ever to come out of Italy. This book is an expanded revision of Seeking God in the Works of T. S. Eliot and Michelangelo. It explores how T.S Eliot struggled with the highest meanings of existence in his poetry and his own life, and perhaps managed to express what has become known as a modernist (and post-modernist) view of what Rudolph Otto designated the mysterium tremendum, the experience of a mystical awe, the experience of God.
Written with both passion and precision, God's Spies is a work that will be welcomed by anyone interested in the vital interplay between poetry and religion. The authors represented, including poets such as Michelangelo, St Francis of Assisi, Charles Péguy, Dante and Shakespeare, all possess one great and surprising quality in common: audacity. All of them in their work offer fresh and unforeseen perspectives on life and literature. Some of these authors are religious in the strict meaning of the word, their work indicating a devout turning away from the distractions of the world to focus on God. Others, in contrast, are poets whose work is distinguished by a remarkable visionary focus on the many small and great dramas of life, attending with bright, imaginative genius to what Shakespeare calls 'the mystery of things'.
Kelly Monroe presents forty-two compelling testimonies from faculty members, former students, and orators at Harvard University whose reflections explode the myth that Christian faith cannot survive a rigorous intellectual environment.
This book is a comprehensive, profound and immediately accessible book which opens the way for all to increase their understanding and develop their practice of prayer. Richard Foster explores the riches of the historical classics of prayer as well as his own personal experience. No one who reads Prayer will remain unmoved; all will find encouragement within its pages.
Biological Clocks introduces the subject of human chronobiology. It describes biological clocks; why we have clocks; how biological clocks relate to sleep disorders, depression, and jet lag; and how the reader can measure his/her own rhythms.
This volume presents a reading of poems directly related to the poet's quest for God. This book illuminates those aspects which reveal his importance as a religious writer, the journey of the man in search of God.
"Among the greatest poets of the twentieth century, T.S. Eliot was also "an outspoken apologist for the Church of England and a passionate critic of a culture he felt had abandoned its moorings and lost its soul." Richard Schmidt's brief sketch of Eliot's life looks at how faith transformed the bleak, cynical author of The Waste Land into the man who composed the deeply spiritual Four Quartets. Includes excerpts from many of Eliot's most popular writings."--Publisher's website.
George H. Guthrie's study on the Epistle to the Hebrews is part of The NIV Application Commentary, a work designed to bring an ancient message into a modern context and illuminating its contemporary application. Copyright © Libri GmbH. All rights reserved.
This book provides an invaluable tool for gaining access to this major cultural and literary source; it lays out the broad chronological evolution of the poetry; and above all, through a close analysis of the individual poems and a concluding overview, it clarifies both the meaning of the poems and verbal artistry that shaped their construction. The guiding concern of the entire study is to help readers gain acquaintance with a rich and complex genius through sensitive attention to the particularities of his life and linguistic creativity.